Excerpt from Dios y el Diablo, Vol. 1 Hay alli dos cabanas levantadas una 6 cada lado del camino y solo pr el separadas, cada puerta en frente de otra puerta, cada ventana enfrente de otra ventana, y las dos como snriendose los rays de r del sol: una estaba cenida cn una parra y c ronada con su diadema de pampanos; la otra cu, biarta enteramente pr una gigantesca yedra, que despues de haber envuelto la techumbre cm una up, . Adrnaba las paredes cm un vestido. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from El Diablo Richard gregory stirred restlessly in his sleep vaguely aware of an unfamiliar sound, a faint tapping, insistent, disturbing. He wakened sharply and sat bolt upright. Conscious of the fact that he was fully dressed. Then he remembered. All right, Bill, he called softly. Coming. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

A Grief Observed is a collection of Lewis's reflections on the experience of bereavement following the death of his wife, Joy Davidman, in 1960. The book was first published under the pseudonym N.W. Clerk as Lewis wished to avoid identification as the author. Though republished in 1963 after his death under his own name, the text still refers to his wife as "H" (her first name, which she rarely used, was Helen). The book is compiled from the four notebooks which Lewis used to vent and explore his grief. He illustrates the everyday trials of his life without Joy and explores fundamental questions of faith and theodicy. Lewis's step-son (Joy's son) Douglas Gresham points out in his 1994 introduction that the indefinite article 'a' in the title makes it clear that Lewis's grief is not the quintessential grief experience at the loss of a loved one, but one individual's perspective among countless others. The book helped inspire a 1985 television movie Shadowlands, as well as a 1993 film of the same name. Clive Staples Lewis (1898-1963) was a British novelist, poet, academic, medievalist, lay theologian and Christian apologist. He is best known for his fictional work, especially The Screwtape Letters, The Chronicles of Narnia, and The Space Trilogy, and for his non-fiction Christian apologetics, such as Mere Christianity, Miracles, and The Problem of Pain.

Written by one of the world's greatest authorities on Martin Luther, this is the definitive biography of the central figure of the Protestant Reformation. “A brilliant account of Luther’s evolution as a man, a thinker, and a Christian. . . . Every person interested in Christianity should put this on his or her reading list.”—Lawrence Cunningham, Commonweal “This is the biography of Luther for our time by the world’s foremost authority.”—Steven Ozment, Harvard University “If the world is to gain from Luther it must turn to the real Luther—furious, violent, foul-mouthed, passionately concerned. Him it will find in Oberman’s book, a labour of love.”—G. R. Elton, Journal of Ecclesiastical History