Douglas Dales’s Divine Remaking marks the 800th anniversary of the birth of St Bonaventure in 1217. Bonaventure distilled and transformed a rich inheritance of patristic and medieval exegesis of the Bible developed within the monastic tradition and in the university schools in Paris, Oxford and elsewhere. While teaching in Paris and then leading the Franciscans as their Minister General, Bonaventure wrote a substantial commentary on the Gospel of St Luke. This commentary is an eminent example of how his understanding of the Bible lay at the root of all that he taught and wrote. Bonaventure’s writing style reflects the beauty and ornate detail of contemporaneous works of art, stained glass, carvings in cathedrals and illuminated manuscripts. His writings, like the art of his day, are superb expressions of Christian theology and vision. Bonaventure had a formidable memory, and his capacity to draw from across the whole Latin Bible is extraordinary, instructive and enriching. His well-ordered mind was balanced, however, by a finely tuned spiritual and pastoral intuition, which makes his approach to the Gospels applicable and relevant to the reader of today. Divine Remaking is a bridge into Bonaventure’s thought; it allows his insight into St Luke’s Gospel to be understood by anyone seeking the divine truth in today’s world.

Sermons for many occasions throughout the Christian year which can be a source of comfort and strength for those alone on their Christian journey or inspiration for preachers.

Finalist for the African Studies Association 2016 Melville J. Herskovits Award A detailed ethnographic and historical study of the implications of fast-track land reform in Zimbabwe from the perspective of those involvedin land occupations around Lake Mutirikwi, from the colonial period to the present day. The Mutirikwi river was dammed in the early 1960s to make Zimbabwe's second largest lake. This was a key moment in the Europeanisation of Mutirikwi's landscapes, which had begun with colonial land appropriations in the 1890s. ButAfrican landscapes were not obliterated by the dam. They remained active and affective. At independence in 1980, local clans reasserted ancestral land claims in a wave of squatting around Lake Mutirikwi. They were soon evicted asthe new government asserted control over the remaking of Mutirikwi's landscapes. Amid fast-track land reform in the 2000s, the same people returned again to reclaim the land. Many returned to the graves and ruins of past lives forged in the very substance of the soil, and even incoming war veterans and new farmers appealed to autochthonous knowledge to make safe their resettlements. This book explores those reoccupations and the complex contests overlandscape, water and belonging they provoked. The 2000s may have heralded a long-delayed re-Africanisation of Lake Mutirikwi, but just as African presence had survived the dam, so white presence remains active and affective through Rhodesian-era discourses, place-names and the materialities of ruined farms, contour ridging and old irrigation schemes. Through lenses focused on the political materialities of water and land, this book reveals how the remaking of Mutirikwi's landscapes has always been deeply entangled with changing strategies of colonial and postcolonial statecraft. It highlights how the traces of different pasts intertwine in contemporary politics through the active, enduring yet emergent, forms and substances of landscape. Joost Fontein is Director of the British Institute in Eastern Africa and Lecturer in Social Anthropology at the University of Edinburgh. Published in association with the British Institute in Eastern Africa.

The nature of masculinity is a popular subject for contemporary authors, either treated critically from a sociological standpoint, or analysed from a psychological and spiritual perspective. In Remaking Men, David Tacey argues that we must strive to bridge the gap between these separate traditions - masculinity should neither be hijacked by the spiritual, Jung-influenced men's movement, nor discussed merely as a product of socio-political forces. Examining his own and other men's experience in a critical and lively discourse he evades the simplistic optimism of the 'inner journey' approach and the chronic pessimism of contemporary academic arguments. This is a fascinating and very accessible look at masculinity for those who want to explore self and society with intelligence and soul.

Drawing upon Edward Schillebeeckx's theology and Judith Butler's philosophy, Adam Beyt uses the framework of nonviolent hope to construct a Catholic political theology responding to dehumanizing violence. Dehumanizing violence names words, institutions, or acts violating the inherent dignity of being made in the image and likeness of God. Theology can participate in dehumanizing violence by claiming an uninterrogated universality that marginalizes bodies due to their perceived differences such as gender, race, sexuality, or ability. The book's constructive project integrates Schillebeeckx's and Butler's thought with queer theory and phenomenology to model embodiment as an “enfleshing dynamism” between bodies and signification. The text then posits Catholic discipleship as incarnating hope by defending the humanum, the new humanity announced through God's Reign. Combining reflections from Schillebeeckx and Butler, this hope centers discipleship as nonviolent world building. Concluding with a sustained reflection with the writings of Franz Fanon and Walter Benjamin, the final chapter sketches a Catholic solidaristic response to contemporary struggles against the necropolitics of colonizing and state violence through assemblies of hope.

Remaking Boston chronicles many of the events that altered the physical landscape of Boston, while also offering multidisciplinary perspectives on the environmental history of one of America's oldest and largest metropolitan areas.