'Incredibly chilling. A contender for THRILLER OF THE YEAR' Fiona Cummins, bestselling author of Rattle 'A FAST-PACED and DARKLY DISTURBING thriller' Clare Mackintosh, bestselling author of Let Me Lie and I See You You can't choose your family. Or can you? Meet the Bensons. They're an ordinary couple. They wash their car, mow their lawn and pass the time of day with their neighbours. And they have a beautiful little girl called Daisy. There's just one problem. SHE'S NOT THEIRS. D. S. Nathan Cody is about to face his darkest and most terrifying case yet . . . See what everyone is saying about DON'T MAKE A SOUND... 'A MIND-BLOWING, HEAD-RATTLING, whirlwind of a thriller. David Jackson is the king of 'just-one-more-chapter'. I bloody LOVED it' Joanna Cannon, Sunday Times bestselling author 'Damn, Don't Make a Sound was good. Tore through it in two days. CREEPY, CHILLING . . . Perfect!' Caz Frear, bestselling author of Sweet Little Lies 'Jackson catapults himself into the top echelons of crime fiction with Don't Make a Sound. This book is going to be a talking point for years to come' Luca Veste, author of The Bone Keeper 'OMG what a brilliant read! Hardly breathed the whole way through! LOVED this book!' Samantha Hayes, bestselling author of The Reunion 'One of the most DISTURBING, FRIGHTENING crime novels I've read in a long time' Martyn Waites 'OMG this book! Don't Make a Sound started off CREEPY then became so TENSE that I barely breathed from the middle to the end' Susi Holliday 'Bloody CREEPY and absolutely GRIPPING. Another hit from a chap who really knows how to fill his inkwell with our deepest fears' David Mark 'I haven't read a book in one sitting in a long time but Don't Make a Sound REDEFINES GRIPPING. And that twist at the end! Bravo!' Chris Whitaker, award-winning author of TALL OAKS 'Excellent. Such a page-turner' G. J. Minett 'A parent's nightmare. A cop's worst fear. Jackson doesn't mince his words when it comes to dark and disturbing' Mel Sherratt 'A beautifully wrought thriller that had the kid in me cowering beneath the bed covers. One of the best thrillers of my year' CJ Carver 'Disturbing subject matter, expertly handled & well executed. If you like your tension drip-fed, this one's for you' Mari Hannah 'A chilling slice of Suburban Gothic that KEPT ME ON THE EDGE OF MY SEAT. Lock all your doors because, trust me, you're never going be able to look at your neighbours the same way again' Mark Hill

‘NO’ is RJ’s least favorite word . . . and he tries his best to convince his dad, his mom, and his teacher to turn “No” into “Maybe” or “We’ll see” or “Later” or “I’ll think about it.” Author Julia Cook helps K-6 readers laugh and learn along with RJ as he understands the benefits of demonstrating the social skills of accepting “No” for an answer and disagreeing appropriately. Tips for parents and educators on how to teach and encourage kids to use these skills are included in the book. I Just Don’t Like the Sound of NO! is another in the BEST ME I Can Be! series of books from the Boys Town Press that teach children social skills.

When a child hears a noise in the night he gets up to investigate. He calls his father to help him and they work through all the things that the 'noise' could be, eventually realising that it is nothing to be scared of. An empowering book about over coming ones fears handled with brilliant originality by John Irving and Tatjana Hauptmann.

The iPad is a unique and totally revolutionary devise in many ways. The iPad is a tablet computer featuring multi-touch interaction with print, video, photo, and audio multimedia, internet browsing, and runs most iPhone OS apps. The device has an LED-backlit 9.7-inch (25 cm) color LCD display and uses a virtual keyboard for text input. The iPad like the iTouch uses a Multi-touch interface that enables users to easily control the device and type with their fingers. It also includes sensors that automatically re-orient the screen display to match the orientation of the iPad, such as switching to landscape view when the user rotates the iPad 90 degrees when watching video. All iPad models include the applications Music, iWork, Videos, Photos, iTunes, iBook (providing access to the Wi-Fi Music Store and book store), Safari, YouTube, Calendar, Contacts, Clock, Calculator, and Settings. My iPad, 3/e, will include necessary coverage of iTunes and iBook to enable readers to manage the content on their iPad as well as purchase applications and customizing settings. In addition, readers will learn how to use every feature of their iPad and receive expert advice on topics like customizing, running apps, using peripheral devices and more. This edition has been updated to include coverage on the main new features of iOS 5, including the revolutionary new iCloud, which allows users to update their iPads without having to sync up with their computer.

This is the second volume of the widely acclaimed Art of the Cut book published in 2017. This follow-up text expands on its predecessor with wisdom from more than 360 interviews with the world’s best editors (including nearly every Oscar winner from the last 30 years). Because editing is a highly subjective art form, and one that is critical to the success of motion picture storytelling, it requires side-by-side comparisons of the many techniques and solutions used by a wide range of editors from around the world. That is why this book compares and contrasts methodologies from a wide array of diverse voices and organizes that information so that it is easily digested and understood. There is no one way to approach editorial problems, so this book allows readers to see multiple solutions from multiple editors. The interviews contained within are carefully curated into topics that are most important to film editors and those who aspire to become film editors. The questions asked, and the organization of the book, are not merely an academic or theoretical view of the art of editing but rather the practical advice and methodologies of actual working film and TV editors, bringing benefits to both students and professional readers. The book is supplemented by a collection of downloadable online exclusive chapters, which cover additional topics ranging from Choosing the Project to VFX. In addition to the supplementary chapters, access to the full-color, full-resolution images printed in the book—and other exclusive images—is included.

The book starts by analyzing the problem of how we can see so well despite what, to an engineer, might seem like horrendous defects of our eyes. An explanation is provided by a new way of thinking about seeing, the "sensorimotor" approach. In the second part of the book the sensorimotor approach is extended to all sensory experience. It is used to elucidate an outstanding mystery of consciousness, namely why, unlike today's robots, humans actually can feel things. The approach makes predictions and opens research avenues, among them the phenomena of change blindness, sensory substitution, and "looked but failed to see", as well as results on color naming and color perception and the localisation of touch on the body.

A definitive study of the most important decade in post-World War II popular music history