Treasure lives amidst the rubble of lost neighborhoods. Mixed-media artist Elizabeth Leader found a discarded family album and transformed it into collages that capture the rise and fall of the Rust Belt, honoring the immigrants and refugees who built America.

This book is about local history of families in an approximately 300-square-mile region of Yazoo County in central Mississippi from 1865 to 1965. It sketches the lives of these African Americans in a violent environment. It transcribes the 1865-66 plantation census of the county. It identifies relatives who fought in the Civil War, and points out the betrayal of Southern United States Colored Troops by Reconstruction presidents. It discusses survival skills, and compares life spans of two generations. Addressing unpleasantness it fills gaps left by oral family history.

Reprint of the original, first published in 1881.

"In Part I of this book, I argued that preta narratives participated in a larger world-building process that negotiated the contours of the Buddhist cosmos and, with it, the place of the departed. Through stories about encounters between humans and pretas, Buddhist authors explored the place of the departed in a karmic cosmological system, worked out how to best assist them, and advocated for the importance of the sangha in facilitating these offerings. These tales do not merely reflect the process through which the preta as a specific entity and rebirth category became distinguished from the ancestral departed, but also participated in this process. This illustrates the importance of viewing narratives, in Rob Campany's terms, as argumentative. Stories are not merely the distillation of more abstract doctrine but are sites for the construction of religious worldviews. This illustrates that religious cosmologies are not laid down fully formed in doctrinal treatises. They are cumulatively built over time, and "popular culture" can do important work in the aggregative construction of cosmologies"--

This book offers an account of how ‘ancestors’ instructions’ were used and abused in the Song period. It digs deeply into abundant resources to tease apart the complex and versatile relationship between the meaning and the truth of the Song discourse of ancestors’ instructions.

In our society it has long been believed that art serves very little social purpose. Evolutionary anthropologists, however, are examining a potential role for art in human evolution. Kathryn Coe looks to the visual arts of traditional societies for clues. Because they are passed down from previous generations, traditional art forms such as body decoration, funeral ornaments, and ancestral paintings offer ways to promote social relationships among kin and codescendants of a common ancestor. Mothers used art forms to anchor themselves and their kin to the father and his kin, and to promote the survival and reproductive success of kin and descendants. Individuals who abided by this strategy, accompanied by its strict codes of cooperation, left more distant descendants than did individuals who did not. Over time, given this reproductive success, large numbers of individuals would be identified as codescendants of a common ancestor and would cooperate as if they were close kin. These cooperative codescendants were more likely to survive and leave descendants. With each new generation these clans propagated not only their genes but also their behavioral strategy, the replication or presence of "art." The book concludes by examining the changing characteristics of visual art -- including a higher value on creativity, competition, and cost -- when traditional constraints on social behavior disappear. Book jacket.

Ancestors and Others collects selected stories from the legendary southern writer, Fred Chappell In this collection, Fred Chappell shows his mastery across a range of genres. Featuring folk fables in the Twain tradition, realistic stories of growing up in remote Appalachia, stories of family, kin, and community, and tales of the fantastic and spooky, this book will delight fans and surprise new readers.