Like her more famous brother William, Dorothy Wordsworth was also an important writer. Yet her work has found a wide readership only in recent years. Appearing in 1987, the first edition of this book was the first full-length scholarly study of the author and was also the first to collect her poems, discovered at Dove cottage and in other libraries. This new edition adds critical readings based on the latest research into Wordsworth's life and work and will further the argument for her place among the important writers of Romanticism.

Like her more famous brother William, Dorothy Wordsworth was also an important writer. Yet her work has only found a wide readership in recent years. First appearing in 1987, this book was the first full-length scholarly study of the author and was also the first to collect her poems, discovered at Dove cottage and in other libraries. This new edition adds critical readings based on the latest research into Wordsworth's life and work and will further the argument for her place among the important writers of Romanticism.

What did it mean to write as a woman in the Romantic era? How did women writers test and refashion the claims or the grand self, the central 'I, ' we typically see in Romanticism? In this powerful and original study Meena Alexander examines the work of three women: Mary Wollstonecraft (1759-97) the radical feminist who typically thought of life as 'warfare' and revolted against the social condition of women; Dorothy Wordsworth (1771-1855) who lived a private life enclosed by the bonds of femininity, under the protection of her poet brother William and his family; Mary Shelley (1797-1851), the daughter that Wollstonecraft died giving birth to, mistress then wife of the poet Percy Shelley, and precocious author of Frankenstein. Contents: Introduction: Mapping a Female Romanticism; Romantic Feminine; True Appearances; Of Mothers and Mamas; Writing in Fragments; Natural Enclosures; Unnatural Creation; Revising the Feminine; Versions of the Sublime R

This 1927 volume contains a series of short essays on the lives and works of Dorothy and William Wordsworth.

The Companion to Romanticism is a major introductory survey from an international galaxy of scholars writing new pieces, specifically for a student readership, under the editorship of Duncan Wu.

William and Dorothy Wordsworth is the first literary biography of the Wordsworths' creative collaboration. Using poems, letters, journals, memoirs, and biographies, it plots the intertwined lives of the Wordsworth siblings and their writing.