Noting the increase in false accusations of child sexual abuse where divorce and custody litigation is in progress, this book examines the consequences of such accusations for everyone involved and provides defensive strategies for those falsely accused. The book draws on four case studies, including a personal one, to illustrate the chronology and effects of false allegations brought by the mother against the father, noting commonalities among the cases, and personality traits of the accuser and of the accused. The effects of false allegations and subsequent proceedings on the child are also detailed. The book then explores this phenomenon as "Sexual Allegations in Divorce" or SAID Syndrome, and identifies "red flags" during proceedings that suggest this syndrome may be occurring. The book also examines how social service agencies and courts appear to work in concert to substantiate false allegations rather than investigating to determine the truth, and how therapeutic interventions, when no abuse occurred, can affect children. The dubious use of anatomically correct dolls as evidence of sexual abuse in such cases is also examined. Finally, the book summarizes the legal and social service problems inherent to such cases, offering solutions, and then presents legal and emotional strategies for fighting false allegations. Three appendices include a questionnaire for identifying SAID syndrome, guidelines for determining presence of abuse, and a court monitor checklist. A list of support organizations is included, along with state listings of the Vocal National Network and a 29-item bibliography. (HTH)

People are fascinated by medicine as evidenced by the number of medical dramas on television. These same people are also fascinated by business, particularly the things that make a company successful. Dr Dresnick melds his extensive medical and business experience in an insightful and entertaining book which looks at the elements of taking care of critically ill and injured patients and how those same elements apply to "sick" companies. Dr. Dresnick has achieved national prominence as a physician AND as a corporate CEO. He has used his real life experiences as a physician and as a business man to make his points. Learn how to take your company's vital signs before it is too late! Learn the approach to dealing with a sick company. This book isn't just the usual business theory; it is based on true medical AND business experience. Learn to approach business problems in the same way as doctors do who save lives everyday. As Dr. Dresnick explains, "Saving Your Business IS Like Saving Your Life."

It was March 29th 1975 when Brendan Boland was summoned to give evidence to a secret canonical inquiry. The altar boy had just celebrated his 14th birthday. He had been abused for almost three years by a priest who would become Irelands' most notorious paedophile. Now the church wanted to know exactly what happened. Brendan told them everything ... Sworn to Silence is the story of one boy's quiet determination to stop wrongdoing. It is a story which the Irish Catholic church kept secret for almost four decades: the story of Brendan Boland. This compelling and important book will present a candid and often moving first-hand account of events by Boland.

Passionate payback They say you can forgive but you can never forget. Virgil Bougard takes that saying to heart. Four years ago Kara Goshay believed a vicious lie about him and ended their relationship. And even after her apology, Virgil is still bitter. He doesn't intend to make things easy for Kara when his family's firm hires her PR company to revamp his playboy image. But faking a liaison with Kara for the media backfires when the line between fantasy and reality is blurred by strong sexual attraction. Kara wanted forgiveness. Instead she's deep into a heated affair with the powerful, charismatic man she can't resist. The man who claims he'll never forgive her, especially when a secret enemy puts her professional reputation in jeopardy. Stakes are high—but so is their searing desire, a connection so intense it could possibly tame this elusive, unforgiving bachelor at last…

With my father's sudden death, I was forced to the brink of desperation by the usury. I had no choice but to sign a marriage contract with a eccentric man for three years. I thought that I would be able to return to my former life once I had safely passed these three years. I didn't expect that this engagement would cause me so much suffering. I tried so hard to pay him back, but I was tricked into having nothing, and after experiencing so much suffering, I still couldn't help falling in love with him. It wasn't until the day of our wedding that his ex-girlfriend came back with the same face as mine, and I ran away and lost. Five years later, I returned to my homeland, but the grudge never ended ...

Since I can remember, my parents have recognized a snake father for me.But suddenly, one day, the father snake actually entangled me.I recognize you as my father, how can you be like this!

The first comprehensive guide to pre-1934 female popular vocal recordings sung in English—from around the world and including all styles—this discographical study includes solos, duets, trios, and quartets composed by the great songwriters of the early 1900s (from Irving Berlin to Victor Young). The majority of the listings includes material that has not been previously published, and a large number of entries profile such prolific artists as Helen Clark and Gladys Rice, who are not in previous discographies. A special feature includes data on sound-on-disc recording made for early talking-picture musical shorts (especially by Vitaphone) that is not documented elsewhere. A comprehensive title index includes composer credits for the majority of the titles listed. The first comprehensive guide to pre-1934 female popular vocal recordings sung in English—from around the world and including all styles—this discographical study includes solos, duets, trios, and quartets composed by the great songwriters of the early 1900s (from Irving Berlin to Victor Young). The majority of the listings includes material that has not been previously published, and a large number of entries profile such prolific artists as Helen Clark and Gladys Rice, who are not in previous discographies. A special feature includes data on sound-on-disc recording made for early talking-picture musical shorts (especially by Vitaphone) that is not documented elsewhere. A comprehensive title index includes composer credits for the majority of the titles listed. Many of the records documented in this volume are by the artists who introduced these songs at this time or who performed them in the original productions of the shows or movies for which they were written. The singing styles include those of cabaret performers, music-hall and vaudeville acts. Songs for the stage, screen, and radio are also included.