DIVAN OF KHUSHAL Translation & Introduction by Paul Smith Khushal Khan Khattak (1613-1689) was a Pashtun poet, warrior, Sufi and chief of the Khattak tribe. He wrote in Pashtu during the reign of the Mughals and fought the fanatic Aurangzeb and admonished Afghans to forsake their divisive tendencies and unite. He was the father of fifty-seven sons, some of them fine poets and thirty daughters. He is the author of over 200 works in Pashtu and Persian, consisting of Poetry, Sufism, Medicine, Ethics, Religious Jurisprudence, Philosophy, Falconry, etc., together with an account of the events of his own life. His poetry is said to consist of more than 45,000 poems! There is no other poet in the Afghan language who created so many poems on such a wide range of subjects. He wrote many ghazals, ruba'is, qasidas, qi'tas and masnavis. Introduction on his Life, Times & Poetry; Various Forms of Poetry Used by Khushal; Selected Bibliography. Correct rhyme-structure has been kept and the meaning of these beautiful, powerful, and often Sufi spiritual poems. Appendix: The Poems of Khushal Khan Kattak from...Selections from the Poetry of the Afghans, by H.G. Raverty, [1868], (died 1906)... Large Format Paperback. Pages 331 COMMENTS ON PAUL SMITH'S TRANSLATION OF HAFIZ'S 'DIVAN'. "It is not a joke... the English version of ALL the ghazals of Hafiz is a great feat and of paramount importance. I am astonished." Dr. Mir Mohammad Taghavi (Dr. of Literature) Tehran. "Superb translations. 99% Hafiz 1% Paul Smith." Ali Akbar Shapurzman, translator and knower of Hafiz's Divan off by heart. "Smith has probably put together the greatest collection of literary facts and history concerning Hafiz." Daniel Ladinsky (Penguin Books author). Paul Smith (b. 1945) is a poet, author and translator of many books of Sufi poets from the Persian, Arabic, Urdu, Turkish, Pashtu and other languages including Hafiz, Sadi, Nizami, Rumi, 'Attar, Sana'i, Obeyd Zakani, Mu'in, Amir Khusrau, Nesimi, Kabir, Anvari, Ansari, Jami, Khayyam, Rudaki, Seemab, Jigar, Hali, Makhfi, Abu Nuwas and others, and his own poetry, fiction, plays, biographies and screenplays. www.newhumanitybooks.com.

>KHUSHAL KHAN KHATTAK

Khushhal Khan Khattak (1613-1689) was a Pashtun warrior, poet and tribal chief of the Khattak tribe. He wrote in Pashto during the reign of the Mughal (Mongol) emperors in the seventeenth century, and admonished Afghans to forsake their divisive tendencies and unite. He was a renowned fighter who became known as the aAfghan Warrior Poeta. He lived in the foothills of the Hindu Kush mountains in what is now the North-West Frontier Province of western Pakistan. Khattakas life can be divided into two important parts - during his adult life he was mostly engaged in the service of the Mughal King, and during his old age he was preoccupied with the idea of the unification of the Pashtuns. His poetry consists of more than 45,000 poems. According to some historians the number of books written by him is more than 200. His more famous books are Baz Nama, Fazal Nama, Distar Nama and Farrah Nama.

THE BOOK OF LALLA DED (LALLESHWARI)Translation & Introduction Paul SmithLalla Ded or Lalleshwari is the famous female poet/saint from Kashmir who lived at exactly the same time as Hafiz of Shiraz (1320-1392). Her vakhs (poems/sayings) are sung even today in Kashmir. She was married at a young age but the marriage was a failure and she walked out at the age of twenty-four. She became a disciple of Siddha Srikanth. It must have taken a lot of courage on her part to walk out of a marriage and to walk around unclothed as she did. She was treated with contempt by some and much reverence by others, seeing her as a saint and eventually as God-realized. Her two hundred vakhs are some of the oldest examples of Kashmiri written. She was a bridge between Hindu mysticism and Sufism. Her poems are more influential today than ever, not only in Kashmir but around the world. Here are 134 inspired poems with correct form and meaning. Introduction on her Life, Times & Poetry and on Sufis & Dervishes: Their Art & Use of Poetry, Selected Bibliography. Large Format Paperback 7” x 10” Illustrated 160 pages.COMMENTS ON PAUL SMITH'S TRANSLATION OF HAFIZ'S 'DIVAN'.“It is not a joke... the English version of ALL the ghazals of Hafiz is a great feat and of paramount importance. I am astonished.” Dr. Mir Mohammad Taghavi (Dr. of Literature) Tehran. “Superb translations. 99% Hafiz 1% Paul Smith.” Ali Akbar Shapurzman, translator into Persian and knower of Hafiz's Divan off by heart.“Smith has probably put together the greatest collection of literary facts and history concerning Hafiz.” Daniel Ladinsky (Penguin Books author of poems inspired by Hafiz). Paul Smith is a poet, author and translator of many books of Sufi poets of the Persian, Arabic, Urdu, Turkish, Pashtu and other languages, including Hafiz, Sadi, Nizami, Rumi, 'Attar, Sana'i, Jahan, Obeyd Zakani, Nesimi, Kabir, Anvari, Ansari, Jami, Khayyam, Rudaki, Yunus Emre, Shah Latif, Mahsati, Bulleh Shah, Khushal Khan Khattak and many others, as well as poetry, fiction, plays, biographies, children's books and 12 screenplays.www.newhumanitybooks.com

An illuminating story of a Sufi community that sought the revelation of God. In the Afghan highlands of the sixteenth century, the messianic community known as the Roshaniyya not only desired to find God’s word and to abide by it but also attempted to practice God’s word and to develop techniques of language intended to render their own tongues as the organs of continuous revelation. As their critics would contend, however, the Roshaniyya attempted to make language do something that language should not do—infuse the semiotic with the divine. Their story thus ends in a tower of skulls, the proliferation of heresiographies that detailed the sins of the Roshaniyya, and new formations of “Afghan” identity. In Singing with the Mountains, William E. B. Sherman finds something extraordinary about the Roshaniyya, not least because the first known literary use of vernacular Pashto occurs in an eclectic, Roshani imitation of the Qur’an. The story of the Roshaniyya exemplifies a religious culture of linguistic experimentation. In the example of the Roshaniyya, we discover a set of questions and anxieties about the capacities of language that pervaded Sufi orders, imperial courts, groups of wandering ascetics, and scholastic networks throughout Central and South Asia. In telling this tale, Sherman asks the following questions: How can we make language shimmer with divine truth? How can letters grant sovereign power and form new “ethnic” identities and ways of belonging? How can rhyme bend our conceptions of time so that the prophetic past comes to inhabit the now of our collective moment? By analyzing the ways in which the Roshaniyya answered these types of questions—and the ways in which their answers were eventually rejected as heresies—this book offers new insight into the imaginations of religious actors in the late medieval and early modern Persianate worlds.

“Alice Albinia is the most extraordinary traveler of her generation. . . . A journey of astonishing confidence and courage.”—Rory Stewart One of the largest rivers in the world, the Indus rises in the Tibetan mountains and flows west across northern India and south through Pakistan. It has been worshipped as a god, used as a tool of imperial expansion, and today is the cement of Pakistan’s fractious union. Alice Albinia follows the river upstream, through two thousand miles of geography and back to a time five thousand years ago when a string of sophisticated cities grew on its banks. “This turbulent history, entwined with a superlative travel narrative” (The Guardian) leads us from the ruins of elaborate metropolises, to the bitter divisions of today. Like Rory Stewart’s The Places In Between, Empires of the Indus is an engrossing personal journey and a deeply moving portrait of a river and its people.