This book proposes a new theoretical framework for approaching the causes and effects that digital technologies and the imaginaries related to them have on the processes of self-interpretation and subjectivation. It formulates three main theses. First, it argues that today’s digital technologies, which are primarily based on artificial intelligence (AI) algorithms and big data are formidable habitus machines: they offer increasingly personalized services, but these machines are actually indifferent to individuals and their personalities. Second, this book contends that the effectiveness of these machines does not depend solely on their concrete capacity to classify the social world. It also depends on the expectations, hopes, fears, and imaginaries that we have concerning these technologies and their capacities. This cultural habitus—a worldview, or world picture—leads us to believe in the concrete effectiveness of AI and its potential for our societies. Third, the author takes this Bourdieusian notion of habitus and connects it to current “empirical turn” in philosophy of technology. He contends that, by looking too closely at the things themselves, many philosophers of technology have deprived themselves of the possibility to study the symbolic conditions of possibility in which single technological artifacts are always embedded. Digital Habitus will appeal to scholars and students working in philosophy of technology, the ethics of artificial intelligence, media studies, and science and technology studies.

The issue of the social dimension of technology and transformation, seen from the perspective of 'Habitus', has repeatedly been discussed in the scientific discourse exploring prehistoric and archaic communities. However, the complexity of related phenomena constantly provokes new approaches in different archaeological contexts, which leads to interesting findings.By presenting the latest studies on the social dimension of technology and transformation, this book contributes to a better understanding of a system of embodied dispositions hidden within Bourdieu's concept of 'Habitus'. These studies mainly cover European areas; from Scandinavia to Italy, the Balkans to the British Isles, and Ukraine to the Northern Caucasus. In addition, ethnoarchaeological field studies from distant Indonesia are used to interpret the Hallstatt Culture in Europe. The papers span a chronological dimension from the Neolithic to the beginning of the Iron Age and in summary include a diachronic perspective. Rock art, Trypillian megasites, stone axes and adzes, metallurgy, wagons, archery items, ceramics produced on potter's wheels, mechanisms of cultural genesis and dualistic social systems are examples of the topics discussed. This book also provides comments on Pierre Bourdieu's theory of practice, including the concept of 'Habitus'.This book is addressed to international academia, presenting an important set of information and interpretations for archaeologists and readers interested in European prehistory. It comprises contributions to the CRC 1266 International Workshop 'Habitus? The Social Dimension of Technology and Transformation', held in 2018 at Kiel University.

This is the first monograph to develop a hermeneutic approach to the digital—as both a technological milieu and a cultural phenomenon. While philosophical in its orientation, the book covers a wide body of literature across science and technology studies, media studies, digital humanities, digital sociology, cognitive science, and the study of artificial intelligence. In the first part of the book, the author formulates an epistemological thesis according to which the “virtual never ended.” Although the frontiers between the real and the virtual are certainly more porous today, they still exist and endure. In the book’s second part, the author offers an ontological reflection on emerging digital technologies as “imaginative machines.” He introduces the concept of emagination, arguing that human schematizations are always externalized into technologies, and that human imagination has its analog in the digital dynamics of articulation between databases and algorithms. The author takes an ethical and political stance in the concluding chapter. He resorts to the notion of "digital habitus" for claiming that within the digital we are repeatedly being reconducted to an oversimplified image and understanding of ourselves. Digital Hermeneutics will be of interest to scholars across a wide range of disciplines, including those working on philosophy of technology, hermeneutics, science and technology studies, media studies, and the digital humanities.

This volume brings together emerging research on migration with a focus on multiple crises, new technologies, and social policies. Most of the chapters are written by PhD students or postdocs who took part in the 25th International Metropolis Conference Berlin 2022 (IMCB22). The book presents in three sections orginal work on: digitalization and mobile worlds of work; on social policies for Migrants and Refugees; on multiple crisis and the future of migration. Dieser Sammelband bündelt wissenschaftliche Forschung zu Migration mit einem Fokus auf den Auswirkungen multipler Krisen sowie neuer Technologien auf Sozialpolitiken. Ein Großteil der Beiträge stammt von Nachwuchswissenschaftler:innen, die ihre Projekte während der internationalen Metropoliskonferenz 2022 in Berlin vorgestellt haben (IMCB22). Präsentiert werden ausschließlich Originalbeiträge zu den Themen Digitalisierung und zunehmend mobilen Arbeitswelten, zu Sozialpolitiken im Kontext von Migration und Flucht sowie zu den Auswirkungen multipler globaler Krisen auf Migrationsdynamiken.

The church -- The start up -- Media missions -- The influencers -- Racial reckoning and repair.

This book features incisive qualitative understandings of key dimensions of the socio-educational pathways and experiences of black students at Stellenbosch University.

The economic geography of music is evolving as new digital technologies, organizational forms, market dynamics and consumer behavior continue to restructure the industry. This book is an international collection of case studies examining the spatial dynamics of today’s music industry. Drawing on research from a diverse range of cities such as Santiago, Toronto, Paris, New York, Amsterdam, London, and Berlin, this volume helps readers understand how the production and consumption of music is changing at multiple scales – from global firms to local entrepreneurs; and, in multiple settings – from established clusters to burgeoning scenes. The volume is divided into interrelated sections and offers an engaging and immersive look at today’s central players, processes, and spaces of music production and consumption. Academic students and researchers across the social sciences, including human geography, sociology, economics, and cultural studies, will find this volume helpful in answering questions about how and where music is financed, produced, marketed, distributed, curated and consumed in the digital age.