In this gripping novel of small-town scandal and sizzling passion, New York Times bestselling author Nora Roberts tells the story of a renowned artist who confronts a mystery from her past—and finds that her family secrets have not been laid to rest. Famed sculptor Clare Kimball has commanded the attention of the New York art world, but troubling memories from childhood have drawn her home to Maryland, to the town where she grew up and where her father died so long ago in circumstances never really explained. Nothing much has changed in Emmitsboro—except Cameron Rafferty, the onetime high-school bad boy turned town sheriff. The only hint of Cam’s wild nature is the light in his eyes when he looks at Clare. In Cam’s strong arms Clare is seduced into falling in love—and into believing that her small-town world is safe. But within the dark woods of Emmitsboro, something evil is spreading its poisonous power. Now Clare must pay the price for digging up the secrets of the past . . . and confront an evil that may be unstoppable—because those who practice it believe it is divine.

Eleven original essays by philosophers and biblical scholars addressing the character of God as portrayed in the Hebrew Bible. Includes a critical commentary on each essay by another author, and replies to the critical comments by the original author.

Over a career spanning more than fifty years, Hans Schwarz has grappled with nearly all of Christianity's major theological questions. In this latest volume, Schwarz tackles the perennial problem of evil. How is it possible to reconcile the manifest evil and pain in the world with the biblical promise of hope and redemption? Are we, in fact, "lonely wanderers in the immensity of the universe about whom nobody cares," or is there something above and beyond us in which we can trust? To this perennial question Schwarz brings his signature blend of pastoral sensitivity and scholarly acumen. Informed by decades in the classroom, Schwarz offers a sweeping survey of views of the problem of evil, beginning with the world's major religious traditions before focusing on the major views across the broad span of Christian history. The book aims to help readers interested in the problem of evil understand the broad sweep of human thought about the problem, and make informed assessments of the issue for themselves.

Every version of the argument from evil requires a premise concerning God's motivation - about the actions that God is motivated to perform or the states of affairs that God is motivated to bring about. The typical source of this premise is a conviction that God is, obviously, morally perfect, where God's moral perfection consists in God's being motivated to act in accordance with the norms of morality by which both we and God are governed. The aim of God's Own Ethics is to challenge this understanding by giving arguments against this view of God as morally perfect and by offering an alternative account of what God's own ethics is like. According to this alternative account, God is in no way required to promote the well-being of sentient creatures, though God may rationally do so. Any norms of conduct that favor the promotion of creaturely well-being that govern God's conduct are norms that are contingently self-imposed by God. This revised understanding of divine ethics should lead us to revise sharply downward our assessment of the force of the argument from evil while leaving intact our conception of God as an absolutely perfect being, supremely worthy of worship.

If God is all powerful and entirely good and loving, why is there so much evil in the world? Based on a close canonical reading of Scripture, this book offers a new approach to the challenge of reconciling the Christian confession of a loving God with the realities of suffering and evil. John Peckham offers a constructive proposal for a theodicy of love that upholds both the sovereignty of God and human freedom, showing that Scripture points toward a framework for thinking about God's love in relation to the world.

This paperback edition brings to a wide audience one of the most innovative and meaningful models of God for this post-Auschwitz era. In a thought-provoking return to the original Hebrew conception of God, which questions accepted conceptions of divine omnipotence, Jon Levenson defines God's authorship of the world as a consequence of his victory in his struggle with evil. He traces a flexible conception of God to the earliest Hebrew sources, arguing, for example, that Genesis 1 does not describe the banishment of evil but the attempt to contain the menace of evil in the world, a struggle that continues today.

The delicious horror of Ransom Riggs and the sass of Mean Girls meets Titanic in this follow-up to the #1 New York Times bestseller How to Hang a Witch, in which a contemporary teen finds herself a passenger on the famous “ship of dreams”—a story made all the more fascinating because the author’s own relatives survived the doomed voyage. Samantha Mather knew her family’s connection to the infamous Salem Witch Trials might pose obstacles to an active social life. But having survived one curse, she never thought she’d find herself at the center of a new one. This time, Sam is having recurring dreams about the Titanic . . . where she’s been walking the deck with first-class passengers, like her aunt and uncle. Meanwhile, in Sam’s waking life, strange missives from the Titanic have been finding their way to her, along with haunting visions of people who went down with the ship. Ultimately, Sam and the Descendants, along with some help from heartthrob Elijah, must unravel who is behind the spell that is drawing her ever further into the dream ship . . . and closer to sharing the same grim fate as its ghostly passengers. Praise for How to Hang a Witch: “It’s like Mean Girls meets history class in the best possible way.” —Seventeen “Mather shines a light on the lessons the Salem Witch Trials can teach us about modern-day bullying—and what we can do about it.” —Bustle.com “Strikes a careful balance of creepy, fun, and thoughtful.” —NPR “I am utterly addicted to Adriana Mather’s electric debut. It keeps you on the edge of your seat, twisting and turning with ghosts, witches, an ancient curse, and—sigh—romance. It’s beautiful. Haunting. The characters are vivid and real. I. Could. Not. Put. It. Down.” —Jennifer Niven, bestselling author of All the Bright Places