Taking a look behind the scenes of Alien and its sequels, this book examines in detail the making of the films, provides details of earlier drafts, explores unproduced adventures (including three completely different versions of Alien 3 and Alien vs Predator), and previews Alien 4.

The 1979 film Alien has left an indelible mark on popular culture. Directed by Ridley Scott, at the time known primarily for making advertisements, and starring then-unknown actor Sigourney Weaver in the lead role, it transcended its humble origins to shock and disturb audiences upon its initial release. Its success has led to three direct sequels, two prequels, one "mashup" franchise, a series of comic books, graphic novels, novelizations, games, and an enormous and devoted fanbase. For forty years, Alien and its progeny have animated debate and discussion among critics and academics from a wide variety of fields and methodological perspectives. This book brings together scholars from diverse disciplinary backgrounds to explore Alien through a contemporary lens. The chapters here demonstrate the extent to which its effects and reception are deeply multifaceted, with the Alien franchise straddling the lines between "high" and "low" culture, playing with generic categories, crossing media boundaries, and animating theoretical, critical, and political debates. Chapters touch on female agency and motherhood, the influence of H.R. Giger, the viscerality of Alien's body horror, the narrative tradition of the Female Gothic, the patriarchal gaze in the Alien video games, and the rise of in-universe online marketing campaigns. In so doing, the volume aims to debate Alien's legacy, consider its current position within visual culture, and establish what the series means--and why it still matters--forty years since its birth.

Aliens: They have taken the form of immigrants, invaders, lovers, heroes, cute creatures that want our candy or monsters that want our flesh. For more than a century, movies and television shows have speculated about the form and motives of alien life forms. Movies first dipped their toe into the genre in the 1940s with Superman cartoons and the big screen's first story of alien invasion (1945's The Purple Monster Strikes). More aliens landed in the 1950s science fiction movie boom, followed by more television appearances (The Invaders, My Favorite Martian) in the 1960s. Extraterrestrials have been on-screen mainstays ever since. This book examines various types of the on-screen alien visitor story, featuring a liberal array of alien types, designs and motives. Each chapter spotlights a specific film or TV series, offering comparative analyses and detailing the tropes, themes and cliches and how they have evolved over time. Highlighted subjects include Eternals, War of the Worlds, The X-Files, John Carpenter's The Thing and Attack of the 50-Foot Woman.

Other books have been written about battles between humans and creatures from outer space. So, what's different about this one? Well, the aliens in this case know a great deal about planet Earth and its human population, but their info is disastrously out of date. It's a war in which tactics make all the difference and the aliens would have found peaceful cooperation a far more useful thing than the battle. As a side issue, these highly intelligent aliens have evolved on a planet where oxygen and water are rare. Impossible? Not at all. The author's thesis on this point is that life can evolve anywhere there is an energy source the life form can use. In each case, the life form evolves so as to use the available energy source and, therefore, is very dependant on it, just as we depend on oxygen and water.

The personal story of a professional physician's work involving one of the greatest breakthroughs of all time -- scientific proof that anomalous bio-electromagnetic implants of extraterrestrial origin have been removed from persons reporting alien abduction experiences. This revised and updated book includes and is supported by new scientific reports and a new photo gallery section. The evidence presented here provides enough evidence to believe that we have cosmic companions and they here with us now.

,The Body and Representation. Feminist Research and Theoretical Perspectives' was conceived as two weeks program within the International Women's University's project area BODY by the Center for Feminist Studies (ZFS) at the University of Bremen and organized in summer 2000. The publication includes results from lectures and seminars and additional contributions adding to main topics. Among the issues raised are concepts, staging, performances and representations of bodies in everyday life, political contexts, art and new media.

Aliens, UFOs, paranormal abductions, these are all events that have captivated and entertained people for millennia. In recent times, people have turned to science to explain the unexplainable, but does that answer everything? This book examines the history of well-known, unexplained encounters while exploring the science behind fascinating alien events. Full of photographs, eyewitness accounts, hoaxes, and scientific evidence, this book allows readers to engage the age-old question: Are we alone in the universe?