“Shows us just how brave, rebellious, and creative this unique woman really was, and how her generosity benefits us to this day.” —Gloria Steinem In The Silver Swan, Sallie Bingham chronicles the notorious tobacco heiress who was perhaps the greatest modern woman philanthropist. Duke established her first foundation when she was twenty-one; cultivated friendships with Jackie Kennedy, Imelda Marcos, and Michael Jackson; flaunted interracial relationships; and adopted a thirty-two year-old woman she believed to be the reincarnation of her deceased daughter. Even though Duke was the subject of constant scrutiny, little beyond the tabloid accounts of her behavior has been publicly known. When her personal papers were made available, Sallie Bingham set out to discover her true identity. She found an alluring woman whose life was forged in the Jazz Age, who was not only an early war correspondent but also an environmentalist, a surfer, a collector of Islamic art, a savvy businesswoman who tripled her father’s fortune, and a major philanthropist with wide-ranging passions from dance to historic preservation to human rights. In The Silver Swan, Bingham dissects the stereotypes that have defined Duke’s story while also confronting the disturbing questions that cleave to her legacy. “Illuminating . . . Bingham is a generous biographer in this exacting, measured work.” —Publishers Weekly “The most significant, dramatic, and compelling biography of Doris Duke. . . . that will delight and inspire all readers concerned about a more humane future.” —Blanche Wiesen Cook, author of Eleanor Roosevelt (vols. I, II, III)

Her godson writes an autobiography of the tobacco heiress, one of America's richest women.

In the 1950s and 1960s, Doris Duke was one of the few Western collectors pursuing Thai artworks, and in 1961 she established the Foundation for Southeast Asian Art and Culture to increase Western recognition and appreciation of these works. By 1964 Miss Duke had acquired roughly 2,000 diverse pieces of eighteenth- and nineteenth-century art primarily from Thailand, Burma, and Laos, ranging from textiles, household furnishings, and jewelry to teak houses and massive statues. She began to display her collection in 1972 at Duke Farms, her large New Jersey estate, and she continued to travel and collect widely in Southeast Asia throughout that decade. Most of the work found in SEAAC is from Thailand, and Doris Duke strongly believed in the preservation of Thai art as a reflection of the people and culture from which it emerged. She worked for much of her life toward finding an effective way to share her knowledge and enthusiasm. Doris Duke: The Southeast Asian Art Collection honors her wish to bring greater public and scholarly attention to the excellent works she gathered. In addition, this beautiful book acknowledges the collection as an impressive whole before its dispersion to several major museums.

Cielo Drive cuts like a beautiful scar along the bottom of a V-shaped canyon in the hills of Bel Air, off of Benedict. In February, 1969, as she looked out on it from the red farmhouse at 10050 Cielo she and her husband Roman Polanski had just rented, Sharon had no way of knowing that she only had 6 months to live. On the night of August 9th, members of "The Manson Family" would invade that house and murder Sharon and three of her closest friends. But strangely, half a year earlier, she'd had a brush with a different killer. It happened after her younger sister Patti, then 11, looked across at the ominous Spanish-Moorish estate Sharon called "The Haunted House." In "Restless Souls," their remarkable memoir, Alisa Statmen and Brie Tate write that Patti then hiked down and across Cielo, walking up to No. 1436 Bella Drive. There, she encountered an open gate where white pillars bore the name: Falcon Lair. Once the home of Rudolf Valentino, it had been purchased in 1953 by the fabulously wealthy heiress Doris Duke. The wrought iron gates were open when Patti wandered inside. Suddenly, she heard, the caretaker yell, "This is private property!" Startled, she turned and lost her balance, skinning her knee, when just then, a black limo pulled in. A tinted window went down and a tall woman in back lowered her sunglasses to ask who she was. Once she ID'd herself as Patti, whose sister Sharon lived "across in the red barn," Doris knew that this wasn't just any child. She was the sibling of the hottest young star in town. So Doris snapped to the caretaker, "Stop being such an ogre and bring Patti in, so we can clean those scraps. And get me the Polanski's phone number." Later, the Duke staff was bandaging Patti's knee when Sharon arrived, "nervously chewing her lower lip" and apologizing to the blond billionaire who was the 3rd richest woman in the world behind Queen Elizabeth & Queen Juliana. But by then, Sharon Tate was Hollywood royalty herself; her husband Roman, coming off "Rosemary's Baby," was a kind of cinematic prince. So why was she nervous? What would make her bite her lip in the face of a woman whose caretaker's aggressive warning had caused her little sister to draw blood? Since Sharon was killed that summer, we'll never know. But one thing is clear: this wasn't the first time Sharon Tate had been pulled into Doris Duke's orbit. 2 1/2 years earlier, one of Sharon's closest friends, Eduardo Tirella, had been violently killed after Doris crushed him under a two-ton station wagon. At the time, all of Eduardo's friends suspected he'd been murdered. The brutal stabbing of Sharon Tate is the tragic tale of a young woman of great promise cut down in the prime of life. But the same could be said for Eduardo, whose own Hollywood career was just catching fire, when he told the possessive, heiress he was leaving her, just minutes before she ran him down outside the gates of her Newport, RI estate. Because she had the money and power, Doris Duke succeeded in effectively erasing his death from the narrative of her troubled life. For more than 50 years, the real truth behind what happened at Rough Point in 1966 has been hidden. Until now!

This inspiring book accompanies the first traveling exhibition about Doris Duke’s estate Shangri La and its influential synthesis of modernist architecture and Islamic art and design. Situated on five acres of terraced gardens and pools overlooking the Pacific Ocean and Honolulu’s Diamond Head, Shangri La was the idyllic paradise of philanthropist Doris Duke, reflecting her personal passion for the art, architecture, and design of the Islamic world. The estate incorporates unique architectural features, such as carved marble doorways, jalis, and floral ceramic tiles, and the decor includes artifacts, such as silk textiles, jewel-toned chandeliers, and gilt and coffered ceilings, many collected during her travels. This volume presents an exclusive tour of Shangri La’s breathtaking interiors and landscape, including the splendid furnishings and art. Archival photographs of Duke and friends as well as correspondence and drawings provide a view into a lifestyle defined by the highest sense of aesthetics. Doris Duke’s Shangri La is sure to inspire both art and design lovers.

At the age of 13, she inherited a $100 million tobacco fortune. By the time she was 30, Doris Duke had lavished millions on her lovers and husbands. An eccentric and maverick, Duke's intimate circle of friends included Jacqueline Onassis, Malcolm Forbes, Truman Capote, Errol Flynn and Andy Warhol. 16 pages of photos.