"Liliana Cruz does what it takes to fit in at her new nearly all-white school, but when family secrets come out and racism at school gets worse than ever, she must decide what she believes in and take a stand"--

Four times each year, the Poetry Book Society selects the best poetry titles being published and asks the poet to write 500 words on their own work at the time of its publication. The PBS bulletin has published some of the most revealing, candid and insightful statements these poets have ever made. DON'T ASK ME WHAT I MEAN selects the best of these pieces. A genuine Who's Who of late 20th-century verse - Auden, Raine, Gunn, Hughes (who also contributes a remarkable short essay on Sylvia Plath's Ariel), Heaney, R.S. Thomas, Betjeman, Larkin, Merwin, Hecht, Paul Muldoon, Craig Raine, Norman McCaig, Geoffrey Hill, Tom Paulin, Derek Mahon, Sean O'Brien, up to and including contemporary notables such as Simon Armitage, Shapcott, Glyn Maxwell, Lavinia Greenlaw, Carol Ann Duffy, Wendy Cope, Michael Donaghy and Paul Farley.

Don’t Ask Me If I Love is the story of a young man who hates war, but serves faithfully in his country’s army. He loves his parents, but can no longer care about the things that are important to them. He is a citizen of a religious state, but questions many of its precepts. In need of someone to give meaning to his life he falls in love with an American girl. He is Assaf Ryke—one of the new Israelis of the 1960s. Moving from a discotheque in Jerusalem to the beach at Caesarea, from a shabby flat in Tel Aviv to an apartment in London, Don’t Ask Me If I Love is a novel of love and alienation in a country not normally associated with the generation gap.

This is a collection of the poems I have written since my only Son, Leon died, aged 20.

From the creator of the popular website Ask a Manager and New York’s work-advice columnist comes a witty, practical guide to 200 difficult professional conversations—featuring all-new advice! There’s a reason Alison Green has been called “the Dear Abby of the work world.” Ten years as a workplace-advice columnist have taught her that people avoid awkward conversations in the office because they simply don’t know what to say. Thankfully, Green does—and in this incredibly helpful book, she tackles the tough discussions you may need to have during your career. You’ll learn what to say when • coworkers push their work on you—then take credit for it • you accidentally trash-talk someone in an email then hit “reply all” • you’re being micromanaged—or not being managed at all • you catch a colleague in a lie • your boss seems unhappy with your work • your cubemate’s loud speakerphone is making you homicidal • you got drunk at the holiday party Praise for Ask a Manager “A must-read for anyone who works . . . [Alison Green’s] advice boils down to the idea that you should be professional (even when others are not) and that communicating in a straightforward manner with candor and kindness will get you far, no matter where you work.”—Booklist (starred review) “The author’s friendly, warm, no-nonsense writing is a pleasure to read, and her advice can be widely applied to relationships in all areas of readers’ lives. Ideal for anyone new to the job market or new to management, or anyone hoping to improve their work experience.”—Library Journal (starred review) “I am a huge fan of Alison Green’s Ask a Manager column. This book is even better. It teaches us how to deal with many of the most vexing big and little problems in our workplaces—and to do so with grace, confidence, and a sense of humor.”—Robert Sutton, Stanford professor and author of The No Asshole Rule and The Asshole Survival Guide “Ask a Manager is the ultimate playbook for navigating the traditional workforce in a diplomatic but firm way.”—Erin Lowry, author of Broke Millennial: Stop Scraping By and Get Your Financial Life Together

In an effort to address her obsession with worrying about people, ten-year-old Trina decides to invent an object she calls the Thing. Whenever Trina starts becoming overly concerned about someone, she opens the top of her magical box, peeks inside, and hopes that everything she sees will make her feel all right. But one night, everything is not all right. While looking in the Thing, Trina sees her older sister involved in a deadly car crash. Suddenly, Trina is left trying to make sense of events that are difficult for her to understand: her sisters death, her alcoholic father, her overworked mother, and her relationship with a God that would let bad things happen to good people. The tragedy that befalls her family teaches Trina how to survive disappointment and loss with humor, love, and a belief in second chances.