McDougal Littell Discovering French Nouveau: Student Edition Level 1 2007 (French.

Costa Book of the Year: This novel of science, magic, murder, and a determined Victorian-era teenager is a “heady concoction . . . absolutely unforgettable” (Kirkus Reviews, starred review). Faith Sunderly leads a double life. To most people, she is modest and well mannered—a proper young lady who knows her place. But inside, Faith is burning with questions and curiosity. She keeps sharp watch of her surroundings and, therefore, knows secrets no one suspects her of knowing—like the real reason her family fled to the close-knit island of Vane. And that her father’s death was no accident. In pursuit of revenge and justice for the father she idolizes, Faith hunts through his possessions, where she discovers a strange tree. A tree that bears fruit only when she whispers a lie to it. The fruit, in turn, delivers a hidden truth. The tree might hold the key to her father’s murder. Or, it might lure the murderer directly to Faith herself, for lies—like fires, wild and crackling—quickly take on a life of their own. “Frances Hardinge has joined the ranks of those writers of young-adult fiction, like Philip Pullman, whose approach to fantasy proves so compelling that they quickly develop an adult following, and The Lie Tree is a good demonstration of why this is so . . . [a] page-turner.” —Locus “The time is nineteenth-century England just after Darwin’s theory of evolution has thrown the scientific world into turmoil; the setting is the fictional island of Vane, between land and sea; the main character is a fourteen-year-old girl caught between society’s expectations and her fierce desire to be a scientist. . . . A stunner.” —The Horn Book (starred review) “A murder mystery that dazzles at every level, shimmering all the more brightly the deeper down into it you go.” —Chicago Tribune “Haunting, and darkly funny . . . features complex, many-sided characters and a clear-eyed examination of the deep sexism of the period, which trapped even the most intelligent women in roles as restrictive as their corsets.” —Publishers Weekly (starred review) “Hardinge, who can turn a phrase like no other, melds a haunting historical mystery with a sharp observation on the dangers of suppressing the thirst for knowledge.” —School Library Journal (starred review)

The world-famous French singer Édith Piaf (1915-63) was never just a singer. This book suggests new ways of understanding her, her myth and her meanings over time at home and abroad, by proposing the notion of an 'imagined Piaf.

Adrian Mole's first love, Pandora, has left him; a neighbor, Mr. Lucas, appears to be seducing his mother (and what does that mean for his father?); the BBC refuses to publish his poetry; and his dog swallowed the tree off the Christmas cake. "Why" indeed.

The first comprehensive catalogue of the Getty Museum’s significant collection of French Rococo ébénisterie furniture. This catalogue focuses on French ébénisterie furniture in the Rococo style dating from 1735 to 1760. These splendid objects directly reflect the tastes of the Museum’s founder, J. Paul Getty, who started collecting in this area in 1938 and continued until his death in 1976. The Museum’s collection is particularly rich in examples created by the most talented cabinet masters then active in Paris, including Bernard van Risenburgh II (after 1696–ca. 1766), Jacques Dubois (1694–1763), and Jean-François Oeben (1721–1763). Working for members of the French royal family and aristocracy, these craftsmen excelled at producing veneered and marquetried pieces of furniture (tables, cabinets, and chests of drawers) fashionable for their lavish surfaces, refined gilt-bronze mounts, and elaborate design. These objects were renowned throughout Europe at a time when Paris was considered the capital of good taste. The entry on each work comprises both a curatorial section, with description and commentary, and a conservation report, with construction diagrams. An introduction by Anne-Lise Desmas traces the collection’s acquisition history, and two technical essays by Arlen Heginbotham present methodologies and findings on the analysis of gilt-bronze mounts and lacquer. The free online edition of this open-access publication is available at www.getty.edu/publications/rococo/ and includes zoomable, high-resolution photography. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book, and JPG downloads of the main catalogue images.