A family of Christian women battle issues of unwanted pregnancies, overeating, mental illness and traumatic childhoods, hoping that--like Saul's encounter with God on the road to Damascus--their lives will turn around.

Now entering mid-life, Vann Sinclair is ready to do for herself after years of doing for others. But the serene life Vann expected with early retirement turns out to be just a dream. Everything happens for a reason, and Vann soon finds unexpected wonders.

When her son's father comes back into her life, declaring his love for her, single mother Patricia "Peaches" Miller, who never wants to become dependent on a man, must battle against temptation since he belongs to another woman, and turns to God for help.

First-of-its-kind internationally, a unique and innovative,indexed listings of the Black Literary Market Place. Easy-to-read chapters features Black authors, writers, poets, song, film and playwrights, publishers, producers, agents, librarians, bookstores, columnists, book and music critic/reviewers, editors, newspapers, magazines, television and radio talk shows, advertising, marketing and publicity sources all alphabetized and categorized under author's name or service company, and subject. URL: http://www.bapwd.com/BAPWDirectory.htm URL: http://www.bapwd.com/librarys.htm URL: http://www.bapwd.com.

A vibrant portrait of the talented and entrepreneurial women who defined an era in Cairo. One of the world’s most multicultural cities, twentieth-century Cairo was a magnet for the ambitious and talented. During the 1920s and ’30s, a vibrant music, theater, film, and cabaret scene flourished, defining what it meant to be a “modern” Egyptian. Women came to dominate the Egyptian entertainment industry—as stars of the stage and screen but also as impresarias, entrepreneurs, owners, and promoters of a new and strikingly modern entertainment industry. Raphael Cormack unveils the rich histories of independent, enterprising women like vaudeville star Rose al-Youssef (who launched one of Cairo’s most important newspapers); nightclub singer Mounira al-Mahdiyya (the first woman to lead an Egyptian theater company) and her great rival, Oum Kalthoum (still venerated for her soulful lyrics); and other fabulous female stars of the interwar period, a time marked by excess and unheard-of freedom of expression. Buffeted by crosswinds of colonialism and nationalism, conservatism and liberalism, “religious” and “secular” values, patriarchy and feminism, this new generation of celebrities offered a new vision for women in Egypt and throughout the Middle East.