Dizzy is a Romanian street dog who was rescued and brought to the UK for a better life, a life which is very new and full of things she is initially very scared of. First she has to learn her name, and the routines, and then, bribed by sprats she begins to learn to trust and finally to play. It is a funny, sad and utterly bewildering tale of readjustment. She is supported, or not, by Candy the resident sable border collie who can be as confused and otherwise as she is; as one dog improves the other gets naughty, and vice versa. She has to come to terms with an apparently endless stream of friends and family who react to her in different ways, and cause her even more confusion. When Dizzy dies, her owner is inundated by sympathy letters which show what an impression she had made on the local community.

A full color, manga-style graphic novel telling a brand-new story in the world of Disney Descendants, starring Dizzy — the granddaughter of Lady Tremaine — and a whole cast of Villain Kids from the Isle of the Lost! The original Villain Kids have worked hard to prove they deserve to stay in Auradon, and now it’s time some of their friends from the Isle of the Lost get that chance too! When Dizzy receives a special invitation from King Ben to join the other VKs at Auradon Prep, at first she’s thrilled! But doubt soon creeps in, and she begins to question whether she can truly fit in outside the scrappy world of the Isle.

The Jazz Itineraries series, a new format based on Ken Vail's successful Jazz Diaries, charts the careers of famous jazz musicians, listing club and concert appearances with details of recording sessions and movie appearances. Copiously illustrated with contemporary photographs, newspaper extracts, record and performance reviews, ads and posters, the series provides fascinating insight into the lives of the greatest jazz musicians of our times. No.1 in the series, Dizzy Gillespie: The Bebop Years 1937?1952, chronicles Dizzy's life from his early struggles, through the birth of bebop, the demise of his first big band, up to his departure for France in 1952.

John Steinbeck wrote The Grapes of Wrath during an astonishing burst of activity between June and October of 1938. Throughout the time he was creating his greatest work, Steinbeck faithfully kept a journal revealing his arduous journey toward its completion. The journal, like the novel it chronicles, tells a tale of dramatic proportions—of dogged determination and inspiration, yet also of paranoia, self-doubt, and obstacles. It records in intimate detail the conception and genesis of The Grapes of Wrath and its huge though controversial success. It is a unique and penetrating portrait of an emblematic American writer creating an essential American masterpiece.

Before Jackie Robinson integrated major league baseball in 1947, black and white ballplayers had been playing against one another for decades—even, on rare occasions, playing with each other. Interracial contests took place during the off-season, when major leaguers and Negro Leaguers alike fattened their wallets by playing exhibitions in cities and towns across America. These barnstorming tours reached new heights, however, when Satchel Paige and other African- American stars took on white teams headlined by the irrepressible Dizzy Dean. Lippy and funny, a born showman, the native Arkansan saw no reason why he shouldn’t pitch against Negro Leaguers. Paige, who feared no one and chased a buck harder than any player alive, instantly recognized the box-office appeal of competing against Dizzy Dean’s "All-Stars." Paige and Dean both featured soaring leg kicks and loved to mimic each other’s style to amuse fans. Skin color aside, the dirt-poor Southern pitchers had much in common. Historian Timothy M. Gay has unearthed long-forgotten exhibitions where Paige and Dean dueled, and he tells the story of their pioneering escapades in this engaging book. Long before they ever heard of Robinson or Larry Doby, baseball fans from Brooklyn to Enid, Oklahoma, watched black and white players battle on the same diamond. With such Hall of Fame teammates as Josh Gibson, Turkey Stearnes, Mule Suttles, Oscar Charleston, Cool Papa Bell, and Bullet Joe Rogan, Paige often had the upper hand against Diz. After arm troubles sidelined Dean, a new pitching phenom, Bob Feller—Rapid Robert—assembled his own teams to face Paige and other blackballers. By the time Paige became Feller’s teammate on the Cleveland Indians in 1948, a rookie at age forty-two, Satch and Feller had barnstormed against each other for more than a decade. These often obscure contests helped hasten the end of Jim Crow baseball, paving the way for the game’s integration. Satchel Paige, Dizzy Dean, and Bob Feller never set out to make social history—but that’s precisely what happened. Tim Gay has brought this era to vivid and colorful life in a book that every baseball fan will embrace.

This book assembles lectures and essays on literature (William Wordsworth, Walter Benjamin, Chinese mountain poetry, Friedrich Nietzsche, the Tao Te Ching), art (Paleolithic cave art, Vincent Van Gogh, American landscape painting), and Japanese poetry forms (haiku, haibun, tanka) that were originally presented and published between 2000 and 2007. The essays identify strategies to counter the so-called postmodern condition. Matters of will, ethics, and consciousness are examined in comparative contexts with the aim of formulizing models of enlightened states of being and their aesthetic expressions. This study focuses on Wordsworth's rainbow epiphany; Walter Benjamin's «aura» and «monad»; Chinese mountain poetry's cosmic emptiness; Nietzsche's Hyperborean; Paleolithic cave art's transpersonal expression; Van Gogh's «dizzy heights» of natural beauty; American landscape painters' depiction of the sublime; haiku's absolute metaphor epiphany; and tanka's connection between natural beauty and erotic feeling. The collection is a re-examination of Ralph Waldo Emerson's «fundamental unity» between humanity and nature, as well as an examination of often-unmediated affective experience and its expression in this context through literature and art.

In Dizzy, Dr. Jack Wazen uncovers the root causes of this disabling, difficult-to-diagnose syndrome and shares the therapies and techniques that can return patients' lives to normal. Recent statistics show that more than 90 million Americans will experience dizziness at some time during their lives. The good news is that 80 to 90 percent of sufferers can find relief. In this comprehensive guide, one of the nation's leading authorities on balance disorders tells the millions of sufferers what they can to do to conquer dizziness—what it is, why they feel this way, and what they can do about it.