mary bellanova came home to her east village apartment, cooked dinner, and fought with her boyfriend, primo. but soon mary realized that primo's silence in front of the tv set was more than just one of his bad moods: primo was actually dead. other guys had abandoned mary before,but primo's exit was by far the most unique. and suddenly mary's life -- defined so far by a string of temp jobs and unfinished short stories -- takes off on a tantalizing adventure as she follows a trail of primo's ex-lovers. arthur nersesian, who created a howling new york odyssey in his smash hit the fuck-up, captures the spirit of the city itself -- jolting and full of surprise -- in this powerful new novel edged with black humor and poignancy.

In the tradition of Richard Ford, Annie Proulx, and Kent Haruf comes a dazzling debut story collection by a young writer from the American West who has been published in The New Yorker, Granta, and The Best American Short Stories. SHORTLISTED FOR THE DYLAN THOMAS PRIZE • 2017 PEN/HEMINGWAY AWARD HONORABLE MENTION A construction worker on the run from the shady local businessman whose dog he has stolen; a Custer’s Last Stand reenactor engaged in a long-running affair with the Native American woman who slays him on the battlefield every year; a middle-aged high school janitor caught in a scary dispute over land and cattle with her former stepson: Callan Wink’s characters are often confronted with predicaments few of us can imagine. But thanks to the humor and remarkable empathy of this supremely gifted writer, the nine stories gathered in Dog Run Moon are universally transporting and resonant. Set mostly in Montana and Wyoming, near the borders of Yellowstone National Park, this revelatory collection combines unforgettable insight into the fierce beauty of the West with a powerful understanding of human beings. Tender, frequently hilarious, and always electrifying, Dog Run Moon announces the arrival of a bold new talent writing deep in the American grain. Praise for Dog Run Moon “[An] excellent first book of stories . . . One of the great things about Dog Run Moon is how resilient and funny [the characters] are. They’re at the end of their ropes, but they can still howl about the joy and pain each day brings, as if the young Levon Helm were singing their stories. . . . This is Thomas McGuane territory, and also that of writers like Joy Williams and Jim Harrison.”—The New York Times “Wink is definitely not a writer of half measures; each of these stories demonstrates his ability to lay life bare. A significant collection highly deserving of the spotlight.”—Library Journal (starred review) “Myth and history color these highly satisfying fictions about the way men and women struggle to shape their lives.”—Kirkus Reviews (starred review) “The perils of work and the weight of bequeathal fuel these stories, and each one holds a lasting, unshakable image. Sometimes grace is bestowed upon the characters in a sidewindering, not altogether fabulous fashion; sometimes it’s not bestowed at all. Callan Wink seems to know well the stratagems and delusions of men’s hearts. He also seems born and bred to short-story mastery.”—Joy Williams, author of The Visiting Privilege “Callan Wink’s debut is impressive indeed. Fine, old-fashioned, rich and juicy fiction. Weeks later I’m still living with the characters.”—Jim Harrison, author of Legends of the Fall “Callan Wink’s fresh, urgent stories have an energy and propulsion that set them well apart from the cerebral finger painting of so much literary fiction. Here is a writer with a great big horizon.”—Thomas McGuane, author of Crow Fair “Callan Wink’s stories remind me of expertly tied trout flies—beautifully crafted, true to reality, and barbed. What a fine young writer.”—Ron Rash, author of Above the Waterfall “As in all the best collections, each and every story in Dog Run Moon sings in the essential registers of love and death, work and nature. Callan Wink has the wisdom to write only of the things that matter, and the talent to make these stories as fresh as the literary headwaters from which they come.”—Smith Henderson, author of Fourth of July Creek

After five years in Africa, researching the decline of elephant populations, Kate Caraway’s project comes to a screeching halt when she shoots a poacher and is forced to leave the country. Kate and her husband, Jack Ryder, flee to a friend’s ranch in Texas to recuperate. But before Kate has a chance to unpack, her friend’s daughter pleads for Kate’s assistance. The young woman has become entangled in the ugly world of greyhound abuse and believes Kates is the only one with the experience and tenacity to expose the crime and find out who is responsible. On the case for only a few hours, Kate discovers a body, complicating the investigation by adding murder to the puzzle. Now she’s in a race against time to find the killer before she becomes the next victim.

Internationally renowned photographer Crouser captures the thrilling intensity of dogs at play in his collection of photographs--rare and provocative moments, split seconds of intense play--that give an intimate glimpse into the expressive personalities of his dynamic subjects. Viking Studio

"A construction worker on the run from the shady local businessman whose dog he has stolen; a Wild West re-enactor engaged in a long-running affair with the Indian 'squaw' who slays him on the battlefield every year; a middle-aged high school janitor caught in a scary dispute over land and cattle with her former stepson--Callan Wink's characters are often confronted with predicaments few of us can imagine"--

Meet Randolph. A dog like any other dog—but with a nose for murder . . . Harry is a man still mourning the loss of his beloved girlfriend, Imogen, who left him suddenly without a word. He’s also the owner of a plump, poetry-loving Lab, Randolph. Like most Manhattan dogs, Randolph spends his days sifting through a world of scents, his owner’s neuroses, and an overcrowded doggy run at the American Museum of Natural History. But now a bereft Harry has drifted into a circle of would-be occultists. Which might not be so bad if one of them wasn’t also a murderer. But which one? With 100,000 times the smelling power of a human being, Randolph can quickly detect the scents of guilt, anxiety, and avarice—and he has no lack of suspects, from a seductive con woman to an uncouth professor of the decorative arts. Now, to protect his hapless owner’s life, Randolph might have to do the unthinkable—and start training Harry to catch a killer. . . .

A beloved folk singer presents an impassioned account of the fall and rise of the small American towns she cherishes. Dubbed by the New Yorker as "one of America's very best singer-songwriters," Dar Williams has made her career not in stadiums, but touring America's small towns. She has played their venues, composed in their coffee shops, and drunk in their bars. She has seen these communities struggle, but also seen them thrive in the face of postindustrial identity crises. Here, in an account that "reads as if Pete Seeger and Jane Jacobs teamed up" (New York Times), Williams muses on why some towns flourish while others fail, examining elements from the significance of history and nature to the uniting power of public spaces and food. Drawing on her own travels and the work of urban theorists, Williams offers real solutions to rebuild declining communities. What I Found in a Thousand Towns is more than a love letter to America's small towns, it's a deeply personal and hopeful message about the potential of America's lively and resilient communities.