31 essays on the Bronze Age Aegean which cover a wide range of topics. They are grouped under the following headings: cult and death; Bronze Age material culture; gender; approaches to art; themes of ancient and modern identity; Homer once again; landscape and survey; ancient geography and regional studies; Sparta and Laconia.

The primary objective of this study is to decipher the 'codes' or polysemous signs of many prominent myths of the Graeco-Roman and Near Eastern worlds and thereby to expose their hidden economic meaning. The study is highlighted by analyses of the following themes: Birth of Athena from Zeus' Head, Perseus and the Gorgon, and Gilgamesh in the Cedar Forest; Oedipus of Thebes and the biblical myth of the Five Golden Tumors; Semele the daughter of Kadmos; Heroic Twins; Labors of Herakles; Cain, Janus, and the Rainbow; Dogs as Merchants and Male Prostitutes; Virgin Priestesses in Treasuries; Danae and the Birth of Perseus and the biblical myth of the 'House of Rahab'; Circuiting Gods; Contest Between Athena and Poseidon for Supremacy in Athens; and Hermes versus Apollo, David and his Lyre at King Saul's Court, and Gilgamesh the Infernal Musician. A striking result of these studies is the extent to which ancient myths are saturated by economic content, especially commercial idioms and the standardized gestures required of contractors. It becomes quite clear that the ancients were far more aware of and interested in the economy than many contemporary scholars give them credit for.

This welcome volume examines the use and meaning of equestrian statues in Archaic Greece, relying not only on a full catalog of the sculptures but also on the rich comparative material in the literary and archaeological remains. Previous works have either crowded this important material into a large study of all equestrian statues everywhere or else have examined only those few that belong to the Athenian Acropolis. It has therefore been difficult to characterize the style and distribution of this sculpture, let alone examine them within their cultural milieu. Mary Ann Eaverly carries out precisely these important tasks. The first half of the volume identifies the unique characteristics of equestrian statues as a type apart from other Archaic sculpture. The author places the sculptures within their historical and cultural context and considers critical factors such as cultic activity, aristocratic symbolism, and the influence of Peisistratos. The second half of the volume is a catalog that discusses all the extant pieces individually. Archaic Greek Equestrian Sculpture will be of interest to students and scholars of Greek sculpture, the Greek artistic heritage, and the complex history of Archaic Greece.

This is the first book to show that the worship of heroines, as well as of gods and heroes, was widespread in the Greek world from the eighth through the fourth centuries B.C. Drawing upon textual, archaeological, and iconographic evidence as diverse as ancient travel writing, ritual calendars, votive reliefs, and Euripidean drama, Jennifer Larson demonstrates the pervasiveness of heroine cults at every level of Athenian society. Larson reveals that a broad range of heroic cults existed throughout the Greek world, encompassing not only individuals but couples (Pelops and Hippodameia, Alexandra and Agamemnon, Helen and Menelaos) and families such as those of Asklepios and the Dioskouroi. She shows how heroic cults reinforced the Greeks' gender expectations for both women and men through ritual status, iconography, and narrative motifs. Finally, Larson looks at the intersection of heroine cults with specific topics such as myths of maiden sacrifice, the Amazons, the role of the goddess Artemis, and folk beliefs about female "ghosts."

This book examines the hero-cults of Sparta on the basis of the archaeological and literary sources. Nicolette Pavlides explores the local idiosyncrasies of a pan-Hellenic phenomenon, which itself can help us understand the place and function of heroes in Greek religion. Although it has long been noted that hero-cult was especially popular in Sparta, there is little known about the cults, both in terms of material evidence and the historical context for their popularity. The evidence from the cult of Helen and Menelaos at the Menelaion, the worship of Agamemnon and Alexandra/Kassandra, the Dioskouroi, and others who remain anonymous to us, is viewed as a local phenomenon reflective of the developing communal and social consciousness of the polis. What is more, through an analysis of the typology of cults, it is concluded that in Sparta, the boundaries of the divine/heroic/mortal were fluid, which allowed a great variation in the expression of cults. The votive patterns, topography, and architectural evidence permit an analysis of the kinds of offerings to hero-cults and an evaluation of the architecture that housed such cults. Due to the material and spatial distribution of the votive deposits, it is argued that Sparta had a large number of hero shrines scattered throughout the polis, which attests to an enthusiastic and long-lasting local votive practice at a popular level.

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