Documents concernant le film "les Lumières de Broadway", 1927
Title | Documents concernant le film "les Lumières de Broadway", 1927 PDF eBook |
Author | |
Publisher | |
Pages | 4 |
Release | |
Genre | |
ISBN |
A Short History of Film, Third Edition
Title | A Short History of Film, Third Edition PDF eBook |
Author | Wheeler Winston Dixon |
Publisher | Rutgers University Press |
Pages | 525 |
Release | 2018-03-30 |
Genre | Art |
ISBN | 0813595169 |
With more than 250 images, new information on international cinema—especially Polish, Chinese, Russian, Canadian, and Iranian filmmakers—an expanded section on African-American filmmakers, updated discussions of new works by major American directors, and a new section on the rise of comic book movies and computer generated special effects, this is the most up to date resource for film history courses in the twenty-first century.
The Sounds of Early Cinema
Title | The Sounds of Early Cinema PDF eBook |
Author | Richard Abel |
Publisher | Indiana University Press |
Pages | 350 |
Release | 2001-10-03 |
Genre | Performing Arts |
ISBN | 9780253108708 |
The Sounds of Early Cinema is devoted exclusively to a little-known, yet absolutely crucial phenomenon: the ubiquitous presence of sound in early cinema. "Silent cinema" may rarely have been silent, but the sheer diversity of sound(s) and sound/image relations characterizing the first 20 years of moving picture exhibition can still astonish us. Whether instrumental, vocal, or mechanical, sound ranged from the improvised to the pre-arranged (as in scripts, scores, and cue sheets). The practice of mixing sounds with images differed widely, depending on the venue (the nickelodeon in Chicago versus the summer Chautauqua in rural Iowa, the music hall in London or Paris versus the newest palace cinema in New York City) as well as on the historical moment (a single venue might change radically, and many times, from 1906 to 1910). Contributors include Richard Abel, Rick Altman, Edouard Arnoldy, Mats Björkin, Stephen Bottomore, Marta Braun, Jean Châteauvert, Ian Christie, Richard Crangle, Helen Day-Mayer, John Fullerton, Jane Gaines, André Gaudreault, Tom Gunning, François Jost, Charlie Keil, Jeff Klenotic, Germain Lacasse, Neil Lerner, Patrick Loughney, David Mayer, Domi-nique Nasta, Bernard Perron, Jacques Polet, Lauren Rabinovitz, Isabelle Raynauld, Herbert Reynolds, Gregory A. Waller, and Rashit M. Yangirov.
Art in Cinema
Title | Art in Cinema PDF eBook |
Author | Scott MacDonald |
Publisher | Temple University Press |
Pages | 332 |
Release | 2006 |
Genre | Performing Arts |
ISBN | 9781592134274 |
Fascinating documentation of one of the most important film societies in American history.
The Film Book
Title | The Film Book PDF eBook |
Author | Ronald Bergan |
Publisher | DK Publishing (Dorling Kindersley) |
Pages | 0 |
Release | 2021 |
Genre | Biography & Autobiography |
ISBN | 9780241484838 |
Story of cinema -- How movies are made -- Movie genres -- World cinema -- A-Z directors -- Must-see movies.
Encyclopedia of Early Cinema
Title | Encyclopedia of Early Cinema PDF eBook |
Author | Richard Abel |
Publisher | Taylor & Francis |
Pages | 824 |
Release | 2005 |
Genre | Performing Arts |
ISBN | 0415234409 |
One-volume reference work on the first twenty-five years of the cinema's international emergence from the early 1890s to the mid-1910s.
Godard On Godard
Title | Godard On Godard PDF eBook |
Author | Jean-luc Godard |
Publisher | Da Capo Press |
Pages | 300 |
Release | 1986-03-22 |
Genre | Performing Arts |
ISBN | 9780306802591 |
Jean-Luc Godard, like many of his European contemporaries, came to filmmaking through film criticism. This collection of essays and interviews, ranging from his early efforts for La Gazette du Cinéma to his later writings for Cahiers du Cinéma, reflects his dazzling intelligence, biting wit, maddening judgments, and complete unpredictability. In writing about Hitchcock, Welles, Bergman, Truffaut, Bresson, and Renoir, Godard is also writing about himself-his own experiments, obsessions, discoveries. This book offers evidence that he may be even more original as a thinker about film than as a director. Covering the period of 1950-1967, the years of Breathless, A Woman Is a Woman, My Life to Live, Alphaville, La Chinoise, and Weekend, this book of writings is an important document and a fascinating study of a vital stage in Godard's career. With commentary by Tom Milne and Richard Roud, and an extensive new foreword by Annette Michelson that reassesses Godard in light of his later films, here is an outrageous self-portrait by a director who, even now, continues to amaze and bedevil, and to chart new directions for cinema and for critical thought about its history.