A 530-year-old Florentine manuscript and drawn sketches resurface in the Baltic Seaport of Lubeck. Fine arts lecturer Elizabeth Harrington is asked by a former student to assist his family in the task of authenticating these renaissance writings and drawings currently in their possession. Harrington enlists the help of her mentor and work colleague, the Professor. As the manuscript is translated from its original Latin and light is cast on the mystery of the ancient text and drawings, Harrington and her mentor realise the importance of this discovery. They discover that the manuscript and drawings are a renaissance puzzle in the finest tradition of renaissance intrigue, power, and art. Elizabeth Harrington explores the renaissance worlda world that still exercises considerable influence over our modern lives. As the puzzle unravels, the identity of Donatellos Golden Boy becomes clearer. Yet there are those who would reach from their ancient graves to suppress this secret . . .

This is the first autobiography to be published by The Haworth Press. This is the first autobiography to be published by Harrington Park Press. The place is New York City. The time is the decade before the plague of AIDS. Thousands of gay men were living a free-wheeling lifestyle of club hopping, “score” hunting, sex without fear, and upward mobility. To none did The Big Apple offer greater rewards than to those young men who had the envied “male model” look. Author James Melson belonged to this exclusive clique: he was tall, blond, muscular, and very “straight looking.” He was a model at 19, and by 25, was a highly successful Wall Street banker. His good looks offered him immediate entry into exclusive clubs and onto the sexual fast track with actors, male models, and other members of the “Clique.” The author brings you behind the scenes into the lifestyle of the handsome “Clique”--providing details of the vigorous and entertaining excitement of the times. He exposes--for one of the few times in print--the lesser-known attitudes of the “Clique” and their disdain for “ugly faggots,” their obsession with strictly the chic and glamorous, and the fast lane life of partying and sex. For 200 pages, the reader is brought back to the era that for many older readers is just a memory, and for younger readers a time they never knew--when to be a “Golden Boy” was to be a prince, and sex was only fun and games. The Golden Boy autobiography ends when the author is diagnosed with AIDS, abandoned by a lover and friends, and left to look back on his life with a growing perspective. The role of “good looks” and people with AIDS is rarely talked about, particularly by gay survivors whose lesser appeal was once perhaps a curse but then ultimately their saving grace. This is not just another AIDS autobiography but a document dealing indirectly with this fact of life. The autobiography is introduced by Larry Mass, MD, an internationally recognized social historian/physician who examines the “Culture of Narcissism” in that era. Arnie Kantrowitz then presents an astonishingly frank and perhaps shocking Epilogue which will have many readers wanting to re-read the book.

The youngest player to score in the World Cup final since Pelé, for the tournament-winning team, in his brief career to date Kylian Mbappé is breaking records at a rate matched by only the likes of Lionel Messi and Cristiano Ronaldo, and is fast becoming one of the biggest names in football. But did you know that even at three years old, he would sit listening to the manager's talk before an AS Bondy match? Or where his signature crossed-arm goal celebration came from and where he first performed it? Or how he got his dressing room nickname 'Thirty-seven'? Find out about all this and more in Luca Caioli and Cyril Collot's tirelessly researched biography of the game's latest superstar, featuring exclusive interviews with those who know him best. Includes the 2018/19 season.

While creating his famous bronze of David and Goliath, Donatello’s passion for his beautiful model and part time rent boy, Agnolo, ignites a dangerous jealousy that ultimately leads to murder. Luca, the complex and conflicted assistant, will sacrifice all to save Donatello, even his master’s friend--the great patron of art, Cosimo de’ Medici.