Document concernant le film "l'Ombre du passé", 1935
Title | Document concernant le film "l'Ombre du passé", 1935 PDF eBook |
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Pages | 2 |
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Documents concernant le film "Quand la vie était belle", 1935
Title | Documents concernant le film "Quand la vie était belle", 1935 PDF eBook |
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Pages | 10 |
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Édith Piaf
Title | Édith Piaf PDF eBook |
Author | David Looseley |
Publisher | Oxford University Press |
Pages | 264 |
Release | 2015 |
Genre | Biography & Autobiography |
ISBN | 1781382573 |
The world-famous French singer Édith Piaf (1915-63) was never just a singer. This book suggests new ways of understanding her, her myth and her meanings over time at home and abroad, by proposing the notion of an 'imagined Piaf.
A Short History of Film, Third Edition
Title | A Short History of Film, Third Edition PDF eBook |
Author | Wheeler Winston Dixon |
Publisher | Rutgers University Press |
Pages | 525 |
Release | 2018-03-30 |
Genre | Art |
ISBN | 0813595169 |
With more than 250 images, new information on international cinema—especially Polish, Chinese, Russian, Canadian, and Iranian filmmakers—an expanded section on African-American filmmakers, updated discussions of new works by major American directors, and a new section on the rise of comic book movies and computer generated special effects, this is the most up to date resource for film history courses in the twenty-first century.
Encyclopedia of Early Cinema
Title | Encyclopedia of Early Cinema PDF eBook |
Author | Richard Abel |
Publisher | Taylor & Francis |
Pages | 824 |
Release | 2005 |
Genre | Performing Arts |
ISBN | 0415234409 |
One-volume reference work on the first twenty-five years of the cinema's international emergence from the early 1890s to the mid-1910s.
The Sounds of Early Cinema
Title | The Sounds of Early Cinema PDF eBook |
Author | Richard Abel |
Publisher | Indiana University Press |
Pages | 350 |
Release | 2001-10-03 |
Genre | Performing Arts |
ISBN | 9780253108708 |
The Sounds of Early Cinema is devoted exclusively to a little-known, yet absolutely crucial phenomenon: the ubiquitous presence of sound in early cinema. "Silent cinema" may rarely have been silent, but the sheer diversity of sound(s) and sound/image relations characterizing the first 20 years of moving picture exhibition can still astonish us. Whether instrumental, vocal, or mechanical, sound ranged from the improvised to the pre-arranged (as in scripts, scores, and cue sheets). The practice of mixing sounds with images differed widely, depending on the venue (the nickelodeon in Chicago versus the summer Chautauqua in rural Iowa, the music hall in London or Paris versus the newest palace cinema in New York City) as well as on the historical moment (a single venue might change radically, and many times, from 1906 to 1910). Contributors include Richard Abel, Rick Altman, Edouard Arnoldy, Mats Björkin, Stephen Bottomore, Marta Braun, Jean Châteauvert, Ian Christie, Richard Crangle, Helen Day-Mayer, John Fullerton, Jane Gaines, André Gaudreault, Tom Gunning, François Jost, Charlie Keil, Jeff Klenotic, Germain Lacasse, Neil Lerner, Patrick Loughney, David Mayer, Domi-nique Nasta, Bernard Perron, Jacques Polet, Lauren Rabinovitz, Isabelle Raynauld, Herbert Reynolds, Gregory A. Waller, and Rashit M. Yangirov.
Cinema: The time-image
Title | Cinema: The time-image PDF eBook |
Author | Gilles Deleuze |
Publisher | U of Minnesota Press |
Pages | 366 |
Release | 1986 |
Genre | Performing Arts |
ISBN | 9780816616770 |
Discusses the theoretical implications of the cinematographic image based on Henri Bergson's theories