The Distaff Gospels (Les Évangiles des Quenouilles), a fascinating fifteenth-century collection of more than 250 popular beliefs, constitutes a kind of encyclopedia of late medieval women’s wisdom. The women’s beliefs and experiences are recounted within the narrative frame of traditional gatherings where women meet with their spindles and distaffs to spin. They share advice on such important matters as how to control errant husbands, how to predict the gender of future offspring, how to cure common diseases, and ways to deal with evil spirits, providing a rare look into the intimate lives of medieval peasant women. This edition includes a facing-page translation (the first in English since 1510) of the two Old French manuscripts of the text. The critical introduction discusses the literary context, textual history, and cultural significance of The Distaff Gospels, while the rich selection of appendices includes translations of the names of the women storytellers and excerpts from works by Giovanni Boccaccio, Jean de Meun, François Villon, and Christine de Pizan.

Female Characters play various roles in the Odyssey: patron goddess (Athena), seductress (Kirke, the Sirens, Nausikaa), carnivorous monster (Skylla), maid servant (Eurykleia), and faithful wife (Penelope). Adopting an interdisciplinary approach, this study examines these different female representations and their significance within the context of the poem and Greek culture. A central theme of the book is the visualization of the Odyssey's female characters by ancient artists, and several essays discuss the visual and iconographic implications of Odysseus' female encounters as depicted in Greek, Etruscan, and Roman art. The distinguished contributors--from the fields of classical studies, comparative literature, art history, and archaeology--are A.J. Graham, Seth L. Schein, Diana Buitron-Oliver, Beth Cohen, Sheila Murnaghan, Lillian Eileen Doherty, Helene P. Foley, Froma I. Zeitlin, H.A. Shapiro, Richard Brilliant, Jenifer Neils, and Christine Mitchell Havelock. Feminine in orientation, but not narrowly feminist in approach, this first interdisciplinary work on the Odyssey's female characters will have a broad audience amongst scholars and students working in classical studies, iconography and art history, women's studies, mythology, and ancient history.

You can master the timeless craft of spinning with this clear, easy-to-follow manual. Everything you need to know from set-up to finished product in order to create distinctive yarns for use in knitting, weaving, crocheting, needlepoint, embroidery, and macrame. Author's preface. 33 illustrations, 10 black-and-white photographs. Bibliography. Sources of Supply.

Russian Folk Art surveys the traditions, styles, and functions of the many objects made by Russian peasant artists and artisans. Placing the objects within the settings in which folk artists worked -- the peasant household, the village, and the local market -- Alison Hilton discusses the principal media artists employed and the items they produced, from dippers and goblets to clothing and window frames. Emphasizing the balance between time-honored forms and techniques and the creativity of individual artists, the book explores how images and designs helped to form a Russian esthetic identity in the 19th and 20th centuries. Abundantly illustrated with examples from Russian museums, Russian Folk Art is a treasure for anyone interested in Russian culture.

The best new research on medieval clothing and textiles, drawing from a range of disciplines and with a special focus on reconstruction.