Follow the adventures of children who are protected from the digital monsters by their friends, the DigiMons.

The Liberty Dog Show is being haunted by two monster mutts with glowing red eyes, and the Mystery Inc. gang are called in to investigate--but the gang suspects that these ghost dogs are too well trained to be real ghosts.

A free verse biography of Mary Shelley, the author of Frankenstein, featuring over 300 pages of black-and-white watercolor illustrations.

A romantic, historical retelling of classic Gothic horror featuring Edgar Allan Poe and his character Annabel Lee, from a New York Times best-selling author. Annabel Lee is summoned from Siam to live with her father in 1820's Philadelphia shortly after her mother's death, but an unconventional upbringing makes her repugnant to her angry, secretive father. Annabel becomes infatuated with her father's assistant Allan, who dabbles in writing when he's not helping with medical advancements. But in darker hours, when she's not to be roaming the house, she encounters the devilish assistant Edgar, who bears an uncanny resemblance to Allan, and who others insist doesn't exist. A rash of murders across Philadelphia, coupled with her father's strange behavior, leads Annabel to satisfy her curiosity and uncover a terrible truth: Edgar and Allan are two halves of the same person - and they are about to make the crimes detailed in Allan's stories come to life. Unless Annabel stops them.

This book develops the concept of "gamble-play media", describing how some gambling and gambling-like practices are increasingly mediated by digital technologies. Digital gambling brings gambling closer to the practices and features of videogames, as audio-visual simulations structure users’ experiences. By studying digital gambling from media studies, videogame and cultural studies approaches, this book offers a new critical perspective on the issues raised by computer-mediated gambling, while expanding our perspective on what media and gambling are. In particular, it critically analyses terrestrial, mobile and online slot machines, online poker and stock trading apps through a selection of case studies.

The Veritas Project team has a new assignment: To find the truth behind the mysterious disappearance of two runaways. When one runaway turns up totally out of his mind and a government agent steps in to take over the case, the Springfield's continue their own investigation. The twins-Elijah and Elisha-go undercover, posing as runaways. What happens next will keep readers on the edge of their seats as the twins end up in a strange academy where Truth is continually challenged, a gang-like war develops, and Elijah is taken to an ominous mansion from which no one has ever returned. A great thriller with a realistic look at right and wrong.

From the 'Monster of Ravenna' to the 'Elephant Man', Myra Hindley and Ted Bundy, the visualisation of 'real', human monsters has always played a part in how society sees itself. But what is the function of a monster? Why do we need to embody and represent what is monstrous? This book investigates the appearance of the human monster in Western culture, both historically and in our contemporary society. It argues that images of real (rather than fictional) human monsters help us both to identify and to interrogate what constitutes normality; we construct what is acceptable in humanity by depicting what is not quite acceptable. By exploring theories and examples of abnormality, freakishness, madness, otherness and identification, Alexa Wright demonstrates how monstrosity and the monster are social and cultural constructs. However, it soon becomes clear that the social function of the monster – however altered a form it takes – remains constant; it is societal self-defence allowing us to keep perceived monstrosity at a distance. Through engaging with the work of Michel Foucault, Julia Kristeva and Canguilhem (to name but a few) Wright scrutinises and critiques the history of a mode of thinking. She reassesses and explodes conventional concepts of identity, obscuring the boundaries between what is 'normal' and what is not.