In 1943, Father Dimitri Klepinin, an Orthodox priest serving the Russian emigre community in occupied Paris, was arrested by the Nazis for issuing false baptismal certificates to Jews. One year later, he died in the concentration camp at Dora. In 2004, he was glorified as a saint by the Orthodox Church. In this volume, his daughter lovingly tells the story of her father's life, from his childhood in pre-revolutionary Russia to his martyrdom. It is the story of a man whose entire life was founded on love--for his God, his faith, his family, and all those who came to him for help. The final section of the book consists of Fr. Dimitri's letters to his wife during his confinement. In these letters we glimpse the humble, dauntless spirit of a man whose reliance on Christ was absolute and whose devotion to serving his fellowmen did not waver, even to the grave.

Cinematic Journeys explores the interconnected histories, theories and aesthetics of mobile vision and cinematic movement. It traces the links between certain types of movement of/in the frame and broader cultural trends that have historically informed Western sensibilities. It contextualises that genealogy with detailed analysis of contemporary and recent 'travel films' as well as older works.The book investigates how movements of exploration, discovery and revelation are activated in specific cinematic narratives of travelling and displacement. Such narratives are analysed with attention to the mass population movements and displacements that form their referential background.Cinematic Journeys also examines the ways in which travelling affects film itself. Case studies focus on films as travelling commodities (with the popularity of Indian films in Greece in the 1950s and 60s as case study); and, through a study of subtitles, on the category of the 'foreign spectator' (who in the encounter with 'foreign' films moves across cultural borders).Films considered in the book include Sunrise, Slow Motion, Hukkle, Death in Venice, Voyage to Italy, The Motorcycle Diaries, Koktebel, Japon, Blackboards, Ulysses' Gaze, and the work of directors Tony Gatliff and Fatih Akin.

Z213: EXIT marks the beginning of Dimitris Lyacos' poetic trilogy Poena Damni. Written over the course of seventeen years, in reverse order, the present publication sees the trilogy's completion. The last episode, The First Death, was the first to appear in 1996, followed by the second, Nyctivoe, in 2001. The Poena Damni trilogy both straddles and crosses perceived boundaries of literary form - from the journal-like prose in Z213: EXIT, to the elliptical monologues of the distinctly dramatic Nyctivoe, to the pared down poetic idiom in The First Death. Z213: EXIT provides the main axis for the narrative: from its description of the protagonist's escape to a barren and distorted - but nonetheless real - world will emerge the grotesque ritual of redemption, enacted by the proles of Nyctivoe and, finally, the struggle of the mutilated hero on the island in The First Death.

Maps and borders notwithstanding, some places are best described as "gaps"--places with repeatedly contested boundaries that are wedged in between other places that have clear boundaries. This book explores an iconic example of this in the contemporary Western imagination: the Balkans. Drawing on richly detailed ethnographic research around the Greek-Albanian border, Sarah Green focuses her groundbreaking analysis on the ambiguities of never quite resolving where or what places are. One consequence for some Greek peoples in this border area is a seeming lack of distinction--but in a distinctly "Balkan" way. In gaps (which are never empty), marginality is, in contrast with conventional understandings, not a matter of difference and separation--it is a lack thereof. Notes from the Balkans represents the first ethnographic approach to exploring "the Balkans" as an ideological concept. Green argues that, rather than representing a tension between "West" and "East," the Balkans makes such oppositions ambiguous. This kind of marginality means that such places and peoples can hardly engage with "multiculturalism." Moreover, the region's ambiguity threatens clear, modernist distinctions. The violence so closely associated with the region can therefore be seen as part of continual attempts to resolve the ambiguities by imposing fixed separations. And every time this fails, the region is once again defined as a place that will continually proliferate such dangerous ambiguity, and could spread it somewhere else.

In longitudinal studies it is often of interest to investigate how a marker that is repeatedly measured in time is associated with a time to an event of interest, e.g., prostate cancer studies where longitudinal PSA level measurements are collected in conjunction with the time-to-recurrence. Joint Models for Longitudinal and Time-to-Event Data: With Applications in R provides a full treatment of random effects joint models for longitudinal and time-to-event outcomes that can be utilized to analyze such data. The content is primarily explanatory, focusing on applications of joint modeling, but sufficient mathematical details are provided to facilitate understanding of the key features of these models. All illustrations put forward can be implemented in the R programming language via the freely available package JM written by the author. All the R code used in the book is available at: http://jmr.r-forge.r-project.org/

Max Bergmann is Europe’s hottest drum and bass DJ. From the outside, his life is a whirl of glamorous vodka-fueled parties and casual hook-ups, whilst inside he craves the one thing he can’t have – his Greek childhood friend, Georgios Manolas. Following a disastrous PR stunt and one drunken hook-up too many, Max realises the time has come to reassess his life choices. Returning to his childhood home on the Greek island of Aegina, if he wants any chance of having Georgios permanently in his life, he has to delve into the mystery of the longstanding hatred of the Bergmann’s by Georgios’s family. Georgios is a chef and has spent his whole life on the tiny Greek island of Aegina. He has held the family restaurant together since he left school, with very little reward, and dreams of one day running a restaurant of his own on the island. Yet if he acknowledges his feelings for Max, he runs the risk of losing not just his traditional Greek family but also his livelihood. As Max slowly uncovers the secrets of the past, he is left wondering whether a little Greek girl’s heart-breaking wartime diary could not only hold the key to his family’s history, but could it also unlock his and Georgios’s future together? The Last of the Moussakas is a light-hearted, warm romance about two men’s quest for the truth about the past and unlocking a path to a future together.