Rick is finally getting settled into his new life. He's got a roof over his head, and a pretty secure shelter, and he's surrounded by people who he's come to know as friends. Over all, life is good, and after the last few months he's been through he welcomes this change. But things can't stay like this forever. Something bad looms just beyond the horizon. Something really bad.

The Interfaces: Deriving and Interpreting Omitted Structures is a collection of never-before-published papers that explore the nature of the interfaces of syntax with semantics, phonology, and discourse. The papers investigate the various ways in which elliptical structures are related to these interfaces. As such, they not only make a valuable contribution to generative linguistic research but, more generally, help to deepen our understanding of the relation between form and meaning in natural language. In the book's introductory chapter, the editors address general issues related to current work on ellipsis and the syntax/semantics, syntax/phonology and syntax/discourse interfaces. The rest of the book is organized into three parts. The first examines PF-deletion accounts of elliptical structures; the second investigates these structures from the perspective of the syntax/semantic interface; and the third explores these from a perspective that concentrates on the relation between semantics and focus and discourse structure. Together the papers collected in this volume offer a convincing demonstration of the value of collaborative research on the 'interfaces'.

As the nation recovers from the Civil War, Sky and Rebekah Winslow's wayward son Mark is slowly making his way north through Texas after his release from a Mexican prison. Headed for Omaha to work for the Union Pacific Railroad, he is forced to shoot a man, then thrown into jail to await his prison sentence. In a small Texas town where justice will not be served, Mark's only hope is the young woman whom he defended. Lola Montez had attempted to escape the horrible saloon life she inherited from her mother, but she was held there by circumstances beyond her control. When Mark Winslow stopped her attacker, he also became her ticket out of town. If Lola can break him out of jail, surely he will take her with him to look for her father in Omaha. But a jailbreak is a small matter compared to what they will face. Mark becomes a trouble-shooter for the Union Pacific, responsible for law and order in the towns that spring up as the transcontinental railroad heads west, and he must live by his gun. Lola must live by her iron heart and find her way in a West where only the strong survive. While treachery, betrayal, and sabotage lie before them, so does an unexpected confrontation with a kingdom not of this world. House of Winslow Book 11.

Ariana loves her life as a schoolteacher in a little frontier town. But one evening after classes are done and she prepares to hurry home, her life changes in an instant when a band of rough outlaws abduct her and take her far away from all she has ever known. Trapped in a small shack, Ariana prays and waits, her emotions swinging between terror and boredom as days stretch into weeks. Still, the outlaws refuse to tell her why they've taken her or what they plan to do. Then the boss's son appears in the doorway of her cabin. He seems different from the others, but can she trust him? Will she ever again see her mother and father, the couple who lovingly adopted her and raised her as their own? Will she ever wear the beautiful wedding dress so carefully saved for her--her one remaining link to her birth parents?

A book to challenge the status quo, spark a debate, and get people talking about the issues and questions we face as a country!