Throughout most of the eighteenth century and particularly during the religious revivals of the Great Awakening, evangelical women in colonial New England participated vigorously in major church decisions, from electing pastors to disciplining backsliding members. After the Revolutionary War, however, women were excluded from political life, not only in their churches but in the new republic as well. Reconstructing the history of this change, Susan Juster shows how a common view of masculinity and femininity shaped both radical religion and revolutionary politics in America. Juster compares contemporary accounts of Baptist women and men who voice their conversion experiences, theological opinions, and proccupation with personal conflicts and pastoral controversies. At times, the ardent revivalist message of spiritual individualism appeared to sanction sexual anarchy. According to one contemporary, revival attempted "to make all things common, wives as well as goods." The place of women at the center of evangelical life in the mid-eighteenth century, Juster finds, reflected the extent to which evangelical religion itself was perceived as "feminine"—emotional, sensional, and ultimately marginal. In the 1760s, the Baptist order began to refashion its mission, and what had once been a community of saints—often indifferent to conventional moral or legal constraints—was transformed into a society of churchgoers with a concern for legitimacy. As the church was reconceptualized as a "household" ruled by "father" figures, "feminine" qualities came to define the very essence of sin. Juster observes that an image of benevolent patriarchy threatened by the specter of female power was a central motif of the wider political culture during the age of democratic revolutions.

This is the first full-length study of prostitution in London during the eighteenth and early nineteenth centuries. It is a compelling account, exposing the real lives of the capital's prostitutes, and also shedding light on London society as a whole, its policing systems and its attitudes towards the female urban poor. Drawing on the archives of London's parishes, jury records, reports from Southwark gaol as well as other sources which have been overlooked by historians, it provides a fascinating study for all those interested in Georgian society.

This work examines the lowest levels of early modern popular street literature (ballads, broadsides, song pamphlets, and chapbooks) to shed light on differences between German and English attitudes toward women and on the ways in which those attitudes intertwined with wider social and cultural conceptions.

This first collection of essays by Carroll Smith-Rosenberg, one of the leading historians of women, is a landmark in women's studies. Focusing on the "disorderly conduct" women and some men used to break away from the Victorian Era's rigid class and sex roles, it examines the dramatic changes in male-female relations, family structure, sex, social custom, and ritual that occurred as colonial America was transformed by rapid industrialization. Included are two now classic essays on gender relations in 19th-century America, "The Female World of Love and Ritual: Relations Between Women in Nineteenth-Century America" and "The New Woman as Androgyne: Social Order and Gender Crisis, 1870-1936," as well as Smith-Rosenberg's more recent work, on abortion, homosexuality, religious fanatics, and revisionist history. Throughout Disorderly Conduct, Smith-Rosenberg startles and convinces, making us re-evaluate a society we thought we understood, a society whose outward behavior and inner emotional life now take on a new meaning.

Brabbling Women takes its title from a 1662 law enacted by Virginia's burgesses, which was intended to offer relief to the "poore husbands" forced into defamation suits because their "brabling" wives had slandered or scandalized their neighbors. To quell such episodes of female misrule, lawmakers decreed that husbands could choose either to pay damages or to have their wives publicly ducked. But there was more at stake here. By examining women's use of language, Terri L. Snyder demonstrates how women resisted and challenged oppressive political, legal, and cultural practices in colonial Virginia. Contending that women's voices are heard most clearly during episodes of crisis, Snyder focuses on disorderly speech to illustrate women's complex relationships to law and authority in the seventeenth century. Ordinary women, Snyder finds, employed a variety of strategies to prevail in domestic crises over sexual coercion and adultery, conflicts over women's status as servants or slaves, and threats to women's authority as independent household governors. Some women entered the political forum, openly participating as rebels or loyalists; others sought legal redress for their complaints. Wives protested the confines of marriage; unfree women spoke against masters and servitude. By the force of their words, all strove to thwart political leaders and local officials, as well as the power of husbands, masters, and neighbors. The tactics colonial women used, and the successes they met, reflect the struggles for empowerment taking place in defiance of the inequalities of the colonial period.

This innovative book marks a new way of looking at convict women. It tells their stories in a powerful and evocative way, drawing out broader themes of gender and sexual disorder and race and class dynamics in a colonial context. It considers the convict past in light of contemporary concerns, looking at the cultural meanings of aspects of life in the colony: on ships, in the factories and in orphanages. Using startlingly original research, Joy Damousi considers such varied topics as headshaving as punishment in the prisons and the subversive nature of laughter and play, as well as analysing the language of pollution, purity and abandonment. She also dicusses the nature of sexual relationships, including evidence of lesbianism. The book shows how understanding about sexual and racial difference was crucial for both the maintenance and disturbance of colonial society, and became a focus for cultural anxiety.