There is a not-so-new, not-so-secret destination where a growing number of American black men are traveling for the kind of sex and freedom they say they can't find with black women. Thousands of unsuspecting women are kissing their men good-bye while they go on "business" trips to Rio where they meet up with some of their friends and have sex every way they can imagine-no strings, no hassles, and no conscience. This social worker is a Ph.D. student at the Mandel School of Applied Social Science at Case Western Reserve University in Ohio. He is the founder of The Renaissance Male Project Inc. and a New Voices Fellow 2005. He has made appearances on both national and regional television and radio shows, and print publications such as Essence magazine, The Toledo Blade, and the Cleveland Plain Dealer.

Brazil, like some countries in Africa, has become a major destination for African American tourists seeking the cultural roots of the black Atlantic diaspora. Drawing on over a decade of ethnographic research as well as textual, visual, and archival sources, Patricia de Santana Pinho investigates African American roots tourism, a complex, poignant kind of travel that provides profound personal and collective meaning for those searching for black identity and heritage. It also provides, as Pinho's interviews with Brazilian tour guides, state officials, and Afro-Brazilian activists reveal, economic and political rewards that support a structured industry. Pinho traces the origins of roots tourism to the late 1970s, when groups of black intellectuals, artists, and activists found themselves drawn especially to Bahia, the state that in previous centuries had absorbed the largest number of enslaved Africans. African Americans have become frequent travelers across what Pinho calls the "map of Africanness" that connects diasporic communities and stimulates transnational solidarities while simultaneously exposing the unevenness of the black diaspora. Roots tourism, Pinho finds, is a fertile site to examine the tensions between racial and national identities as well as the gendered dimensions of travel, particularly when women are the major roots-seekers.

EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine.

EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine.

How interracial couples in Brazil and the US navigate racial boundaries How do people understand and navigate being married to a person of a different race? Based on individual interviews with forty-seven black-white couples in two large, multicultural cities—Los Angeles and Rio de Janeiro—Boundaries of Love explores how partners in these relationships ultimately reproduce, negotiate, and challenge the “us” versus “them” mentality of ethno-racial boundaries. By centering marriage, Chinyere Osuji reveals the family as a primary site for understanding the social construction of race. She challenges the naive but widespread belief that interracial couples and their children provide an antidote to racism in the twenty-first century, instead highlighting the complexities and contradictions of these relationships. Featuring black husbands with white wives as well as black wives with white husbands, Boundaries of Love sheds light on the role of gender in navigating life married to a person of a different color. Osuji compares black-white couples in Brazil and the United States, the two most populous post–slavery societies in the Western hemisphere. These settings, she argues, reveal the impact of contemporary race mixture on racial hierarchies and racial ideologies, both old and new.

Uproarious advice and never-before-seen color photos from drag queen extraordinaire Bianca Del Rio The cheeky, larger-than-life drag queen and outrageous comic—"The Joan Rivers of the Drag World," (New York Times)—who isn’t afraid to shock or offend brings her trademark acerbic wit and sharp commentary to the page in an illustrated collection of advice. When it comes to insult comics, Bianca Del Rio is in a class by herself. Fierce, funny, and fabulous—a would-be love child sired by John Waters and birthed by Joan Rivers—Bianca sandblasted her name in the annals of pop culture on RuPaul’s Drag Race. Thanks to her snarky frankness, impeccable comedic timing, and politically incorrect humor, she became the show’s breakout star, winning its sixth season. In Blame It On Bianca Del Rio, Bianca shares her opinions loudly and proudly, offering raucous, hilarious, no-holds-barred commentary on the everyday annoyances, big and small, that color her world, and make it a living, albeit amusing, hell for anyone who inhabits it. A collection of biting advice filled with vibrant photos from Bianca’s twisted universe, Blame It On Bianca Del Rio will shock you and keep you laughing. But be warned: it is not for the faint of heart!

Foreword by Bill Shoemaker. In this thrilling autobiography, champion jockey Gary Stevens chronicles his incredible career that has spanned more than twenty years and taken him around the world on the backs of some of the greatest horses. Told by a man who has lived it, this is a behind-the-scenes account of the racing world with all its thrills and perils.