Combining historical and biographical research with feminist theory, Carrie Hintz considers Osborne's vision of letter writing, her literary achievement, and her literary influences.

Seventy-seven letters from an upper-class English woman to her paramour offer a window in to a courtship that, the editor argues, are marked by the intelligence of the writer and her insistence of being treated as an intellectual equal. Explanatory notes and an introduction discussing the importance of the letters for understanding gender politics in 17th century England accompany the letters. Appendices present letters from after the marriage, genealogies, and other contextual information. Annotation copyrighted by Book News, Inc., Portland, OR.

When Sir William Temple (1628–99) and Dorothy Osborne (1627–95) began their passionate love affair, civil war was raging in Britain, and their families—parliamentarians and royalists, respectively—did everything to keep them apart. Yet the couple went on to enjoy a marriage and a sophisticated partnership unique in its times. Surviving the political chaos of the era, the Black Plague, the Great Fire of London, and the deaths of all their nine children, William and Dorothy made a life together for more than forty years. Drawing upon extensive research and the Temples’ own extraordinary writings—including Dorothy’s dazzling letters, hailed by Virginia Woolf as one of the glories of English literature—Jane Dunn gives us an utterly captivating dual biography, the first to examine Dorothy’s life as an intellectual equal to her diplomat husband. While she has been known to posterity as the very symbol of upper-class seventeenth-century domestic English life, Dunn makes clear that Dorothy was a woman of great complexity, of passion and brilliance, noteworthy far beyond her role as a wife and mother. The remarkable story of William and Dorothy’s life together—illuminated here by the author’s insight and her vivid sense of place and time—offers a rare glimpse into the heart and spirit of one of the most turbulent and intriguing eras in British history.

Explores Virginia Woolf's affinity with the early modern period and her sense of being reborn as writer and reader through the creation of an alternative tradition of reading and writing whose roots go back to the Elizabethans and beyond. The author, a Fellow in English at Girton College, Cambridge, critiques Woolf's ideas through a discussion of particular writers--Montaigne, Donne, Pepys and Bunyan, Dorothy Osborne and Madame de Sevigne. She considers the forms traditionally associated with women, such as the essay, the personal letter and diary, in the context of printing, the body, and the relationship between amateurs and professionals. Annotation copyrighted by Book News, Inc., Portland, OR

16-year-old Wendy Davies crashes her car into a lake on a late summer night in New England with her two younger brothers in the backseat. When she wakes in the hospital, she is told that her youngest brother, Michael, is dead. Wendy — a once rational teenager – shocks her family by insisting that Michael is alive and in the custody of a mysterious flying boy. Placed in a new school, Wendy negotiates fantasy and reality as students and adults around her resemble characters from Neverland. Given a sketchbook by her therapist, Wendy starts to draw. But is The Wendy Project merely her safe space, or a portal between worlds?

Virginia Woolf's playful exploration of a satirical »Oxbridge« became one of the world's most groundbreaking writings on women, writing, fiction, and gender. A Room of One's Own [1929] can be read as one or as six different essays, narrated from an intimate first-person perspective. Actual history blends with narrative and memoir. But perhaps most revolutionary was its address: the book is written by a woman for women. Male readers are compelled to read through women's eyes in a total inversion of the traditional male gaze. VIRGINIA WOOLF [1882–1941] was an English author. With novels like Jacob’s Room [1922], Mrs Dalloway [1925], To the Lighthouse [1927], and Orlando [1928], she became a leading figure of modernism and is considered one of the most important English-language authors of the 20th century. As a thinker, with essays like A Room of One’s Own [1929], Woolf has influenced the women’s movement in many countries.

“A must-read book for anyone suffering from chronic pain” (Sara Gottfried, MD), No Grain, No Pain demonstrates the proven link between a gluten-heavy diet and chronic pain and discomfort—and offers a groundbreaking, 30-day, grain-free diet to help you heal yourself from the inside out. More than 100 million Americans suffer from chronic pain, according to an Institute of Medicine report released in 2011. For many, chronic pain is part of an autoimmune disease, but all too often doctors turn to the same solution: painkilling drugs. But all of this medication simply isn’t helping, and as Dr. Peter Osborne, the leading authority on gluten sensitivity and food allergies has found, the real solution often lies in what you eat. In No Grain, No Pain, Dr. Osborne shows how grains wreak havoc on the body by causing tissue inflammation, creating vitamin and mineral deficiencies, and triggering an autoimmune response that causes the body to attack itself. But he also offers practical steps to find relief. Using his drug-free, easy-to-implement plan, you will be able to eliminate all sources of gluten and gluten-like substances, experience significant improvement in fifteen days, and eliminate pain within thirty days. The first book to identify diet—specifically, grain—as a leading cause of chronic suffering, No Grain, No Pain provides you with the knowledge you need to improve your health. Based on extensive research and examples culled from thousands of his satisfied patients, Dr. Osborne recommends changing your diet to achieve the relief that millions of Americans have been seeking once and for all, leading to a healthier, happier life.