The author's recollections of his fifty-year career in sports broadcasting also offers a definitive yet personal account of boxing's "golden age" and a chronicle of the evolution of radio and television broadcasting

The inevitability of what was to come hung in the air but the crowd at the outdoor arena at Caesars Palace seemed as dazed as to what was happening as Duran. Hearns, now oozing confidence, approached center ring and again touched gloves with Duran. It would be the last civil thing he did. Gliding around the ring and looking like a demented, black vampire with his goatee and Jeri curls, the "Hit Man", he had reassumed the moniker for the fight, went in for the kill. Pushing Duran backwards he leapt in and clobbered the cowering fighter with a vicious right hand that staggered Duran back into the ropes again. Hearns bounced backwards and then jumped in again with another vicious right hand and began pummeling his prey with a series of punches that kept Duran standing straight up. Roberto tried to move off the ropes, so Hearns lured him out and then pushed him back with two probing left jabs to the chest before dropping the coup de grace. The final right hand that crashed over Duran's guard was so brutal, the impact twisted his head to the side and sucked all the air out of the arena. A collective gasp went up as Roberto Duran fell face forward to the canvas. There would be no count. Duran's corner men jumped into the ring as Hearns leapt onto the shoulders of his handlers. It was the most dramatic knockout of Thomas Hearns' career and upped the ante for his potential challenge of Marvelous Marvin Hagler for the middleweight championship. Hearns would fight one more bout before that showdown, a three round blast out of contender Fred Hutchings, but he would never again be so brilliantly devastating.

Radio and television broadcasting were as important to the growth and popularity of boxing as it was to the reshaping of our very culture. In The Golden Age of Boxing on Radio and Television, Frederick V. Romano explores the many roles that each medium played in both the development and the depiction of the sport. Principal among the topics covered are the ever-changing role of technology during the four-decade-plus period, how it impacted the manner in which the sport was presented to its public audience, the exponential growth of those audiences, and the influence radio and television had on the financial aspects of the sport, including the selective use of radio and television and the financial boom that the mediums created. The Golden Age of Boxing on Radio and Television also assays radio and boxing during World War II, the role of organized crime, and the monopolistic practices during the television era. Romano also presents a detailed account of announcers such as Don Dunphy and Ted Husing who brought the action to the listeners and viewers, the many appearances that boxers including Jack Dempsey, Joe Louis, and Rocky Marciano made on radio and television when they were not in the ring, and the mediums’ portrayal of the sport in an array of programming from drama to comedy. This is a must-have for all serious boxing fans.

Twenty-four exclusive interviews with boxing insiders feature the recollections and perspectives of champions, trainers, promoters and officials, as well as those who work behind the scenes. Interviewees include ring legends "Sugar" Ray Leonard, Leon Spinks and Roy Jones, Jr., trainer Angelo Dundee, promoter Bob Arum, ring announcer Michael Buffer, referee Steve Smoger, cutman Joe Souza, sportscaster Al Bernstein and manager Jackie Kallen.

A comprehensive introduction to the workings of the business, Sportscasters/Sportscasting: Principles and Practices explains all of the information essential to anyone looking to begin a career in sports media, and includes numerous appendices containing acronyms and biographic information about over 200 sportscasters, and a complete Instructor's Manual.

Friday Night Fighter relives a lost moment in American postwar history, when boxing ruled as one of the nation's most widely televised sports. During the 1950s and 1960s, viewers tuned in weekly, sometimes even daily, to watch widely recognized fighters engage in primordial battle; the Gillette Cavalcade of Sports Friday Night Fights was the most popular fight show. Troy Rondinone follows the dual narratives of the Friday Night Fights show and the individual story of Gaspar "Indio" Ortega, a boxer who appeared on prime-time network television more than almost any other boxer in history. From humble beginnings growing up poor in Tijuana, Mexico, Ortega personified the phenomenon of postwar boxing at its greatest, appearing before audiences of millions to battle the biggest names of the time, such as Carmen Basilio, Tony DeMarco, Chico Vejar, Benny "Kid" Paret, Emile Griffith, Kid Gavilan, Florentino Fernández, and Luis Manuel Rodriguez. Rondinone explores the factors contributing to the success of televised boxing, including the rise of television entertainment, the role of a "reality" blood sport, Cold War masculinity, changing attitudes toward race in America, and the influence of organized crime. At times evoking the drama and spectacle of the Friday Night Fights themselves, this volume is a lively examination of a time in history when Americans crowded around their sets to watch the main event.

Muhammad Ali and Howard Cosell were must-see TV long before that phrase became ubiquitous. Individually interesting, together they were mesmerizing. They were profoundly different -- young and old, black and white, a Muslim and a Jew, Ali barely literate and Cosell an editor of his university's law review. Yet they had in common forces that made them unforgettable: Both were, above all, performers who covered up their deep personal insecurities by demanding -- loudly and often -- public acclaim. Theirs was an extraordinary alliance that produced drama, comedy, controversy, and a mutual respect that helped shape both men's lives. Dave Kindred -- uniquely equipped to tell the Ali-Cosell story after a decades-long intimate working relationship with both men -- re-creates their unlikely connection in ways never before attempted. From their first meeting in 1962 through Ali's controversial conversion to Islam and refusal to be inducted into the U.S. Army (the right for him to do both was publicly defended by Cosell), Kindred explores both the heroics that created the men's upward trajectories and the demons that brought them to sadness in their later lives. Kindred draws on his experiences with Ali and Cosell, fresh reporting, and interviews with scores of key personalities -- including the families of both. In the process, Kindred breaks new ground in our understanding of these two unique men. The book presents Ali not as a mythological character but as a man in whole, and it shows Cosell not in caricature but in faithful scale. With vivid scenes, poignant dialogue, and new interpretations of historical events, this is a biography that is novelistically engrossing -- a richly evocative portrait of the friendship that shaped two giants and changed sports and television forever.