Twelve-Tone Tonality: Expanded Diatonicism - Dr. Joseph Krush presents new Dodecaphonic Tonal sets and leads readers through Expanded Diatonicism, Nonaphonic and Decaphonic Bi-modality, culminating with "The World's Best Dodecaphonic Tonal Set." He illustrates Semi-Modulation through Rotating Quintcircles. Relative Compatibility of Keys and Chromatic Clashes of Tones are also explored. Composers will benefit from this groundbreaking new system. Krush addresses the question: "What kind of a tonal system would result if the major and minor modes were combined into one, fused major/minor key?" His ultimate answer is: "Uni-tonal Nonaphonic Bi-Modality." Covering topics including Nonaphonic, Tri-Tonal, Bi-Modal Systems, Hendecaphonic and Dodecaphonic Systems, and Dodecaphonic Tonality and Functionality, the book is divided into two parts and spans 25 chapters.

Harrison Kerr (1897-1978) is probably best known for his efforts to foster an understanding of twentieth-century American music, but his achievements as a teacher, administrator, and composer are equally important. The present volume presents an extensive biography of Kerr and detailed analyses of three representative musical works with explanations.

This book represents a new approach to musical creativity, dealing with the semiotics, mathematical principles, and software for creativity processes. After a thorough introduction, the book offers a first practical part with a detailed tutorial for students in composition and improvisation, using musical instruments and music software. The second, theoretical part deals with historical, actual, and new principles of creative processes in music, based on the results and methods developed in the first author’s book Topos of Music and referring to semiotics, predicative objects, topos theory, and object-oriented concept architectures. The third part of the book details four case studies in musical creativity, including an analysis of the six variations of Beethoven's sonata op. 109, a discussion of the creative process in a CD coproduced in 2011 by the first and second authors, a recomposition of Boulez’s "Structures pour deux pianos" using the Rubato software module BigBang developed by the third author, and the Escher theorem from mathematical gesture theory in music. This is both a textbook addressed to undergraduate and graduate students of music composition and improvisation, and also a state-of-the-art survey addressed to researchers in creativity studies and music technology. The book contains summaries and end-of-chapter questions, and the authors have used the book as the main reference to teach an undergraduate creativity studies program and also to teach composition. The text is supported throughout with musical score examples.

In 'Classical Musicians Speak Out as a New Century Begins', Sidney Smith presents a unique snapshot of eminent musical opinion, clearly illustrating what musicians and composers are thinking at the beginning of the twenty first century. Meticulously researched, Smith draws his conclusions from an host of internationally renowned figures.

George Perle has divided this collection into four parts Composers and Works (Bartïk Berg Schoenberg Scriabin and Webern Towards a New Musical Language Some Critical Appraisals of Contemporary Music Theory and On Listening to Modern Music. These 23 articles reviews lectures and speeches represent the best of 50 years of musical thought and insight by one of the keenest musical minds of this century. Sharing this particular composer's point of view leads the reader to an understanding of the linear progression(not easily apparent) from the last century to the next.