What are the practical and creative elements for becoming a director? How do you get started? What is the best way for actors, designers, and crew to work with directors? This guide provides regional theater companies and new directors with the knowledge and tools they need to produce successful shows. Drawing on years of experience directing and producing plays, Wilma Marcus Chandler covers such topics as: * How to read and analyze a script and really understand it * How to visualize your show * How to get started, researching and thinking about concept, music, lights, sound, costumes * How to hold auditions * How to talk to your case and crew--and how to listen * How to stage a play, using blocking, body movement, stage business, exits and entrances * How to prepare a production, including rehearsal techniques, time lines, budgets, royalties, publicity * How to prepare a career in directing

What are the practical and creative elements for becoming a director?How do you get started?What is the best way for actors, designers, and crew to work with directors?This guide provides regional theater companies and new directors with the knowledge and tools they need to produce successful shows. Drawing on years of experience directing and producing plays, Wilma Marcus Chandler covers such topics as:* How to read and analyze a script and really understand it* How to visualize your show* How to get started, researching and thinking about concept, music, lights, sound, costumes* How to hold auditions* How to talk to your case and crew--and how to listen* How to stage a play, using blocking, body movement, stage business, exits and entrances* How to prepare a production, including rehearsal techniques, time lines, budgets, royalties, publicity* How to prepare a career in directing.

This guide provides regional theater companies and new directors with the knowledge and tools needed to produce successful shows. Drawing on years of experience directing and producing plays, Wilma Marcus Chandler covers such topics as how to read and analyze a script to really understand it. She guides new directors with how to visualize a show and explains how to get started, researching and thinking about concept, music, lights, sound, and costumes. Tips are provided for how to hold auditions as well as information on how to talk to the cast and crew - and how to listen. New directors will learn how to stage a play, using blocking, body movement, stage business, exits and entrances. She shares skills for preparing a production, including rehearsal techniques, time lines, budgets, royalties, and publicity. Also included is a valuable discussion on how to prepare for a career in directing.

A solid introduction for anyone considering film directing as a field of study or career. 10 photos.

Flexible and concise, Stage Directing details the seven steps that make up the directing process: selecting a work, analyzing and researching the playscript, conceiving the production, casting, beginning rehearsals, polishing rehearsals, and giving and receiving criticism. Each step is highlighted with valuable directing tips, as well as examples from modern and contemporary playscripts and productions. Exercises, objectives, and key terms put directing precepts to a practical test, revealing what is significant about each phase of the process. Over eighty charts, graphs, and photographs unite to exemplify the text. With a fresh voice and an engaging writing style, Patterson provides insightful questions, suggestions, and illustrations that define and invoke contemplation about the role of the director. Three original short plays provide the opportunity for hands-on analysis and the application of practical concepts. In a final essay, Patterson highlights the function and growing artistry of the director in the modern and postmodern theatre by concisely examining the history of the director.

The pursuit of excellence in theatre is well served by the latest edition of this eminently readable text by two directors with wide-ranging experience. In an engaging, conversational manner, the authors deftly combine a focus on artistic vision with a practical, organized methodology that allows beginning and established directors to bring a creative script interpretation to life for an audience.

The revised edition offers an expanded array of materials, organized into cases and shorter 'briefs, ' for use in the study of directing. There are new cases covering issues of censorship, non-traditional casting, theater safety, and ethics among others. The corresponding Instructor's Manual is available free upon request