Take a look behind the doors of the law and discover truth. The pages of DOORS will take you on a journey through the process of the law, and although we have the best legal system in the world, our system of justice remains fallible. Find out with the protagonist of our story that sometimes, if one is very lucky, right can prevail over wrong, especially if you have an attorney who isn't blind as to what can be and is willing to hop into a politically incorrect and unpopular mire.

How does a holy God associate with paedophiles, murderers, drug addicts, alcoholics and others rejected by mainstream society? This book is a product of many years working with and in some cases befriending the most despised people in society, prisoners. It addresses questions such as: Why do some people end up in prison? Do they just wake up one morning and think: ‘I am going to rob a bank today’? What happens when they get to prison? How do they cope with the violence? Is rehabilitation a realistic expectation? How can victims of crime be helped and supported? Ideal for outsiders, volunteers and others helping out with prisoners. Contains wise advice based on years of experience. Places imprisonment in a Christian context. Captures the essence of why some people end up in prison. Reviews (of the 1st edition) 'Exceptionally insightful, not to say riveting. There is good theology too and difficult issues are addressed with great humanity. The lavish presentation makes the book especially accessible and invites further reading and reflection'-- Michael Hirst 'Handsomely-produced... a handbook for future prison chaplains, Opening the Doors is indispensable, beginning with the first day on the job, the processes involved and the nexus between prison, community and justice system... Rarely is the inner world of prisoners offered with such detail and precision... Every reader will learn something new... whether it be the day-to-day life of chaplains or searing insights into the spirit and nature of humanity itself, drawn from unsparing reality. Ultimately it is Gill’s sheer honesty and those of the prisoners themselves that remains with the reader.'-- Dr Toby Davidson, lecturer at Macquarie University, Sydney, editor of Francis Webb’s Collected Poems and author of the critical study Christian Mysticism and Australian Poetry 'Knitting together stories and facts about the prison experience to provide an insight into this world, and a helpful guide to anyone wanting to work within it'-- Catholic Record 'The book itself matches what a day working inside of prison is like. For example: the language is coarse and honest; the stories are jarring and emotive; the artworks and layout keep you guessing as to what is going to be around the next corner. Gill’s reflective poetry interspersed examines the role and the emotions of the chaplain... Gill’s book should be a guide to prison chaplaincy as it gives a window to humanising the dehumanised. The book reminds us that there is a person behind the wall, isolated and hurting, who needs peace and grace: without diminishing the effect of their actions or the damage caused to others and the need for justice. The stories that are included are varied and poignant'-- tasmaniananglican.com.au 'Raw and real, confronting and challenging, brutally honest tinged with touches of humour, and provides the reader with a valuable insight into a prisoner’s life... The book is beautifully produced, colourful and easy to read'-- crosslight.org.au 'A timely and realistic introduction to, and insight into, a system that most people are not exposed to... Paul’s book is a passionate and accurate insight into life on the inside. It looks at the process of incarceration and its effects on people... This is a good book and highly recommended'-- The Melbourne Anglican ‘This attractively colourful edition shines a light not only into the depths of prison life but into the innermost thoughts and feelings of its inmates. A powerful account, occasionally confronting yet laced with humour and pathos… It is raw and real, confronting and challenging, brutally honest tinged with touches of humour, providing the reader with a valuable insight into a prisoner’s life behind the razor-wire… beautifully produced, colourful and easy to read’-- Reverend Graham Wright, Senior Prison Chaplain for the Anglican Diocese of Perth

104838

Analyzing Elizabethan and Jacobean playtexts for their spatial implications, this innovative study discloses the extent to which the resources and constraints of public playhouse buildings affected the construction of the fictional worlds of early modern plays. The study argues that playwrights were writing with foresight, inscribing the constraints and resources of the stages into their texts. It goes further, to posit that Shakespeare and his playwright-contemporaries adhered to a set of generic conventions, rather than specific local company practices, about how space and place were to be related in performance: the playwrights constituted thus an overarching virtual 'company' producing playtexts that shared features across the acting companies and playhouses. By clarifying a sixteenth- to seventeenth-century conception of theatrical place, Tim Fitzpatrick adds a new layer of meaning to our understanding of the plays. His approach adds a new dimension to these particular documents which - though many of them are considered of great literary worth - were not originally generated for any other reason than to be performed within a specific performance context. The fact that the playwrights were aware of the features of this performance tradition makes their texts a potential mine of performance information, and casts light back on the texts themselves: if some of their meanings are 'spatial', these will have been missed by purely literary tools of analysis.