The District Six Huis Kombuis: Food & Memory Cookbook commemorates the rich fusion of food and cultural heritage in District Six through personal stories, recipes, historical images and craft work. The book is a culmination of memories and narrative. It weaves through the days of a typical week in District Six, focusing on traditional family recipes that were prepared with love and often limited resources. This is a visual celebration of the vibrancy and warmth of the community - who foraged, preserved, baked and cooked together. Portraits of 23 former District Six residents, accompany recollections of lives lived in a significant time. Artifacts, food and anecdotes bring the spirit of District Six alive again.

The book is a sociolinguistic case study of District Six, an inner-city neighbourhood in Cape Town characterized by language mixing and switching of English and Afrikaans. Its early inhabitants included indigenous people, freed slaves of African and Asian origin, and immigrants from Europe andelsewhere. The ravages of apartheid affected the residents' attitudes towards their languages in various ways, which are described. The book examines the norms and practices regarding language choice for various functions and domains in the only surviving sector of District Six. It also containsdetailed analyses of extended bilingual conversations showing a range of social, linguistic and discourse features. Of particular interest is the paradoxical polarization and blending of the two languages. They are strongly polarized symbolically and functionally, yet they are also habituallyblended in vernacular speech through lexical borrowing and intrasentential language switching. This paradox has interesting implications for the construction of individual, community and language identity.

Martin Greshoff writes about the book he has created that contains photographs by Jan Greshoff of the iconic neighbourhood of District Six and the memoirs of some of those who lived there before it was destroyed by the apartheid regime.My uncle, Jan Greshoff, was an architect who worked in Cape Town, South Africa, from the 1960s to the 1980s. He was a private and modest man and didn't talk much about his photography. Jan had no children, and it was only after he died and his wife passed his archive of negatives on to us, his nephews and niece, that we discovered the full extent of his archive. His photographs cover many areas around Cape Town, including District Six.In common with many architects, Jan was a keen photographer and his profession certainly informed his work and his interest in his environment. He was a very close friend of Jansje Wissema, who was commissioned to photograph District Six for the South African Institute of Architects at roughly the same time that Jan was photographing the area. In his lifetime he did not publish or exhibit his photographs, and it was only in 1996 that he donated some 800 images to the newly founded District Six museum. They were exhibited by the museum in the same year and a booklet, 'The Last Days of District Six' was printed by the museum to accompany the exhibition. Jan died in 2007.In 2014 I started a Facebook page so his photographs could be seen by the communities which he photographed - It was through responses and comments made about the photos on this forum that it became clear that Jan's District Six images provoked memories and intense emotions. Many comments related to the way of living in a cohesive multi-ethnic society, the 'spirit' of District Six, memories of District Six characters, childhood games, physical places such as the shops, 'bioscopes' and streets. Feelings of anger were also expressed in relation to the Group Areas Act and subsequent forced removals from District Six. Feelings of frustration and anger were also expressed in relation to the painfully slow restitution process.It was through these comments made in response to the photographs, and through discussion with an ex-District Six resident, that the idea of recording these stories in more depth came about. The book contains memoirs and poetry submitted by 63 ex-District Six residents and by those who had a connection to the area. The stories which have been submitted are only a small fraction of the stories to be told. The editing process has been done in a collaborative way with each of the contributors. The stories are theirs and it was important that they were a part of this process. It felt important that these memories of an area no longer in existence were captured and preserved for the future and that what happened to District Six was not forgotten and the memory of District Six was kept alive.

In these five connected stories, set in Cape Town's District 6 in the 70s, the central character is a precocious little girl called Rosa. Through her adventures in the neighbourhood we come to meet and know the District and its many colourful inhabitants.

The culture that infiltrates our lives can provoke a range of feelings and afflictions – culture can move you, get under your skin and stir up your emotions. Ben Highmore uses these feelings, or 'passions', to explore the culture that surrounds us and uses it as a basis to introduce and explain the key ideas, debates and theories that are central to cultural studies. Impressively accessible and packed with absorbing examples from everyday life, this compact book is the ideal entry-point into cultural studies. The chapters examine problematic and complex issues that are core to cultural studies, looking at the experience of migration, the nature of the media, the lure of commodities, the world of taste and the culture of love. Cleverly written in a way that's easy to follow and enjoyable to read, the text gives a sense of the discipline as a way of thinking rather than an amalgamation of theories, and whets the appetite of all those interested in cultural studies. Whether you're a student who's new to the field, or a seasoned scholar seeking a fresh idea about what cultural studies can do, this clear and concise text encourages you to become truly passionate about cultural studies.

In South Africa land is one of the most significant and controversial topics. Land restitution has been a complex, multidimensional process that has failed to meet the expectations with which it was initially launched in 1994. Land, Memory, Reconstruction, and Justice brings together a wealth of topical material and case studies by leading experts in the field who present a rich mix of perspectives from politics, sociology, geography, social anthropology, law, history, and agricultural economics. The collection addresses both the material and the symbolic dimensions of land claims, in rural and urban contexts, and explores the complex intersection of issues confronting the restitution program, from the promotion of livelihoods to questions of rights, identity, and transitional justice.