Annotation 'Divine Art, Infernal Machine' presents a history of the printing press & of the ambivalent attitudes of the public toward printers & printing since the days of Gutenberg & his business partner Johann Fust, a gentleman often tellingly confused with the notorious Doctor Faustus.

THE author has written this book for the followingreasons:1. Because of the great need of light and theabsence of books on this subject.2. It is believed that some have gone over thefalls of fanaticism, and that others have been greatlyperplexed and hindered in their life work on accountof lack of such light.3. Some who read the two sections, which werepublished, declared themselves to have been greatlyhelped thereby.4. God brought the subject-matter to the author'smind, laid it upon his heart, and opened the wayfor its writing and publication.He feels that equally with his other books, Godhas directed and will bless in its circulation andperusal. He also believes that with His blessingupon it, it will prove a light-house by life's sea,which will help to warn of threatening danger, andaid its readers in standing "perfect and complete inall the will of God." To whom be glory forever,

In God Doesn't Whisper, Pastor Jim Osman examines the assumptions, practices, and Scriptural citations of those who promote Hearing the Voice of God theology. This book provides a thorough examination of the Scriptures often used to promote the practice of listening for the voice of God. What is the still small voice? Does God speak through signs? What about open doors, dreams, and "feeling led"? What is the biblical model for decision-making? Scripture is clear: God Doesn't Whisper.

The god Set (aka Seth) has been much of a puzzle to Egyptologists. If we go with the attitude of later Egyptians, we find Set blamed for every misfortune that can befall humanity. However, if we go with the attitude of earlier times, in particular the Ramesside period, when Egypt was at its peak in prosperity, we find a completely different picture. For we find a god who was very much adored. Most of the surviving imagery is from that period, although even in Ptolemaic and Roman times we occasionally find a piece that was a part of worship and magical rites. Set was always seen as 'Great of Power', even when he was feared. Putting all his imagery together, placing it in chronological context, sheds new light on the Dark god.