Divine Play is the story of the God realization of Shivabalayogi, one of the great spiritual masters of the 20th Century. It also describes how a yogi evokes spiritual awareness through direct experience.

This is the authoritative source biography of Ramakrishna (1836-1886) based on interviews with those who knew him. It is also an interpreted description of the entire range of Ramakrishna?s spiritual disciplines and experiences, explained as much as possible in terms of reason and common empirical experience, with reference to Hindu scriptures and spiritual traditions, western philosophy, Hindu psychology, and Western religious tradition. The setting is Northeast India from 1775 to 1836. Topics include: Avatar; evolution of concept and purpose of: Bhavas (spiritual moods): Bhavamukha (mental state dwelling between the Absolute and the Relative): Brahmo Samaj: Cosmic Mind: Creation and Evolution; Brahman as efficient cause: God; various concepts and spiritual attitudes towards: Guru: India; its spiritual and religious beliefs compared to other countries: Kali Temple at Dakshineswar: Nondual Reality (Advaita): Ramakrishna?s life; worship of Divine Mother; realization of God in Hindu and non-Hindu religions; marriage; disciples: Samadhi: Tantra and Vaishnava Sects; history and methods of worship: Vedanta; main schools and basis in mystic experience: Vivekananda (Narendranath Datta): Yoga.

This study in the relationship between religion and the comic focuses on the ways in which the latter fulfils a central function in the sacred understanding of reality of pre-modern cultures and the spiritual life of religious traditions. The central thesis is that figures such as tricksters, sacred clowns, and holy fools play an essential role in bridging the gap between the divine and the human by integrating the element of disequilibrium that results from the contact between incommensurable realities. This interdisciplinary and cross-cultural series of essays is devoted to spiritual, anthropological, and literary characters and phenomena that point to a deeper understanding of the various mythological, ceremonial, and mystical ways in which the fundamental ambiguity of existence is symbolized and acted out. Given its interdisciplinary and cross-cultural perspective, this volume will appeal to scholars from a variety of fields.

Divine Play Is About Finding Wholeness In The Relative World. Its Roots Are In Advaita, The Hindu Philosophy Of Nonduality, But It Also Holds The Seeds Of Jungian Archetypes, Tribal Ritual, And Tibetan Buddhism As Teachers Of The One . It Is A Uniquely Powerful, Psychological And Spiritual Insight Tool That Can Be Used By Anyone Interested In Delving Deeper Into The Nature Of Their True Self. But, It Can Also Be A Very Helpful Aid As A Therapeutic Tool For Therapists And Their Clients. The Goal Of Divine Play Is To Help Players Make The Positive Choices Necessary To Improve Their Spiritual Awareness, Relationships, Finances, Health And Selfworth.

Learn the overwhelming strength and calm that comes over you when you practice the ancient art of chanting. Chants of a Lifetime offers an intimate collection of stories, teachings, and insights from Krishna Das, who has been called "the chant master of American yoga" by the New York Times. Since 1994, the sound of his voice singing traditional Indian chants with a Western flavor has brought the spiritual experience of chanting to audiences all over the world. He has previously shared some of his spiritual journey through talks and workshops, but now he offers a unique book-with-audio download combination that explores his fascinating path and creates an opportunity for just about anyone to experience chanting in a unique and special way. Chants of a Lifetime includes photos from Krishna Das’s years in India and also from his life as a kirtan leader—and the audio that is offered exclusively in the book consists of a number of "private" chanting sessions with the author. Instead of just being performances of chants for listening, the recordings make it seem as if Krishna Das himself is present for a one-on-one chanting session. The idea is for the listener to explore his or her own practice of chanting and develop a deepening connection with the entire chanting experience.