A Breton princess at the peak of the French Renaissance, Lilac lives prisoner in her parents' castle after a wicked secret is revealed on the eve of her tenth birthday soirée. Years later, her coronation ceremony looms, and between the riotous townsfolk and scheming nobleman bent on snatching the throne, Lilac prepares for the worst... Until a mysterious letter arrives from The Witch of Lupine Grotto, detailing a curious offer to cure her darkness forever. Lilac begrudgingly trades her coronet for a cloak and ventures into the forest Brocéliande in pursuit of the impious enchantress at the edge of town. With only the protection of an inherited dagger-and unsolicited help of the sardonic stranger who inserts himself on her quest-she must traverse Brocèliande and return in time to claim her rightful position as sovereign monarch. This is the story of a cursed princess, A crestfallen killer, The town that wants them to burn, And the witch that can save them both.

DENIED BASIC RIGHTS As a child in Saudi Arabia, Nabila knew no other life than that in which she lived, a society where women had no rights. Females could not attend school, pursue careers unless sanctioned by the government, drive cars, or choose their husbands. From birth to marriage, women in Nabila's culture remained under the control of males: a father, a brother, or a husband. ENCHANTED BY FREEDOM As a young bride, Nabila moved with her new husband to the United States, where he pursued a college degree, and where Nabila's world was opened to endless possibilities. Though the move was temporary, Nabila was enchanted and she knew she would return. Disenchanted: One Woman's Journey for Indepen­dence from the Kingdom of Saudi Arabia is Nabila's story of trying to find happiness and fulfillment in her homeland, but ultimately, having to sacrifice family for freedom.

This companion to Grounded combines humor, revolution, magic, and romance for the most delightful "Cinderella" retelling since Ella Enchanted. Ella Coach has one wish: revolution. Her mother died working in a sweatshop, and Ella wants every laborer in the Blue Kingdom to receive fairer treatment. But to make that happen, she'll need some high-level support...Prince Dash Charming has one wish: evolution. The Charming Curse forced generations of Charming men to lie, cheat, and break hearts -- but with the witch Envearia's death, the curse has ended. Now Dash wants to be a better person, but he doesn't know where to start...Serge can grant any wish -- and has: As an executive fairy godfather, he's catered to the wildest whims of spoiled teenagers from the richest, most entitled families in Blue. But now a new name has come up on his list, someone nobody's ever heard of... Ella Coach.This is a story about three people who want something better and who together find the faith to change their worlds. It's "Cinderella," brilliantly reimagined, and a delightful expansion of the wonderful world of Tyme.

Wolfgang Schivelbusch tells the story of the development of artificial light in the nineteenth century. Not simply a history of a technology, Disenchanted Night reveals the ways that the technology of artificial illumination helped forge modern consciousness. In his strikingly illustrated and lively narrative, Schivelbusch discusses a range of subjects including the political symbolism of streetlamps, the rise of nightlife and the shopwindow, and the importance of the salon in bourgeois culture.

This book examines the conflicts, dilemmas and contradictions that marked Englishness as the nation changed from an imperial power to a postcolonial state. The chapters deal with travel writing, popular song, music hall and variety theatre, dances, elocution lessons, cricket and football, and national festivals, as well as literature and film. 'High' and 'popular' cultures are brought together in dialogue, and the diversity as well as the problematic nature of English identity is emphasised. The case studies are linked by their interests in different kinds of performances of being English, and by a particular focus upon the voice and the body as key sites for the struggles of modern England. The book is a lively contribution to current interdisciplinary debates about Englishness, national cultures and postcolonial identities. It is relevant to undergraduate students of literature, drama, film, politics and sociology, and will also appeal to a general readership.