Collectors will delight in acquiring the first and only Black dolls book that is completely published in Full Color! Author Debbie Garrett has written an extensive book of reference on vintage, modern, fashion and artist Black dolls. Featured in this book are Black dolls made from cloth, bisque, celluloid, composition, rubber, wood, and hard plastic. Fashion dolls, modern artist dolls and other doll categories are covered. This long overdue, insightful book includes a price guide and tips.

Dolls in Canada is two books in one. The first section is a personal and engaging look at dolls which make up our heritage; pioneer dolls, native people's dolls, dolls from various cultural groups in Canada, dolls from legends and stories, dolls in different styles and materials, and dolls by Canadian artists. Part two contains easy-to-follow instructions on how to make over fifteen different types of dolls, from rag dolls to jumping jacks, from hanky panky dolls to clothespeg dolls.

This book addresses a deceptively simple question: what accounts for the global success of A Doll’s House, Henrik Ibsen’s most popular play? Using maps, networks, and images to explore the world history of the play’s production, this question is considered from two angles: cultural transmission and adaptation. Analysing the play’s transmission reveals the social, economic, and political forces that have secured its place in the canon of world drama; a comparative study of the play’s 135-year production history across five continents offers new insights into theatrical adaptation. Key areas of research include the global tours of nineteenth-century actress-managers, Norway’s soft diplomacy in promoting gender equality, representations of the female performing body, and the sexual vectors of social change in theatre.

Sometimes the price of destiny is higher than anyone imagined.... Dark Magic, Hidden Destiny For three centuries a divine prophecy and a line of warrior queens protected Skala. But the people grew complacent and Erius, a usurper king, claimed his young half sister’s throne. Now plague and drought stalk the land, war with Skala’s ancient rival Plenimar drains the country’s lifeblood, and to be born female into the royal line has become a death sentence as the king fights to ensure the succession of his only heir, a son. For King Erius the greatest threat comes from his own line — and from Illior’s faithful, who spread the Oracle’s words to a doubting populace. As noblewomen young and old perish mysteriously, the king’s nephew — his sister’s only child — grows toward manhood. But unbeknownst to the king or the boy, strange, haunted Tobin is the princess’s daughter, given male form by a dark magic to protect her until she can claim her rightful destiny. Only Tobin’s noble father, two wizards of Illior, and an outlawed forest witch know the truth. Only they can protect young Tobin from a king’s wrath, a mother’s madness, and the terrifying rage of her brother’s demon spirit, determined to avenge his brutal murder....

“...imparts evanescent visions of oceans crossed and lands traversed from the late 1800s and grounds the reader to the present time. Beginning in Norway and culminating in Canada, a lovingly crafted outline of the author’s rich family history...” “...more than the record of an heirloom or a family tree;...the reconstruction of the story of a family, rooted and established in love, sharing an unshakeable faith, and reaping the blessing of a clan that has spanned centuries. ...a compelling work— because of the universal appeal of seeking out one’s family history, and the sense of timeless belonging revealed throughout... a haunting, yet comforting story that shares the same interesting elements of famous stories...that explore the details of pioneer living...” “...I...compliment you on your thorough, thoughtful research and your writing style. This book is a real treasure! It will appeal to a variety of readers:...young and old...anyone interested in Norwegian immigrant stories or who want to know something about researching family history and learn...what drew relatives to Canada a century ago...and about the adventure of doing research about things of value to us.”

All Hadley wants is for everything to go back to the way it used to be—back when she didn’t have to share her mother with her stepfather and stepbrother. Back when she wasn't forced to live in a musty, decomposing house. Back when she had a life in the city with her friends. As Hadley whiles away what’s left of her summer, exploring the nearby woods and splitting her time between her strange, bug-obsessed neighbor Gabe and the nice old lady that lives above the garage, she begins to notice the house isn’t just old and creaky. It’s full of secrets, just like appearance of a mysterious dollhouse and the family of perfect dolls she finds. Oh, how she wishes her family were more like those lovely dolls! Then one day, Hadley discovers a lone glass eye rolling around the floor of the attic. Holding it close one night, she makes a wish that just might change her world forever.

"This doll's eye view is a total delight and surveys a world awash with shadowy wit and exquisite collisions of beauty and the grotesque." —Helen Oyeyemi, author of Boy, Snow, Bird "Down to its most particular details, The Doll's Alphabet creates an individual world—a landscape I have never encountered before, which now feels like it was been waiting to be captured, and waiting to captivate, all along." —Sheila Heti, author of How Should a Person Be "Marvellous. Grudova understands that the best writing has to pull off the hardest aesthetic trick—it has to be both memorable and fleeting." —Deborah Levy, author of Hot Milk Dolls, sewing machines, tinned foods, mirrors, malfunctioning bodies—by constantly reinventing ways to engage with her obsessions and motifs, Camilla Grudova has built a universe that's highly imaginative, incredibly original, and absolutely discomfiting. The stories in The Doll's Alphabet are by turns child-like and naive, grotesque and very dark: the marriage of Margaret Atwood and Angela Carter. Camilla Grudova lives in Toronto. She holds a degree in Art History and German from McGill University, Montreal. Her fiction has appeared in The White Review and Granta.