A harrowing and indispensable first-hand account of the experience of the first 85 days of the Israeli invasion of Gaza, from a prominent Palestinian writer In the morning I read the news. The news is about us. But it's designed for people reading it far, far away, who couldn't possibly imagine they could ever know anyone involved. It's for people who read the news to comfort themselves, to tell themselves: it's still far, far away. I read the news for different reasons: I read it to know I'm not dead. Early in the morning of Oct 7, 2023, Atef Abu Saif went swimming. It was a beautiful morning: sunny with a cool breeze. The Palestinian Authority's Minister for Culture, he was on a combined work and pleasure trip to Gaza, visiting his extended family with his 15 year old son, Yasser, and participating in National Heritage Day. Then the bombing started. Don't Look Left takes us into the day to day experiences of Gazan civilians trying to survive Israel's war against Hamas, its detail and extended narrative showing us what brief reports and video clips cannot. In a war that has taken an extraordinarily high toll on civilians, it is a crucial document--a day-to-day testimony and a deeply moving depiction of a people's fight to survive and maintain their humanity amid the chaos and trauma of mass destruction. It is also, remarkably, a powerful literary experience. Atef Abu Saif was born in Jabalia refugee camp in Gaza in 1973, and, as he writes, his first war broke out when he was two months old. He writes as only someone who knows Gaza deeply can, and only as someone who knows war can, picking out the details of ordinary life and survival amidst the possibility of death coming at any moment: washing the only shirt he has and waiting naked for three hours for it dry; noticing a cat, as terrified as the people on the street around it, hiding under a bistro table; visiting his sister-in-law's daughter in the hospital, who tells him in her dream she has no legs, and asks him if it is true. It is: she has lost her legs and a hand when her home was hit by a bomb. Trying to figure out the best place to sleep each night, and when and where to flee as the destruction intensifies. This is not like past wars with Israel, Abu Saif soon realizes--thinking of the Nakba, and of images of bombed cities from World War II. Profits from the sale of this book will go to two Palestinian charities: Medical Aid for Palestinians and the Middle East Children’s Alliance.

A young duck, Wally Waddlewater, goes to the post office to mail a birthday card to his grandmother. On his way, he follows important rules of safety before crossing the street.

You know people around the world are struggling. A homeless man holds a sign that reads, “Anything helps.” A poor child lives in a slum swarming with flies. A refugee mother is on the brink of starvation. You ask yourself, “But what can I do about such big problems?” You’re looking for long-term solutions. John D. Barry shares incredible, and often shocking, stories about working among the impoverished and unchurched in the U.S. and abroad. And since Barry is a Bible scholar, Jesus’ Economy is also deeply rooted in the Scriptures. It is a personal, sometimes funny, often heartbreaking account that presents a revolutionary pattern for lasting change. Jesus' Economy is based on self-sacrifice. His currency is love. It’s called Jesus’ Economy because it’s about creating a spiritual and physical economy for those who need it most. Here is a thoroughly biblical and compassionate pattern for addressing issues of poverty and offering the hope of the gospel. Jesus’ Economy: • Shows how you as an individual can best encourage renewal in your community. • Demonstrates how your church community or any group can alleviate poverty. • Presents a unified plan for creating jobs, spreading the gospel, and meeting basic needs. • Focuses on community development and sustainability—lasting change, globally and locally. Jesus’ Economy is a call to address our own spiritual poverty—as people who can too easily become distant from Christ—and it is a call to address the physical poverty all around us in a smart and sustainable way. Jesus’ teachings show that with simple, everyday choices, you can make the world a better place and create enduring change. Here’s how to live Jesus’ economy—a currency of love. 100% of author's proceeds go to the nonprofit Jesus' Economy, to fuel the movement of creating jobs and churches in the developing world.

In this propulsive memoir from Achut Deng and Keely Hutton, inspired by a harrowing New York Times article, Don't Look Back tells a powerful story showing both the ugliness and the beauty of humanity, and the power of not giving up. I want life. After a deadly attack in South Sudan left six-year-old Achut Deng without a family, she lived in refugee camps for ten years, until a refugee relocation program gave her the opportunity to move to the United States. When asked why she should be given a chance to leave the camp, Achut simply told the interviewer: I want life. But the chance at starting a new life in a new country came with a different set of challenges. Some of them equally deadly. Taught by the strong women in her life not to look back, Achut kept moving forward, overcoming one obstacle after another, facing each day with hope and faith in her future. Yet, just as Achut began to think of the US as her home, a tie to her old life resurfaced, and for the first time, she had no choice but to remember her past.

God has more for us than what we are experiencing. We have all limited God in our lives at some point in one way or another. Fear of success, fear of persecution and imaginations are all ways that we limit God. We often see ourselves in a certain way but we have to change that image if we want to experience the abundant life that God has for...

Dont Look Back, a documentary film of Bob Dylan's 1965 England tour, is recognised as a landmark work in the field of documentary film-making, contributing to the cultural life of an era. This text examines the aesthetic, thematic and social dynamics of the film in order to elucidate how and why it was a groundbreaking piece of documentary cinema.

Samantha is a stranger in her own life. Until the night she disappeared with her best friend, Cassie, everyone said Sam had it all???popularity, wealth, and a dream boyfriend. Sam has resurfaced, but she has no recollection of who she was or what happened to her that night. As she tries to piece together her life from before, she realizes it's one she no longer wants any part of. The old Sam took "mean girl" to a whole new level, and it's clear she and Cassie were more like best enemies. Sam is pretty sure that losing her memories is like winning the lottery. She's getting a second chance at being a better daughter, sister, and friend, and she's falling hard for Carson Ortiz, a boy who has always looked out for her???even if the old Sam treated him like trash. But Cassie is still missing, and the facts about what happened to her that night isn't just buried deep inside of Sam's memory???someone else knows, someone who wants to make sure Sam stays quiet. All Sam wants is the truth, and if she can unlock her clouded memories of that fateful night, she can finally move on. But what if not remembering is the only thing keeping Sam alive?