The Dutch were culturally ubiquitous in England during the early modern period and constituted London's largest alien population in the second half of the sixteenth century. While many sought temporary refuge from Spanish oppression in the Low Countries, others became part of a Dutch diaspora, developing their commercial, spiritual, and domestic lives in England. The category "Dutch" catalyzed questions about English self-definition that were engendered less by large-scale cultural distinctions than by uncanny similarities. Doppelgänger Dilemmas uncovers the ways England's real and imagined proximities with the Dutch played a crucial role in the making of English ethnicity. Marjorie Rubright explores the tensions of Anglo-Dutch relations that emerged in the form of puns, double entendres, cognates, homophones, copies, palimpsests, doppelgängers, and other doublings of character and kind. Through readings of London's stage plays and civic pageantry, English and Continental polyglot and bilingual dictionaries and grammars, and travel accounts of Anglo-Dutch rivalries and friendships in the Spice Islands, Rubright reveals how representations of Dutchness played a vital role in shaping Englishness in virtually every aspect of early modern social life. Her innovative book sheds new light on the literary and historical forces of similitude in an era that was so often preoccupied with ethnic and cultural difference.

The Chief Executive Officer of a large private corporation has the Board of Director votes to thwart a buyout/takeover bid from a corporate raider. However, several members of the BOD will stop at nothing to ensure the bid is successful, including hiring assassins to kill the CEO to eliminate his deciding, negative votes. If the CEO is absent from the board meeting, the corporate raider will be successful. Complications arise when the young CEO is temporarily incapacitated by an automobile accident caused by his own immaturity and recklessness. To provide the necessary negative votes and protect the corporation from the raider, its astute Chief Operating Officer, governed by his 25+ years of loyal and significant service, covertly hires a look-alike actor to pose as the CEO. The impostor has to successfully deceive the CEO’s BOD members, staff, friends, acquaintances, and a TV-viewing audience for at least two months. To further the deception, a young attractive actress is hired to pose as the impostor’s platonic girlfriend. Therein lies the plot. The impostor plays his role so well that there are a number of attempts to kill him, thinking that he is the real CEO. What follows are multiple, ruthless attempts to kill the CEO impostor to ensure the corporate raider’s success. The impostor’s life is further jeopardized by an avenging ex-convict who blames the CEO for the death of his sister. Throughout all the dangers the impostor must not break character. His mission remains the same: Deception without Detection. “No matter what happens, no one must know!” This fast-paced story takes place across many venues: the Big Sur coastal area; the snow-covered mountains of Utah; a cabin in the Adirondacks; mega-yacht moorings at St. Tropez, Nice, and Monaco along the French Riviera; a New York City horse-drawn carriage ride; a rustic cabin in Sleepy Hollow, New York; a retirement village in Arkansas; a movie premiere; a late-night TV show; and corporate guest lodges in California, 1000 Islands, and Florida. The theme of the Imperiled Impostor is the conflict between good and evil, with this additional consideration and question from a Machiavellian treatise: “does the end justify the means”. In the story, does deceit and deception justify the final “good” result? The story also depicts the redemption of a gifted and capable person who had been wasting his life in self-indulgence and self-pity.

Eight outre tales of the doubly weird by J. Sheridan LeFanu, E.T.A. Hoffmann, Algernon Blackwood, Guy de Maupassant, Honore de Balzac, Hans Christian Andersen, Henry James, and Charlotte Perkins Gilman. . . . The face in the mirror is yours, but ever so slightly different. A shadow haunts your house, but it walks in places you've never gone. You grew up with a boy who had your face and your name, except he always did everything right, while you never could. Evil twins, double images: these are the tales of the Doppelganger.

A virus destroys the communication network of the Canadian diplomatic service. Carson Pryce, a reclusive, moody intelligence analyst, and Rachel Dunn, a brilliant diplomat with a glowing humanitarian track record, are implicated in the event. For years, Carson has been secretly obsessed with Rachel, and abuses his privileged access to intelligence information to keep track of her and the people around her. He knows things about Rachel which she doesn't even know herself. The investigation into the virus deepens and Carson initiates a cover-up to prevent damage to Rachel's reputation. The plot in Borderless Deceit skips easily from Ottawa to Vienna, from Berlin to Alexandria and from Transylvania to Kenya. The action takes place in a world where privacy has disappeared, where hackers circle each other in cyberspace, and where a mouse click can orchestrate deceit in faraway places. Is there space in this for a rekindling of humanity's enduring values?

The notion of a person--or even an object--having a "double" has been explored in the visual arts for ages, and in myriad ways: portraying the body and its soul, a woman gazing at her reflection in a pool, or a man overwhelmed by his own shadow. In this edited collection focusing on nineteenth- and twentieth-century western art, scholars analyze doppelgangers, alter egos, mirror images, double portraits and other pairings, human and otherwise, appearing in a large variety of artistic media. Artists whose works are discussed at length include Richard Dadd, Salvador Dali, Egon Schiele, Frida Kahlo, the creators of Superman, and Nicola Costantino, among many others.

Dive Into A Dystopian Odyssey In a not-so-distant future, the world you know teeters on the edge of chaos. What if history's darkest moments and forbidden prophecies all pointed toward one inevitable doom? Welcome to "Dimensions of Deceit: A Dystopian Nightmare", where reality unravels into an interwoven tapestry of secrets, revolutions, and cosmic intrigue. Embark on a gripping journey through a world shaped by clandestine rituals, shadowy alliances, and extraterrestrial machinations. From the ominous summoning by the Daimonic Circle, through the perilous whispers of revolution, to the dire revelations of forbidden knowledge, each chapter peels back layers of deception. This is a realm where psychological warfare blends with trans-dimensional conflicts, and where mighty nations fall under the sinister rise of a new world order. Picture grim landscapes where corrupt power bastions are breached, and humanity's last hope rests in a tenuous resistance. Witness the extraordinary as ancient prophecies materialise, revealing cosmic battles and alien conspiracies that stretch beyond the veil of our reality. Engage with the dark night of the soul, as heroes and villains are forged in the crucible of a world on the brink. As the Resistance finds footing, guerrilla tactics spark a flicker of hope amidst relentless despair. Through intricate deception and intense battles, will truth and redemption prevail? Dive deep into this meticulously crafted dystopian saga where every chapter lurks with suspense and a revelation awaits behind each page. "Dimensions of Deceit: A Dystopian Nightmare" is not just a novel; it is an experience that challenges your perception of reality and questions the very fabric of human existence. Dare to uncover the legacy within, and venture into a narrative where the stakes are immeasurable, and the journey unforgettable.

This book examines points of meaningful affinity as well as contention and misrecognition between philosophical traditions of the Americas. Using Rodó’s metaphors from The Tempest, it reflects on the perils and possibilities for Inter-American philosophy as an established historical fact, a form of propaganda, or as a legitimate aspiration.