Dissent & Protest studies crucial documents from various protests, dissents, revolts, riots, and revolutions throughout American history, from the American Revolution to the Black Lives Matter Movement of today. This text closely studies more than eighty primary source documents to deliver a thorough examination of issues so important to Americans that they took action, exercised their rights and stood up to protest.

An analysis of the new communicative strategies of coalition protest movements and how these impact on mainstream media

Boundaries of Dissent looks at the way that political protest, as it is shaped through the space-time collapsing power of media, questions national identity and state authority. Through this lens of protest politics, Bruce D'Arcus examines how public and private space is symbolically mediated-the way that power and dissent are articulated in the contemporary media. Along the way, he addresses broader questions about the relationships between contemporary power and identity, citizenship and marginality, and society and geographic space. Further, he sets forth ways to distinguish legitimate protest from illegitimate dissent. In order to accomplish this task, D'Arcus looks at four case studies: the violent protests at the 1968 Democratic convention; the 1973 occupation of the Wounded Knee reservation; the 1999 rescue and subsequent custody battle over Elia n Gonza lez; and the 1999 anti-globalization protests in Seattle and Que bec City. D'Arcus argues for ways in which to usefully study thesecases, demonstrating the way that citizenship is socially constructed and how it is tied to concrete space.

What role does subjectivity play in digital culture? While the 19th century was characterized by print culture and the 20th century by broadcasting culture, we are now experiencing a new paradigm shift: digital technology has radically changed the way we produce (and consume) information, goods, values, social relationships, institutional bonds, etc. Subjects living in such a digital environment are ‘digitalizing’ themselves as well: the label ‘digital Self’ can help understand this change by establishing a parallel between subject and culture based on their common feature of being ‘digital’. Nevertheless, significant differences in this ‘being digital’ on both sides are at play, which should not be overlooked if we are to critically understand not only what a ‘digital Self’ and a ‘digital culture’ are, but also their dark sides and most problematic aspects. With this issue, our aim is to provide an interdisciplinary overview of the most problematic features of digital culture and the digital self according to contemporary debate, which might suggest new directions for future research and collaborative work.

A journey through American history that reveals an unsettling pattern of religious intolerance, from colonial anti-Quaker sentiment to modern-day Islamophobia

"This volume delivers a concise, clear round-up of American history starting from America's colonial era to current days of political disagreements and social uncertainty. Covering central themes and events of American history, Masur evaluates the contested meanings of the American dream and questions its viability"--