A teen plunges into a downward spiral of addiction in this classic cautionary tale. January 24th After you’ve had it, there isn't even life without drugs… It started when she was served a soft drink laced with LSD in a dangerous party game. Within months, she was hooked, trapped in a downward spiral that took her from her comfortable home and loving family to the mean streets of an unforgiving city. It was a journey that would rob her of her innocence, her youth—and ultimately her life. Read her diary. Enter her world. You will never forget her. For thirty-five years, the acclaimed, bestselling first-person account of a teenage girl’s harrowing decent into the nightmarish world of drugs has left an indelible mark on generations of teen readers. As powerful—and as timely—today as ever, Go Ask Alice remains the definitive book on the horrors of addiction.

Alice and Megan are back, and that can only mean one thing: trouble! It's Easter and best friends Alice and Megan are together in Limerick again. They are both looking forward to their confirmation especially as their two families are going out to dinner together to celebrate. But not even a meal can be simple when Alice is around as she decides to hatch a plan to get her parents back together...

Originally published: New York: Times Books, 1979.

In Go Ask Alice, Liz Axelrod invites us to view the world through the looking glass prism of her thoroughly postmodern imagination. Ironically, though, instead of distortions, we enjoy sharp observations that capture our contemporary landscape with an irreverent and dark, celebratory wit. This collection offers a panoply of our common obsessions-food, sex, politics, technology-showing how they impinge upon and transform our many identities. As passionate as "full moon fever," yet delicate as "hand-colored sound-bytes," these poems create a wonderland of extravagant delights well worth exploring. Elaine Equi *** "The sky's the limit," writes Liz Axelrod, "if you've got good aim." She does. With Lewis Carroll's Alice as a guide through a terrain of lived experience, Axelrod shoots the shit out of the clown circus that is life itself-and never misses. A single page has healing powers (and not only when watching Netflix). Meanwhile, Axelrod's Saturn births the hexagon cloud that brings our matter home, home to these very healing pages. Sharon Mesmer

The author of "Batman Unmasked" and "Using the Force", turns his attention to Lewis Carroll and Alice taking the reader through a revealing tour of late 20th Century popular culture, following Alice and her creator wherever they go. The result is an in-depth analysis of how one original creation symbolizes different things to different people.

“Miller takes us on an exciting tour of postcolonial and world literature, guiding us through the literary maze of the real and the pretenders to the real.” —Ngugi wa Thiong’o, author of Wizard of the Crow Writing a new page in the surprisingly long history of literary deceit, Impostors examines a series of literary hoaxes, deceptions that involved flagrant acts of cultural appropriation. This book looks at authors who posed as people they were not, in order to claim a different ethnic, class, or other identity. These writers were, in other words, literary usurpers and appropriators who trafficked in what Christopher L. Miller terms the “intercultural hoax.” In the United States, such hoaxes are familiar. Forrest Carter’s The Education of Little Tree and JT LeRoy’s Sarah are two infamous examples. Miller’s contribution is to study hoaxes beyond our borders, employing a comparative framework and bringing French and African identity hoaxes into dialogue with some of their better-known American counterparts. In France, multiculturalism is generally eschewed in favor of universalism, and there should thus be no identities (in the American sense) to steal. However, as Miller demonstrates, this too is a ruse: French universalism can only go so far and do so much. There is plenty of otherness to appropriate. This French and Francophone tradition of imposture has never received the study it deserves. Taking a novel approach to this understudied tradition, Impostors examines hoaxes in both countries, finding similar practices of deception and questions of harm. “In this fascinating study of intercultural literary hoaxes, Christopher L. Miller provides a useful, brief history of American literary impostures as a backdrop for his investigation of France’s literary history of ‘ethnic usurpation.’” —Henry Louis Gates, Jr., New York Times–bestselling author