This volume forms a part of the Critical Discourses in South Asia series which deals with schools, movements and discursive practices in major South Asian languages. It offers crucial insights into the making of the Punjabi language and literature, and its critical tradition across a century. The book brings together English translation of major writings of influential figures dealing with literary criticism and theory, aesthetic and performative traditions and re-interpretations of primary concepts and categories in Punjabi. It presents 30 key texts in literary and cultural studies from Punjab from the beginning of development of Punjabi language to its present form, with most of them translated for the first time into English. These seminal essays cover interconnections with socio-historical events in the medieval, colonial and post-independence period in Punjab. They discuss themes such as spiritual and aesthetic visions, poetic and literary forms, modernism, progressivism, feminism, Dalit literature, power structures and social struggles, ideological values, cultural renovations, and humanism. Comprehensive and authoritative, this volume offers an overview of the history of critical thought in Punjabi literature in South Asia. It will be essential for scholars and researchers of Punjabi language and literature, literary criticism, literary theory, comparative literature, Indian literature, cultural studies, art and aesthetics, performance studies, history, sociology, regional studies and South Asian studies. It will also interest the Punjabi-speaking diaspora and those working on the intellectual history of Punjab and conservation of languages and culture.

With 600 signed, alphabetically organized articles covering the entirety of folklore in South Asia, this new resource includes countries and regions, ethnic groups, religious concepts and practices, artistic genres, holidays and traditions, and many other concepts. A preface introduces the material, while a comprehensive index, cross-references, and black and white illustrations round out the work. The focus on south Asia includes Afghanistan, Bangladesh, India, Pakistan, and Sri Lanka, with short survey articles on Tibet, Bhutan, Sikkim, and various diaspora communities. This unique reference will be invaluable for collections serving students, scholars, and the general public.

An examination of the sources and evolution of personal authority in one Islamic society Sufi Heirs of the Prophet explores the multifaceted development of personal authority in Islamic societies by tracing the transformation of one mystical sufi lineage in colonial India, the Naqshbandiyya. Arthur F. Buehler isolates four sources of personal authority evident in the practices of the Naqshbandiyya—lineage, spiritual traveling, status as a Prophetic exemplar, and the transmission of religious knowledge—to demonstrate how Muslim religious leaders have exercised charismatic leadership through their association with the most compelling of personal Islamic symbols, the Prophet Muhammad. Buehler clarifies the institutional structure of sufism, analyzes overlapping configurations of personal sufi authority, and details how and why revivalist Indian Naqshbandis abandoned spiritual practices that had sustained their predecessors for more than five centuries. He looks specifically at the role of Jama'at 'Ali Shah (d. 1951) to explain current Naqshbandi practices.

The Volume Includes Selected Writings Of Sant Singh Sekhon, The Most Innovative Writer Of Punjab In 20Th Century. Included Here Are His Critical Articles, Covering Punjabi Poets Of All The Eras. Samples Of His Translation Also Figure In The Volume In Ample Measure In Which He Seeks To Pose A Creative Tension Between Punjabi And English.