Brings together parts of the Lacanian discourse that have remained isolated in their respective research areas and outlines the shape of Lacanian discourse, showing the relation of Lacan's thought to philosophy, science, literature and aesthetics, gender and sexuality, and psychoanalytic theory.

This clear and elegant translation reveals how a modern Japanese thinker dared to show the basic flaw of Western epistemology. In unmasking this limitation, Matsuo presents an Eastern view of a unified experience, and provides an epistemological basis for comparative philosophy. Matsuo notes that while early Greek thought began by focusing on the right counsel ("Know thyself"), since then Western thought has been influenced by empiricistic analysis fired by the rise of scientific philosophy. The author thus turns to Eastern epistemology, in particular Buddhist thought, for clues to the unified experience. The seminal idea of emptiness (śūnyatā) plays a distinct role in this discovery. The concept of emptiness encompasses the whole dimension of perception where there is no room for separation into mind and body and/or any other form of dichotomy. Once it is known that the total dimension of perception—the logic of unity—functions in each and every person, then and only then can the field of comparative thought and philosophy be cleared of al preconceptions and move into a more fruitful exchange of ideas. Until such a time, Matsuo claims, we are hopelessly engaged in merely refining the epistemological process without ever being able to understand the very basis of intelligence.

In this first English translation of a classic text by one of the foremost commentators on Lacan's work, Nasio eloquently demonstrates the clinical and practical import of Lacan's theory, even in its most difficult or obscure moments.

This book is a close reading of Jacques Lacan's seminal essay, "The Agency of the Letter in the Unconscious or Reason Since Freud, " selected for the particular light it casts on Lacan's complex relation to linguistics, psychoanalysis, and philosophy. It clarifies the way Lacan renews or transforms the psychoanalytic field, through his diversion of Saussure's theory of the sign, his radicalization of Freud's fundamental concepts, and his subversion of dominant philosophical values. The authors argue, however, that Lacan's discourse is marked by a deep ambiguity: while he invents a new "language," he nonetheless maintains the traditional metaphysical motifs of systemacity, foundation, and truth.

In contemporary academic literary studies, Lacan is often considered impenetrably obscure, due to the unavailability of his late works, insufficient articulation of his methodologies and sometimes stereotypical use of Lacanian concepts in literary theory. This study aims to integrate Lacan into contemporary literary study by engaging with a broad range of Lacanian theoretical concepts, often for the first time in English, and using them to analyse a range of key texts from different periods. Azari explores Lacan's theory of desire as well as his final theories of lituraterre, littoral, and the sinthome and interrogates a range of poststructuralist interpretive approaches. In the second part of the book, he outlines the variety of ways in which Lacanian theory can be applied to literary texts and offers detailed readings of texts by Shakespeare, Donne, Joyce and Ashbery. This ground-breaking study provides original insights into a number of the most influential intellectual discussions in relation to Lacan and will fill a recognised gap in understanding Lacan and his legacy for literary study and criticism.

Using Lacanian psychoanalysis as a starting point, Campbell examines contemporary feminism's turn to accounts of feminist 'knowing' to create new conceptions of the political.

"By detailing the constitutive incompletion of the Lacanian project, the contributors have guaranteed the success of their book, which will remain a major reference for a long time to come." -Joan Copjec