'I was upstairs with a girl I shouldn't have been upstairs with when my wife whispered in my ear, 'You have twenty-four hours to move out'. The book that started it all, Bateman's first novel published in 1995. It introduced the world to the hapless, endlessly wily and witty Belfast journalist Dan Starkey. Dan shares with his wife an appetite for drinking and dancing. But when he meets Margaret, things get seriously out of hand. Terrifyingly, unbelievably, she is murdered. Before long Dan is a target himself, racing against time to crack the mystery.

Dan Starkey is a young, married journalist in Belfast, who then Dan meets Margaret, a beautiful and apparently impoverished student. Things begin to get out of hand. And then, terrifyingly, Margaret is murdered. Is it because of her liaison with Dan?

Irish journalist Dan Starkey takes part in an assault on a Muslim temple in New York in this lighthearted caper. The attack follows the abduction by black nationalists of the wife of an Irish boxer who made racist remarks about his opponent before a fight. By the author of Divorcing Jack.

Newbery Medal-winner Kelly Barnhill's debut novel is an eerie tale of magic, friendship, and sacrifice. Enter a world where magic bubbles just below the surface. . . . When Jack is sent to Hazelwood, Iowa, to live with his strange aunt and uncle, he expects a summer of boredom. Little does he know that the people of Hazelwood have been waiting for him for quite a long time. When he arrives, he begins to make actual friends for the first time in his life-but the town bully beats him up and the richest man in town begins to plot Jack's imminent, and hopefully painful, demise. It's up to Jack to figure out why suddenly everyone cares so much about him. Back home he was practically... invisible. The Mostly True Story of Jack is a stunning debut novel about things broken, things put back together, and finding a place to belong. "There's a dry wit and playfulness to Barnhill's writing that recalls Lemony Snicket and Blue Balliett...a delightfully unusual gem." --Los Angeles Times

Belfast, Beirut and Berlin are notorious for their internal boundaries and borders. As symbols for political disunion, the three cities have inspired scriptwriters and directors from diverse cultural backgrounds. Despite their different histories, they share a wide range of features central to divided cities. In each city, particular territories take on specific symbolic and psychological meanings. Following a comparative approach, this book concentrates on the cinematographic representations of Belfast, Beirut and Berlin. Filmmakers are in constant search for new ways in order to engage with urban division. Making use of a variety of genres reaching from thriller to comedy, they explore the three cities' internal and external borders, as well as the psychological boundaries existing between citizens belonging to different communities. Among the characters featuring in films set in Belfast, Berlin and Beirut we may count dangerous gunmen, prisoners' wives, soldiers and snipers, but also comic Stasi-members, punk aficionados and fake nuns. The various characters contribute to the creation of a multifaceted image of city limits in troubled times.

Now back in print for the first time since 1969, a stunning novel about childhood, marriage, and divorce by one of the most interesting minds of the twentieth century. Dream and reality overlap in Divorcing, a book in which divorce is not just a question of a broken marriage but names a rift that runs right through the inner and outer worlds of Sophie Blind, its brilliant but desperate protagonist. Can the rift be mended? Perhaps in the form of a novel, one that goes back from present-day New York to Sophie’s childhood in pre–World War II Budapest, that revisits the divorce between her Freudian father and her fickle mother, and finds a place for a host of further tensions and contradictions in her present life. The question that haunts Divorcing, however, is whether any novel can be fleet and bitter and true and light enough to gather up all the darkness of a given life. Susan Taubes’s startlingly original novel was published in 1969 but largely ignored at the time; after the author’s tragic early death, it was forgotten. Its republication presents a chance to discover a splintered, glancing, caustic, and lyrical work by a dazzlingly intense and inventive writer.

Cycle of Violence, written with appealing verve and Colin Bateman’s unique blend of sinister violence and sidesplitting dialogue, is a thrill ride through Belfast’s most terrifying neighborhood with Miller, Ulster’s wisecrack