Nick Barone, cashiered ex-Special Forces, has spent the last few years glued to a bar stool in a seedy establishment. When Marta, daughter of his old mentor Master Sergeant Manny Fernandez, walks into the bar one evening and reveals that her only child has been brutally murdered and her terminally ill father wants to see Barone right away, he cannot refuse the widows request. After Martas father extracts a promise from Barone to find his grandsons killers and exact revenge, Barone begins a quest that leads him to a gang of small-time drug dealers, corrupt cops, and a radical Muslim Imam. He stumbles upon a connectiona funding of the Imams terrorist training program by an organized, nationwide distribution of drugs. Dozens of hoods are involved, but those odds have never bothered Barone who is a man consumed by a hatred of rats who kill for pleasure. Besides, he is a man of his word and Manny is counting on him. From the crowded streets of Hollywood to the vast farmlands of central Florida, Nick searches for answers and, in the process, finds a measure of personal redemption.

Employment and production in the Appalachian coal industry have plummeted over recent decades. But the lethal black lung disease, once thought to be near-eliminated, affects miners at rates never before recorded. Digging Our Own Graves sets this epidemic in the context of the brutal assault, begun in the 1980s and continued since, on the United Mine Workers of America and the collective power of rank-and-file coal miners in the heart of the Appalachian coalfields. This destruction of militancy and working class power reveals the unacknowledged social and political roots of a health crisis that is still barely acknowledged by the state and coal industry. Barbara Ellen Smith’s essential study, now with an updated introduction and conclusion, charts the struggles of miners and their families from the birth of the Black Lung Movement in 1968 to the present-day importance of demands for environmental justice through proposals like the Green New Deal. Through extensive interviews with participants and her own experiences as an activist, the author provides a vivid portrait of communities struggling for survival against the corporate extraction of labor, mineral wealth, and the very breath of those it sends to dig their own graves.

When Kathleen Driskell tells her husband that she's gone to visit the neighbors, she means something different than most. The noted poet -- whose last book, Seed across Snow, was twice listed as a national bestseller by the Poetry Foundation -- lives in an old country church just outside Louisville, Kentucky. Next door is an old graveyard that she was told had fallen out of use. In this marvelous new collection, this turns out not to be the case as the poet's fascination with the "neighbors" brings the burial ground back to life. Driskell frequently strolls the cemetery grounds, imagining the lives and loves of those buried beside her property. These "neighbors," with burial dates as early as 1848, inspire poems that weave stories, real and imagined, from the epitaphs and unmarked graves. Shifting between perspectives, she embraces and inhabits the voices of those laid to rest while also describing the grounds, the man who mows around the markers, and even the flocks of black birds that hover above before settling amongst the gravestones. Next Door to the Dead transcends time and place, linking the often disconnected worlds of the living and the deceased. Just as examining the tombstones forces the author to look more closely at her own life, Driskell's poems and their muses compel us to examine our own mortality, as well as how we impact the finite lives of those around us.

Johnstone Country. Keeping the West wild. U.S. Marshal Will Tanner is one hell of a manhunter. But this time, he’s chasing six men across three states with one gun and no backup. This isn’t justice. This is a suicide mission . . . DIG YOUR OWN GRAVE It starts with a prison break in Missouri. When notorious bank robber Ansel McCoy busts out, he teams up with five other outlaws. Then he and his gang rob a bank in Kansas. Now they’re crossing state lines into Oklahoma Indian Territory. And that’s where U.S. Marshal Will Tanner steps in. Other marshals from Kansas and Missouri have already lost the trail. Which means Tanner has to go it alone. Deep in the wilderness. Outnumbered and outgunned. One good man against six blood-crazed killers. Even if he manages to survive the elements and find McCoy’s hideout, it’s not just the end of his search. It’s his funeral . . . Live Free. Read Hard.

The Ulster Cycle continues, following on the footsteps of the highly acclaimed "The Raid" and "The Feast. The Sorrows" provides another insightful look into Ireland's past through three of its most enduring tales: "The Fate of the Children of Tuirenn, " "The Fate of the Children of Lir, " and "The Fate of the Children of Uisliu."

Detective Alex Mills turns to psychic Gus Parker to help him solve a series of baffling murders perpetrated by a deranged killer who leaves his victims' bodies and taunting clues in the cemeteries of Phoenix, AZ. A killer is on the loose, leaving fresh bodies among the dead in Phoenix cemeteries, and marking the murders with ghoulish signs that warn of more evil to come. It's a crude camouflage that has Detective Alex Mills stumped. As he has done before, Mills turns to his buddy, the reluctant psychic Gus Parker. His visions, as cryptic and baffling as they sometimes are, mean something. But just as the investigation heats up, and Mills needs him most, Gus Parker receives ominous threats from a mysterious source. Is this a crazed fan who is trying to get to Gus's love interest, rock-and-roll legend Billie Welch? Or are these threats related to the spree of cemetery killings? There are nefarious secrets hiding in the shadows of the valley's most well-heeled neighborhoods, and some of the most prominent residents have the most to fear.