Inspired by specially curated mixtapes, Bev Vincent and Brian Keene present two new spine-chilling novellas... As a blizzard descends upon the sleepy town of Bayport, Rhode Island, brothers Joey and Frank Shaw investigate the mysterious disappearances of several townsfolk. After the discovery of strange tunnels, tunnels that only Joey can see, the trio suspect something is lurking beneath the snowbound town. Something burrowing. Something hungry. And it looks like Joey might be next in The Dead of Winter. Did you imagine the world vanishing to a flood or a comet, the hand of God or nuclear war? What if it started with something as innocuous as the Berenstain Bears, and something known as the Mandela Effect? Barricaded in a seedy motel room, one man makes sense of love, loss, and life as the end of the world looms. Do you see what he sees? Do you know what he knows?

Translated into English for the first time, Foundations of Modern Harmony, by composer and music theorist Karel Janec̆ek, addresses the analysis and composition of music not based on the tonal harmony that was common language until the early 20th century. Discussing this newer music requires a vocabulary in which all combinations of notes, or chords, can be named. Janec̆ek developed his theory of modern harmony over many years. In this book, he classifies chords according to their intervallic structure, their possible arrangements, and then based on their consonance and dissonance. His focus on what we hear leads to a discussion of “imaginary” pitches, those that are still heard after they are no longer sounding. Dealing with such issues as harmonizing a melody, resolving dissonant chords, and the formation and extinction of a sense of the tonic, Janeček’s work is an exciting complement to the theories of Schoenberg and Hindemith. His discussion of harmonic motion leads to the consideration of harmonic function, of establishing the tonic, of modulation, of atonal composition, and of static and kinetic conceptions of harmony. First published in 1965, Janeček’s concerns are of continuing importance to music theorists and composers.

Written during Tchaikovsky's years as professor at the Moscow Conservatory, this clear and thorough introduction to the study of harmony features numerous examples and exercises.