The groundbreaking series from Grant Morrison that led American comics in a wholly unexpected direction. Originally conceived in the 1960s by the visionary team of writer Arnold Drake and artist Bruno Premiani, the Doom Patrol was reborn a generation later through Grant Morrison’s singular imagination. Though they are super-powered beings, and though their foes are bent on world domination, convention ends there. Shunned as freaks and outcasts, and tempered by loss and insanity, this band of misfits faces threats so mystifying in nature and so corrupted in motive that reality itself threatens to fall apart around them-but it’s still all in a day’s work for the Doom Patrol. Written by Grant Morrison and featuring art by Richard Case, John Nyberg, Doug Braithwaite, Scott Hanna and Carlos Garzón, DOOM PATROL BOOK ONE collects issues #19-34 and includes introductions by Morrison and editor Tom Peyer.

For the world's strangest heroes, staving off the annihilation of free will or the reformatting of the universe into an artistic statement is all in a day's work -- not to mention the everyday assassination attempts and visits from Satan.

Kansas City may never be the same, as Shrapnel tangles with the entire Doom Patrol team!

Superhero comics reckon with issues of corporeal control. And while they commonly deal in characters of exceptional or superhuman ability, they have also shown an increasing attention and sensitivity to diverse forms of disability, both physical and cognitive. The essays in this collection reveal how the superhero genre, in fusing fantasy with realism, provides a visual forum for engaging with issues of disability and intersectional identity (race, ethnicity, class, gender, and sexuality) and helps to imagine different ways of being in the world. Working from the premise that the theoretical mode of the uncanny, with its interest in what is simultaneously known and unknown, ordinary and extraordinary, opens new ways to think about categories and markers of identity, Uncanny Bodies explores how continuums of ability in superhero comics can reflect, resist, or reevaluate broader cultural conceptions about disability. The chapters focus on lesser-known characters—such as Echo, Omega the Unknown, and the Silver Scorpion—as well as the famous Barbara Gordon and the protagonist of the acclaimed series Hawkeye, whose superheroic uncanniness provides a counterpoint to constructs of normalcy. Several essays explore how superhero comics can provide a vocabulary and discourse for conceptualizing disability more broadly. Thoughtful and challenging, this eye-opening examination of superhero comics breaks new ground in disability studies and scholarship in popular culture. In addition to the editors, the contributors are Sarah Bowden, Charlie Christie, Sarah Gibbons, Andrew Godfrey-Meers, Marit Hanson, Charles Hatfield, Naja Later, Lauren O’Connor, Daniel J. O'Rourke, Daniel Pinti, Lauranne Poharec, and Deleasa Randall-Griffiths.

What began with Alan Moore and Dave Gibbons' landmark graphic novel, Watchmen (1987) is no longer a single story, but rather a cross-platform, multi-media franchise, including a role-playing game and video game, a motion comic, a Zack Snyder movie, and a series of comic book prequels and sequels, as well as a prestige HBO TV series. Will Brooker explores the way that Watchmen expanded over time from the mid-1980s to the present day, drawing on theories of adaptation, intertextuality and deconstruction to argue that each addition subtly changes our understanding of the original. Does it matter whether these adaptations are 'faithful'? Can they ever be, as they cross over into another medium? How does each version enter a dialogue with the others? And as Damon Lindelof's series ran parallel to an entirely distinct comic book Watchmen sequel, Doomsday Clock, how do readers and viewers make sense of these conflicting narratives? Can we relate the unstable, shifting stories of Watchmen to our contemporary climate of post-truth, where we have to weigh up contradictory versions of the facts and decide which we believe?

Since 1970, only one comic book price guide has been dubbed "the Bible" for casual and die-hard collectors alike. While others have come and gone, The Overstreet Comic Book Price Guide has maintained its stature as the premiere reference source for the hobby, covering more than a century of comic book history. The essential tool for collectors and investors, the Guide is highly regarded for its well-researched pricing, in-depth historical information, and incomparable insights into the marketplace. If you have a comic book collection or are thinking about starting one, you simply can't do without this book! This 30th Anniversary Edition Includes: The most complete record of existing comic books from the 1800s to the present Redesigned feature sections for greater clarity and easy reference Market reports by Robert M. overstreet and the Overstreet advisors network Exclusive feature articles on the origin and history of EC Comics, now celebrating the 50th anniversary of the "New Trend" titles, including interviews with Overstreet cover artists Al Feldstein and Al Williamson! Exclusive 30th anniversary feature looking back at the birth of a comic book fan, the first-ever article written for the Guide by Robert M. Overstreet himself! Up-to-date directory of comic book fan wbsites Tips about collecting, grading and caring for your comics All-new additions to Overstreet Hall of Fame, key sales lists, and exhaustive indices And much, much more!

So who was Jack the Ripper? No-one in the annals of crime is capable of arousing such passionate debate as the perpetrator of the Whitechapel Murders in 1888. Was he a demented Royal, a Masonic assassin, a sexually-frustrated artist, a member of the Czarist secret police, a crazed reformist or even an escaped gorilla? More than a century has passed since this unknown killer murdered East End prostitutes under the very noses of the police and yet we seem no closer to uncovering the Ripper's identity. Countless volumes have been written by warring researchers, seemingly unable to agree even on the number of his victims. Is it possible that we will ever know the truth or is the Ripper destined to remain an enigma, his place in history secured as both an English-heritage crime icon and a universal bogeyman? This revised and updated edition contains a summary of Jack's crimes, victims and the ill-fated police investigation. It considers many of the Ripper's proposed identities, bringing you up to date with the latest suspects and includes a guide to the Ripper's many fictional outings, from The Lodger to From Hell.