The great hats of Dior, as chosen by Stephen Jones, one of the most revered milliners of our times. Christian Dior himself wrote in his Little Dictionary of Fashion: "A hat is essential to any outfit. It completes it. In a way, a hat is the best way to express your personality." Published on the occasion of the 2020 exhibition at the Musée Christian Dior in Granville, France, and authored by renowned milliner Stephen Jones, this volume celebrates more than seventy years of exquisite hats. Opening with a focus on hats designed by Christian Dior himself, the book explores the house's headdresses over the years--from the first millinery of the New Look to Yves Saint Laurent's Venetian masks, the toques of Marc Bohan, dramatic boaters by Gianfranco Ferré, John Galliano's extravagant confections, the graphic neck bow by Raf Simons, and romantic designs by Maria Grazia Chiuri. Jones's insightful texts are accompanied by contributions from leading experts and enlivened by drawings and photographs from Dior's archives; shots by famed photographers, such as Richard Avedon, Sir Cecil Beaton, and Craig McDean; and exclusive new images by Sølve Sundsbø.

Fashion.

An exquisite look into the legacy of the rose at the House of Dior, from Christian Dior’s early passion for gardening to contemporary floral-inspired designs. Christian Dior discovered gardening at his childhood home in Granville, France. Roses profoundly influenced the designer, especially with his famous New Look aesthetic, where they were placed beneath the iconic corolla symbol. Published on the occasion of the exhibition at the Musée Christian Dior in Granville, this volume explores the rose’s importance in Dior’s history. The inspiration for Christian Dior’s flowery vision of femininity runs deep throughout the House’s collections; reinventions by subsequent artistic directors pay homage to Dior’s wish to design dresses for “flower-like women.” A focus on a new variety of rose, the Rose de Granville, underscores the perennial significance of the rose today—from inspiring Haute Couture creations to perfume making. This fascinating immersion in Dior’s universe continues with texts by experts Éric Pujalet-Plàa, Vincent Leret, and Brigitte Richart, accompanied by sublime photographs, including shots by the most acclaimed twentieth-century masters as well as contemporary photography.

Illustrations of designs by Christian Dior on card stock, in paper-doll format; biographical information about Dior on endpapers.

Since the recent royal wedding, couture hats and headpieces are gaining more attention than ever before. Featured on guests from Victoria Beckham to Sarah Ferguson’s daughter, Princess Beatrice, whimsical and sculptural hats are now splashed across the pages of fashion magazines, advertisements, and blogs. The trademark accessory of fashion muse Isabella Blow, couture hats were among the most talked about elements of the recent Alexander McQueen exhibit at the Met, and a Stephen Jones Couture Hats exhibition is running at Bard from September 2011 to April 2012. Couture Hats, a luscious gallery of modern fashion designs, will be unlike anything else on the market, artfully showcasing the most innovative work of master milliners around the world, including the likes of Stephen Jones, Philip Treacy, Anthony Peto, and Nasir Mazhar, designers who have all constructed numerous hats and headpieces for members and guests of the royal family, as well as celebrities like Lady Gaga, Katy Perry, and Daphne Guinness. Already endorsed by the creative director of Givenchy, each chapter of Couture Hats is devoted to a particular designer or design house, providing biographical information, professional philosophies, trade secrets, and intimate interviews. With hundreds of full-page, full-color photographs, these gorgeous modern hats include gravity-defying sculptural shapes to delight and inspire refined women, modern fashionistas, designers, students, aspiring milliners, and costume lovers. Even for those without the gall to wear such daring pieces, these hats will fascinate all creative minds. Among the designers included are: Philip Treacy for Alexander McQueen Philip Treacy Stephen Jones Noel Stewart House of Flora Heather Huey Tour de Force Àngel Coll Manuel Albarran Claudia Schulz Edwina Ibbotson Tolentino Haute Hats Charlie Le Mindu Simon Ekrelius Piers Atkinson Emma Yeo William Chambers Ellen Christine Anya Caliendo Dinu Bodiciu Gustavo Adolfo Tari Irene Bussemaker Dayna Pinkham

A powerful collection of photographs and essays by trailblazing women that celebrates Maria Grazia Chiuri's feminine and feminist spirit within the House of Dior. Since being appointed the first female creative director of Dior in 2016, Maria Grazia Chiuri has infused the illustrious fashion brand with a strong current of femi-nism. Her approach is at once refreshing and needed, while still paying homage to the avant-garde ethos that has been at the heart of the house since its founding by Christian Dior in 1947. This beautifully produced volume presents 160 images by leading female photographers such as Nan Goldin, Sarah Moon, Brigitte Niedermair, Coco Capitán, Vanina Sorrenti, Julia Hetta, Katerina Jebb, Zoë Ghertner, and Bettina Rheims. The women creators featured among these pages represent the breadth of style and diversity upheld by the Maison Dior. Thought-provoking quotes and poems from inspirational women--Chimamanda Ngozi Adichie, Linda Nochlin, Claire Fontaine, Judy Chicago, and Tomaso Binga, to name a few--accompany the striking photographs. Showcasing Chiuri's haute couture and ready-to-wear collections from 2017 to 2021, Her Dior captures the creative director's innovations at the house--where, for the past five years, she's reclaimed the narrative creating Dior fashions for women, by women.

Arguably the most famous fashion designer of the 20th century, Christian Dior's feminine fashions were desired, worn, and emulated by women around the world. This new publication by ROM Press explores in detail what it was about Dior's dramatic creations-the cuts, textiles and embroideries-that stimulated the entire Paris haute couture industry after the devastation of the Second World War. The book features the Royal Ontario Museum's collection of Christian Dior couture (1947-1957), and is accompanied by sketches and documentary material from Christian Dior Héritage, along with archival images and striking photographs of the museum garments taken by world-renowned Dior photographer Laziz Hamani. The collection features beautiful designs from daytime to evening wear. The publication breaks new ground as it explains key Dior design signatures, based on the use of innovative and historical dressmaking techniques to explain what made the New Look so successful and why his designs were worn and emulated by woman around the world in the 1950s. Christian Dior presents new information drawn from extensive research wedded with close examination of the designs within this catalogue, making it an essential read for those interested in fashion, art, culture, and history.