Disasters of Peace Part 2: A student perspective - PULP FICTIONS No.7 Edited by Karin van Marle 2011 ISSN: 1992-5174 Pages: 40 Print version: Available Electronic version: Free PDF available About the publication In this edition of Pulp fictions two law students reflect on the issues taken up in the first edition of Pulp fictions in 2005. Joel Modiri and Emile Zitzke (both second years in 2011), after reading the dialogue between Heyns and Van Marle last year as first year students coming into the faculty of law were prompted to revisit some of the issues raised. Heyns and Van Marle’s dialogue was in response to a decision of the Centre for Human Rights not to display a group of etchings by Diane Victor from her Disasters of Peace series in their offices and a subsequent decision of the University’s management, taken after the group of etchings had been moved to the Department of Public Law, to remove two of the etchings that were found to be most offensive by a group of complainants including the then principal of the University, Prof Calie Pistorius. Six years after the removal of these art works Modiri and Zitzke bring fresh perspectives to the debate. Added to this edition also is a musing by Prof Christof Heyns. The original idea with Pulp fictions was to open spaces for discussion, dialogue and dissent and opportunity for creativity, experimentation and reimaginings. Over the past 6 years, colleagues from the UP Faculty of Law; from other faculties in UP; and from other universities have participated, as have a judge of the Constitutional Court and an attorney. This is the first edition in which students have entered these spaces. We welcome this expansion and reiterate previous calls for more participation from the UP academic community and beyond. About the Editor: Karin van Marle is a Professor at the Department of Legal History, Comparitive Law and Jurisprudence, at the Faculty of Law, University of Pretoria

Abby Abernathy is re-inventing herself as the good girl as she begins her freshman year at college, which is why she must resist lean, cut, and tattooed Travis Maddox, a classic bad boy.

The classic book on systems thinking—with more than half a million copies sold worldwide! "This is a fabulous book... This book opened my mind and reshaped the way I think about investing."—Forbes "Thinking in Systems is required reading for anyone hoping to run a successful company, community, or country. Learning how to think in systems is now part of change-agent literacy. And this is the best book of its kind."—Hunter Lovins In the years following her role as the lead author of the international bestseller, Limits to Growth—the first book to show the consequences of unchecked growth on a finite planet—Donella Meadows remained a pioneer of environmental and social analysis until her untimely death in 2001. Thinking in Systems is a concise and crucial book offering insight for problem solving on scales ranging from the personal to the global. Edited by the Sustainability Institute’s Diana Wright, this essential primer brings systems thinking out of the realm of computers and equations and into the tangible world, showing readers how to develop the systems-thinking skills that thought leaders across the globe consider critical for 21st-century life. Some of the biggest problems facing the world—war, hunger, poverty, and environmental degradation—are essentially system failures. They cannot be solved by fixing one piece in isolation from the others, because even seemingly minor details have enormous power to undermine the best efforts of too-narrow thinking. While readers will learn the conceptual tools and methods of systems thinking, the heart of the book is grander than methodology. Donella Meadows was known as much for nurturing positive outcomes as she was for delving into the science behind global dilemmas. She reminds readers to pay attention to what is important, not just what is quantifiable, to stay humble, and to stay a learner. In a world growing ever more complicated, crowded, and interdependent, Thinking in Systems helps readers avoid confusion and helplessness, the first step toward finding proactive and effective solutions.

Named One of The Hollywood Reporter’s “100 Greatest Film Books of All Time” Famed independent screenwriter and director Robert Rodriguez (Sin City, Once Upon a Time in Mexico, Spy Kids, Machete) discloses all the unique strategies and original techniques he used to make his remarkable debut film El Mariachi on a shoestring budget. This is both one man's remarkable story and an essential guide for anyone who has a celluloid story to tell and the dreams and determination to see it through. Part production diary, part how-to manual, Rodriguez unveils how he was able to make his influential first film on only a $7,000 budget. Also included is the appendix, "The Ten Minute Film Course,” a tell-all on how to save thousands of dollars on film school and teach yourself the ropes of film production, directing, and screenwriting. A perfect gift for the aspiring filmmaker.

The Code of Hammurabi (Codex Hammurabi) is a well-preserved ancient law code, created ca. 1790 BC (middle chronology) in ancient Babylon. It was enacted by the sixth Babylonian king, Hammurabi. One nearly complete example of the Code survives today, inscribed on a seven foot, four inch tall basalt stele in the Akkadian language in the cuneiform script. One of the first written codes of law in recorded history. These laws were written on a stone tablet standing over eight feet tall (2.4 meters) that was found in 1901.

Set in the future when "firemen" burn books forbidden by the totalitarian "brave new world" regime.