The first full-length scholarly study of Peyton Place, Grace Metalious's classic story of New England indiscretion

What are we? The Damned childer of caine? The grotesque lords of humanity? The pitiful wretches of eternal hell? We are vampires, and that is enough. I am a vampire, and that is far more than enough. I am that which must be feared, worshipped and adored. The world is mine -- now and forever. No one holds command over me. No man. No god. No prince. What is a claim of age for ones who are immortal? What is a claim of power for ones who defy death? Call your damnable hunt. We shall see whom I drag screaming to hell with me. Secret rules and powers for this hidden sect.

Writing the Survivor: The Rape Novel in Late Twentieth-Century American Fiction identifies a new genre of American fiction, the rape novel, that recenters narratives of sexual violence on the survivors of violence and abuse, rather than the perpetrators. The rape novel arose during the women’s liberation movement as women writers collectively challenged the traditional erasure of female subjectivity and agency found in earlier representations of sexual violence in American fiction. The rape novel not only foregrounds survivors and their stories in a textual centering that affirms their dignity and self-worth, but also develops new narratological strategies for portraying violent, disturbing subject matter. In bringing together many key women’s texts of the last decades of the 20th century, the rape novel demonstrates the centrality of sexual assault to women’s fiction of this era. The rape novels of the 21st century continue the political activism inherent in the genre—educating readers, offering community to survivors, and encouraging social activism—as the stories of male survivors are increasingly told. A radical reconsideration of late twentieth-century American novels, Writing the Survivor underscores the importance of women’s activism upon the novel’s form and content and reveals the portrayal of rape as rape to be an interethnic imperative.

Political corruption in America is worse today than it has been since the Watergate era. Americans know it, and the politicians have known it for years. Urgent calls for reform have become standard fare, but nothing changes. A Democrat President and a Republican Congress were both elected on the strength of their promises of reform. Neither has delivered. Americans contemplate the tottering remains of our ethically bankrupt political system with despair. Fact: The Christian Coalition's 1994 voter guides appear to have been skewered to favor Republican candidates in key congressional races across the country, in direct contravention of federal election law. The truth is, the politicians couldn't be happier dickering over the remains of the welfare state. Because, as you'll learn in Dirty Little Secrets, there is probably not a politician in America who does not benefit directly, personally, and continually from the status quo. Fact: The state Democratic party in Tennessee paid sums in excess of six figures to a number of groups and organizations for various political services in 1994. The problem? None of the groups actually exist, except on paper. Our Politicians, from those in the highest reaches of the Republican and Democratic parties to those in the humblest state congressional districts, evade, massage, and even break the law in order to hold on to power. But instead of merely unmasking corrupt politicians in every region of the country, Dirty Little Secrets analyzes why corruption persists in American politics, despite scandal after scandal, and in spite of periodic bursts of reform. Fact: On the eve of the 1994 elections, mock "pollsters" called up thousand ofvoters in one Wisconsin congressional district to ask whether their electoral decisions would be influenced if they knew one of the candidates was a lesbian. Most politicians want to do the right thing. But they also want to be reelected, and the system is far stronger than any honest man or woman. The influence of money and the intricacies of the levers of power make it easier for politicians to ignore the law than to obey it. In Dirty Little Secrets you will read of the conservative movement's hidden manipulations in 1994, and learn the truth about Newt Gingrich's twenty-year program of political destabilization. The history of the corrupt House the Democrats built with the help of liberal interest groups stands revealed. And Larry J. Sabato and Glenn R. Simpson expose the corrupt and illegal tactics both parties have used for decades to protect and promote their own power. Fact: In 1994, in Alabama, one local election was decided by three hundred votes. Seventeen hundred ballots cast in that election were illegally admitted absentee ballots, some of them submitted by dead people. Sabato and Simpson's fresh reporting and thousands of hours of background research include interviews with influential politicians, consultants, and political operatives, Freedom of Information Act requests, and thousands of pages of obscure campaign reports. They prove corruption is not about bad apples or colorful local traditions. And they offer a completely original plan for reform--Deregulation Plus--that will frighten both parties and make the American electorate smile for the first time in years. Dirty Little Secrets pulls together the corruption story from all parts of the country sooverwhelmingly that no one--from the White House to your house--will be able to deny that political reform must be one of the key issues of the 1996 election campaign.

In literature and popular culture, small town America is often idealized as distilling the national spirit. Does the myth of the small town conceal deep-seated reactionary tendencies or does it contain the basis of a national re-imagining? During the period between 1940 and 1960, America underwent a great shift in self-mythologizing that can be charted through representations of small towns. Authors like Henry Bellamann and Grace Metalious continued the tradition of Sherwood Anderson in showing the small town--by extension, America itself--profoundly warping the souls of its citizens. Meanwhile, Ray Bradbury, Toshio Mori and Ross Lockridge, Jr., sought to identify the small town's potential for growth, away from the shadows cast by World War II toward a more inclusive, democratic future. Examined together, these works are key to understanding how mid-20th century America refashioned itself in light of a new postwar order, and how the literary small town both obscures and reveals contradictions at the heart of the American experience.

In this lively account of the writing, publication, and legacy of the 1956 bestselling novel, "Peyton Place," Ardis Cameron tells how the story of a patricide in a small New England village became a cultural phenomenon.

"Dark Secrets" tells the story about a little girl who lived a troubled life with incest and molestion .