In a thoughtful, well-informed study exploring fiction from throughout Stephen King's immense oeuvre, Heidi Strengell shows how this popular writer enriches his unique brand of horror by building on the traditions of his literary heritage. Tapping into the wellsprings of the gothic to reveal contemporary phobias, King invokes the abnormal and repressed sexuality of the vampire, the hubris of Frankenstein, the split identity of the werewolf, the domestic melodrama of the ghost tale. Drawing on myths and fairy tales, he creates characters who, like the heroic Roland the Gunslinger and the villainous Randall Flagg, may either reinforce or subvert the reader's childlike faith in society. And in the manner of the naturalist tradition, he reinforces a tension between the free will of the individual and the daunting hand of fate. Ultimately, Strengell shows how King shatters our illusions of safety and control: "King places his decent and basically good characters at the mercy of indifferent forces, survival depending on their moral strength and the responsibility they may take for their fellow men."

This title explores the creative works of famous novelist Stephen King. Books analyzed include Carrie, The Green Mile, The Stand, and the Dark Tower series. Clear, comprehensive text gives background biographical information of King. “You Critique It” feature invites readers to analyze other creative works on their own. A table of contents, timeline, list of works, resources, source notes, glossary, and an index are also included. Essential Critiques is a series in Essential Library, an imprint of ABDO Publishing Company.

A collection of short stories.

Provides a biography of author Stephen King along with critical views of his work.

The Functions of Unnatural Death in Stephen King: Murder, Sickness, and Plots examines over thirty of King’s works and looks at the character deaths within them, placing them first within the chronology of the plot and then assigning them a function. Death is horrific and perhaps the only universal horror because it comes to us all. Stephen King, known as the Master of Horror, rarely writes without including death in his works. However, he keeps death from being repetitious or fully expected because of the ways in which he plays with the subject, maintaining what he himself has called a childlike approach to death. Although character deaths are a constant, the narrative function of those deaths changes depending on their placement within the plot. By separating out the purposes of early deaths from those that come during the rising action or during the climax, this book examines the myriad ways character deaths in King can affect surviving characters and therefore the plot. Even though character deaths are frequent and hardly ever occur only once in a book, King’s varying approaches to, and uses of, these deaths show how he continues to play with both the subject and its facets of horror throughout his work.

Haunting us with such unforgettable stories as The Shining, The Shawshank Redemption, Salem’s Lot, Carrie, The Green Mile, and Pet Sematary, Stephen King has been an anchor of American horror, science fiction, psychological thrillers, and suspense for more than forty years. His characters have brought chills to our spines and challenged our notions of reality while leaving us in awe of the perseverance of the human spirit. The first book in the new Great Authors and Philosophy series, Stephen King and Philosophy reveals some of the deeper issues raised by King’s work. From retribution, freedom, and moral relativity, to death and insanity, the chapters of this book expose how King’s stories access the questions and fears that haunt each of us in the middle of the night.

One of the very first books to take Stephen King seriously, Landscape of Fear (originally published in 1988) reveals the source of King's horror in the sociopolitical anxieties of the post-Vietnam, post-Watergate era. In this groundbreaking study, Tony Magistrale shows how King's fiction transcends the escapism typical of its genre to tap into our deepest cultural fears: "that the government we have installed through the democratic process is not only corrupt but actively pursuing our destruction, that our technologies have progressed to the point at which the individual has now become expendable, and that our fundamental social institutions-school, marriage, workplace, and the church-have, beneath their veneers of respectability, evolved into perverse manifestations of narcissism, greed, and violence." Tracing King's moralist vision to the likes of Twain, Hawthorne, and Melville, Landscape of Fear establishes the place of this popular writer within the grand tradition of American literature. Like his literary forbears, King gives us characters that have the capacity to make ethical choices in an imperfect, often evil world. Yet he inscribes that conflict within unmistakably modern settings. From the industrial nightmare of "Graveyard Shift" to the breakdown of the domestic sphere in The Shining, from the techno-horrors of The Stand to the religious fanaticism and adolescent cruelty depicted in Carrie, Magistrale charts the contours of King's fictional landscape in its first decade.